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Oliver Goldsmith
Oliver Goldsmith

Chapter IV · Chapter 4

Chapter 4 of Oliver Goldsmith is here in full — 105 sentences across 21 reading sections, with audio for every sentence and word.

Cover illustration for Oliver Goldsmith
Context Illustration Reading 1/21 · 5 lines
English subtitles · tap any word to listen 1 / 5
LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.
He was a nervous man.
Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.
He knew and felt his weakness.
When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Oliver Goldsmith

Chapter IV · Chapter 4

Chapter 4 of Oliver Goldsmith is here in full — 105 sentences across 21 reading sections, with audio for every sentence and word.

Reading 1/21 · 5 reading units · Lines 1–5

Line 1
LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.
Line 2
He was a nervous man.
/hiː wɑːz ə ˈnɜːrvəs mæn/
Line 3
Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.
/ˌɔːlˈðoʊ wʌn ʌv ðə moʊst kəˈlektəd ʌv ˈraɪtərz hiː hæd tuː biː ˈfʊli æt hɪz iːz bɪˈfɔːr ɪn ˌkɑːnvərˈseɪʃən ɔːr ðə ˈkɑːmən ˈɪntərkɔːrs ʌv səˈsaɪəti hiː kʊd biː hɪmˈself ənd rɪˈviːl ðæt fɔːrs ʌv maɪnd ənd ˌɪnvɪnsəˈbɪlɪti ʌv ˌpɜːrsəˈnælɪti ðæt mɑːrk hɪz ˈɪnfluːəns ənd kriˈeɪts hɪz tʃɑːrm/
Line 4
He knew and felt his weakness.
/hiː nuː ənd felt hɪz ˈwiːknəs/
Line 5
When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:
/wen ˈdʒɑːnsən ˈnereɪtɪd hɪz ædˈventʃərz ɪn ə kloʊs ənd ˈfrendli ˈɡɑːsəp wɪð ðə kɪŋ ˈɡoʊldsmɪθ sed/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

authors noun US /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.”

creates verb US /kriˈeɪts/

third-person singular of “create” — make or cause to be or to become

From this reading “Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.”

Goldsmith noun US /ˈɡoʊldsmɪθ/

an artisan who makes jewelry and other objects out of gold

From this reading “LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.”

invincibility noun US /ˌɪnvɪnsəˈbɪlɪti/

the property being difficult or impossible to defeat

From this reading “Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.”

narrated verb US /ˈnereɪtɪd/

past form of “narrate” — provide commentary for a film, for example

From this reading “When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:”

personality noun US /ˌpɜːrsəˈnælɪti/

the complex of all the attributes--behavioral, temperamental, emotional and mental--that characterize a unique individual

From this reading “Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.”

publishers noun US /ˈpʌblɪʃərz/

plural of “publisher” — a firm in the publishing business

From this reading “LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.”

reveal verb US /rɪˈviːl/

make visible

From this reading “Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

adventures in verb + particle counted as “adventure in”

In this reading “When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:”

in conversation preposition + noun

In this reading “Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.”

with a wave preposition + article + noun counted as “with … wave”

In this reading “LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.”

All words in this reading · 72

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

addressverbUS /ˈædres/

speak to

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

adroitnessnoun

skillful performance or ability without difficulty

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

adventuresnounUS /ædˈventʃərz/

plural of “adventure” — a wild and exciting undertaking (not necessarily lawful)

From this reading When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:

AlthoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

atprepositionUS /æt/

in or near a particular place or position

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

authorsnounUS /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

byprepositionUS /baɪ/

showing who or what does the action

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

charmnounUS /tʃɑːrm/

attractiveness that interests or pleases or stimulates

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:

collectedadjectiveUS /kəˈlektəd/

brought together in one place

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

conversationnounUS /ˌkɑːnvərˈseɪʃən/

the use of speech for informal exchange of views or ideas or information etc.

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

createsverbUS /kriˈeɪts/

third-person singular of “create” — make or cause to be or to become

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

diffidentadjective

showing modest reserve

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

easeverbUS /iːz/

move gently or carefully

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

famenounUS /feɪm/

the state or quality of being widely honored and acclaimed

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

feltverbUS /felt/

mat together and make felt-like

From this reading He knew and felt his weakness.

forcenounUS /fɔːrs/

a powerful effect or influence

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

friendlyadjectiveUS /ˈfrendli/

characteristic of or befitting a friend

From this reading When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:

fullyadverbUS /ˈfʊli/

to the greatest degree or extent; completely or entirely; (“full” in this sense is used as a combining form)

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

GoldsmithnounUS /ˈɡoʊldsmɪθ/

an artisan who makes jewelry and other objects out of gold

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

gossipnounUS /ˈɡɑːsəp/

light informal conversation for social occasions

From this reading When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He was a nervous man.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

intercoursenounUS /ˈɪntərkɔːrs/

communication between individuals

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

invincibilitynounUS /ˌɪnvɪnsəˈbɪlɪti/

the property being difficult or impossible to defeat

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

JohnsonnounUS /ˈdʒɑːnsən/

English writer and lexicographer (1709-1784)

From this reading When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:

KingnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading He knew and felt his weakness.

LONDONnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading He was a nervous man.

markverbUS /mɑːrk/

attach a tag or label to

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

mostadverbUS /moʊst/

used to form the superlative

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

narratedverbUS /ˈnereɪtɪd/

past form of “narrate” — provide commentary for a film, for example

From this reading When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:

nervousadjectiveUS /ˈnɜːrvəs/

easily agitated

From this reading He was a nervous man.

nodeterminerUS /noʊ/

not any; not one

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

OlivernounUS /ˈɑːləvər/

United States jazz musician who influenced the style of Louis Armstrong (1885-1938)

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

personalitynounUS /ˌpɜːrsəˈnælɪti/

the complex of all the attributes--behavioral, temperamental, emotional and mental--that characterize a unique individual

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

publishersnounUS /ˈpʌblɪʃərz/

plural of “publisher” — a firm in the publishing business

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

revealverbUS /rɪˈviːl/

make visible

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:

societynounUS /səˈsaɪəti/

an extended social group having a distinctive cultural and economic organization

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

stormverbUS /stɔːrm/

behave violently, as if in state of a great anger

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

takeverbUS /teɪk/

carry out

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

wavenounUS /weɪv/

one of a series of ridges that moves across the surface of a liquid (especially across a large body of water)

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

weaknessnounUS /ˈwiːknəs/

a flaw or weak point

From this reading He knew and felt his weakness.

WhenconjunctionUS /wen/

at the time that

From this reading When Johnson narrated his adventures in a close and friendly gossip with the King, Goldsmith said:

whopronounUS /huː/

which person or people

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

withprepositionUS /wɪð/

in the company of; together with

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Although one of the most collected of writers, he had to be fully at his ease before, in conversation or the common intercourse of society, he could be himself and reveal that force of mind and invincibility of personality that mark his influence and creates his charm.

YoungadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading LONDON Young Oliver Goldsmith, diffident and with no adroitness of address, was not one of those authors who can take publishers by storm, and fame with a wave of the hand.

Chapter 4 of Oliver Goldsmith by E. S. Lang (Ernest Segar Lang), -1916 Buckland holds 105 sentences, grouped into 21 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Oliver Goldsmith contain?

Chapter 4 holds 105 sentences of Oliver Goldsmith, unabridged, divided into 21 reading sections.

This page carries chapter 4 of Oliver Goldsmith by E. S. Lang (Ernest Segar Lang), -1916 Buckland exactly as it stands in the source edition, without abridgement. It runs to 105 sentences, grouped into 21 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Oliver Goldsmith?

Work through the 21 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 21 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Oliver Goldsmith

Common questions about reading Oliver Goldsmith by E. S. Lang (Ernest Segar Lang), -1916 Buckland on this page, its source edition and its audio.

Is this the complete text of Oliver Goldsmith?

Yes. All 987 sentences of Project Gutenberg eBook #31462 are kept, with a record of which sentences cover which part.

Which edition of Oliver Goldsmith is used?

Project Gutenberg eBook #31462, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Oliver Goldsmith take to read?

About 82 minutes of reading across 198 sections of 5 sentences each, at an unhurried pace.

How to read Oliver Goldsmith section by section

How to work through Oliver Goldsmith section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 9 chapters of Oliver Goldsmith to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Oliver Goldsmith

Words and structures a reader meets early in Oliver Goldsmith, each tappable for pronunciation and meaning.

Oliver
A word that appears in the opening chapter of Oliver Goldsmith; the reader can tap it to hear it and see its dictionary entry.
Goldsmith
A word that appears in the opening chapter of Oliver Goldsmith; the reader can tap it to hear it and see its dictionary entry.
Painting
A word that appears in the opening chapter of Oliver Goldsmith; the reader can tap it to hear it and see its dictionary entry.
Reynolds
A word that appears in the opening chapter of Oliver Goldsmith; the reader can tap it to hear it and see its dictionary entry.