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Orpheus in Mayfair, and Other Stories
Orpheus in Mayfair, and Other Stories

Chapter III · Chapter 3

Chapter 3 of Orpheus in Mayfair, and Other Stories is here in full — 175 sentences across 35 reading sections, with audio for every sentence and word.

Cover illustration for Orpheus in Mayfair, and Other Stories
Context Illustration Reading 1/35 · 5 lines
English subtitles · tap any word to listen 1 / 5
Jean Francois was a vagabond by nature, a balladmonger by profession.
Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.
He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.
When the necessity arose he decided to supplement the art of balladmongering by that of stealing.
He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.
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Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Orpheus in Mayfair, and Other Stories

Chapter III · Chapter 3

Chapter 3 of Orpheus in Mayfair, and Other Stories is here in full — 175 sentences across 35 reading sections, with audio for every sentence and word.

Reading 1/35 · 5 reading units · Lines 1–5

Line 1
Jean Francois was a vagabond by nature, a balladmonger by profession.
Line 2
Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.
/laɪk ˈmeni ˈpoʊəts ɪn ˈmeni taɪmz hiː faʊnd ðæt ðə ˈbɪznəs ʌv ˈraɪtɪŋ vɜːrs wɑːz mɔːr əˈmjuːzɪŋ ðæn ˈluːkrətɪv ənd hiː wɑːz kənˈstreɪnd tuː ˈsʌpləmənt ðə ˈɜːrnɪŋz ʌv hɪz pen ənd hɪz ɡɪˈtɑːr baɪ ˈʌðər ənd mɔːr ˈprɑːfətəbəl wɜːrk/
Line 3
He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.
Line 4
When the necessity arose he decided to supplement the art of balladmongering by that of stealing.
Line 5
He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

ballads noun US /ˈbælədz/

plural of “ballad” — a narrative song with a recurrent refrain

From this reading “He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.”

earnings noun US /ˈɜːrnɪŋz/

the excess of revenues over outlays in a given period of time (including depreciation and other non-cash expenses)

From this reading “Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.”

facility noun US /fəˈsɪlɪti/

a building or place that provides a particular service or is used for a particular industry

From this reading “He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.”

foundling noun US /ˈfaʊndlɪŋ/

a child who has been abandoned and whose parents are unknown

From this reading “He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.”

guitar noun US /ɡɪˈtɑːr/

a stringed instrument usually having six strings; played by strumming or plucking

From this reading “Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.”

lucrative adjective US /ˈluːkrətɪv/

producing a sizeable profit

From this reading “Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.”

supplement noun US /ˈsʌpləmənt/

textual matter that is added onto a publication; usually at the end

From this reading “Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.”

vagabond noun US /ˈvæɡəbɑːnd/

anything that resembles a vagabond in having no fixed place

From this reading “Jean Francois was a vagabond by nature, a balladmonger by profession.”

All words in this reading · 78

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Jean Francois was a vagabond by nature, a balladmonger by profession.

adoptedadjectiveUS /əˈdɑːptɪd/

acquired as your own by free choice

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

agenounUS /eɪdʒ/

how long something has existed

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

amusingadjectiveUS /əˈmjuːzɪŋ/

providing enjoyment; pleasantly entertaining

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

aroseverbUS /ərˈoʊz/

inflected form of “arise” — come into existence; take on form or shape

From this reading When the necessity arose he decided to supplement the art of balladmongering by that of stealing.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading When the necessity arose he decided to supplement the art of balladmongering by that of stealing.

artsnounUS /ɑːrts/

studies intended to provide general knowledge and intellectual skills (rather than occupational or professional skills)

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

atprepositionUS /æt/

in or near a particular place or position

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

balladmonger

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Jean Francois was a vagabond by nature, a balladmonger by profession.

balladmongering

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When the necessity arose he decided to supplement the art of balladmongering by that of stealing.

balladsnounUS /ˈbælədz/

plural of “ballad” — a narrative song with a recurrent refrain

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

businessnounUS /ˈbɪznəs/

a commercial or industrial enterprise and the people who constitute it

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Jean Francois was a vagabond by nature, a balladmonger by profession.

citynounUS /ˈsɪti/

a large and densely populated urban area; may include several independent administrative districts

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

constrainedadjectiveUS /kənˈstreɪnd/

lacking spontaneity; not natural

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

decidedadjectiveUS /ˌdɪˈsaɪdɪd/

recognizable; marked

From this reading When the necessity arose he decided to supplement the art of balladmongering by that of stealing.

earningsnounUS /ˈɜːrnɪŋz/

the excess of revenues over outlays in a given period of time (including depreciation and other non-cash expenses)

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

equalverbUS /ˈiːkwəl/

be identical or equivalent to

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

facilitynounUS /fəˈsɪlɪti/

a building or place that provides a particular service or is used for a particular industry

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

foundverbUS /faʊnd/

set up or found

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

foundlingnounUS /ˈfaʊndlɪŋ/

a child who has been abandoned and whose parents are unknown

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

Francois

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Jean Francois was a vagabond by nature, a balladmonger by profession.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

guitarnounUS /ɡɪˈtɑːr/

a stringed instrument usually having six strings; played by strumming or plucking

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

homenounUS /hoʊm/

where you live at a particular time

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

horsesnounUS /ˈhɔːrsəz/

plural of “horse” — solid-hoofed herbivorous quadruped domesticated since prehistoric times

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

JeannounUS /dʒiːn/

a coarse durable twill-weave cotton fabric

From this reading Jean Francois was a vagabond by nature, a balladmonger by profession.

learntverbUS /lɜːrnt/

inflected form of “learn” — gain knowledge or skills

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

LikeverbUS /laɪk/

prefer or wish to do something

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

lucrativeadjectiveUS /ˈluːkrətɪv/

producing a sizeable profit

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Jean Francois was a vagabond by nature, a balladmonger by profession.

necessitynounUS /nəˈsesəti/

the condition of being essential or indispensable

From this reading When the necessity arose he decided to supplement the art of balladmongering by that of stealing.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

pennounUS /pen/

a writing implement with a point from which ink flows

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

pickedverbUS /pɪkt/

past form of “pick” — select carefully from a group

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

pocketsnounUS /ˈpɑːkəts/

plural of “pocket” — a small pouch inside a garment for carrying small articles

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

poetsnounUS /ˈpoʊəts/

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

professionnounUS /prəˈfeʃən/

the body of people in a learned occupation

From this reading Jean Francois was a vagabond by nature, a balladmonger by profession.

profitableadjectiveUS /ˈprɑːfətəbəl/

yielding material gain or profit

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

runverbUS /rʌn/

move fast by using one's feet, with one foot off the ground at any given time

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

sangnounUS /sæŋ/

North American woodland herb similar to and used as substitute for the Chinese ginseng

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

sevennounUS /ˈsevən/

the cardinal number that is the sum of six and one

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

shoe-maker

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

skilfuladjective

having or showing knowledge and skill and aptitude

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

stealingnounUS /ˈstiːlɪŋ/

the act of taking something from someone unlawfully

From this reading When the necessity arose he decided to supplement the art of balladmongering by that of stealing.

stolenounUS /stoʊl/

a wide scarf worn about their shoulders by women

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

successnounUS /səkˈses/

an event that accomplishes its intended purpose

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

supplementnounUS /ˈsʌpləmənt/

textual matter that is added onto a publication; usually at the end

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

tradenounUS /treɪd/

the commercial exchange (buying and selling on domestic or international markets) of goods and services

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

vagabondnounUS /ˈvæɡəbɑːnd/

anything that resembles a vagabond in having no fixed place

From this reading Jean Francois was a vagabond by nature, a balladmonger by profession.

versenounUS /vɜːrs/

literature in metrical form

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Jean Francois was a vagabond by nature, a balladmonger by profession.

whatpronounUS /wʌt/

used to ask for information about something

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

WhenconjunctionUS /wen/

at the time that

From this reading When the necessity arose he decided to supplement the art of balladmongering by that of stealing.

withprepositionUS /wɪð/

in the company of; together with

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading He had run away from what had been his home at the age of seven (he was a foundling, and his adopted father was a shoe-maker), without having learnt a trade.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Like many poets in many times, he found that the business of writing verse was more amusing than lucrative; and he was constrained to supplement the earnings of his pen and his guitar by other and more profitable work.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading He was skilful in both arts: he wrote verse, sang ballads, picked pockets (in the city), and stole horses (in the country) with equal facility and success.

Chapter 3 of Orpheus in Mayfair, and Other Stories by Maurice Baring holds 175 sentences, grouped into 35 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Orpheus in Mayfair, and Other Stories contain?

Chapter 3 holds 175 sentences of Orpheus in Mayfair, and Other Stories, unabridged, divided into 35 reading sections.

This page carries chapter 3 of Orpheus in Mayfair, and Other Stories by Maurice Baring exactly as it stands in the source edition, without abridgement. It runs to 175 sentences, grouped into 35 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Orpheus in Mayfair, and Other Stories?

Work through the 35 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 35 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Orpheus in Mayfair, and Other Stories

Common questions about reading Orpheus in Mayfair, and Other Stories by Maurice Baring on this page, its source edition and its audio.

Is this the complete text of Orpheus in Mayfair, and Other Stories?

Yes. All 2648 sentences of Project Gutenberg eBook #2492 are kept, with a record of which sentences cover which part.

Which edition of Orpheus in Mayfair, and Other Stories is used?

Project Gutenberg eBook #2492, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Orpheus in Mayfair, and Other Stories take to read?

About 220 minutes of reading across 530 sections of 5 sentences each, at an unhurried pace.

How to read Orpheus in Mayfair, and Other Stories section by section

How to work through Orpheus in Mayfair, and Other Stories section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 16 chapters of Orpheus in Mayfair, and Other Stories to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Orpheus in Mayfair, and Other Stories

Words and structures a reader meets early in Orpheus in Mayfair, and Other Stories, each tappable for pronunciation and meaning.

Stories
A word that appears in the opening chapter of Orpheus in Mayfair, and Other Stories; the reader can tap it to hear it and see its dictionary entry.
Sketches
A word that appears in the opening chapter of Orpheus in Mayfair, and Other Stories; the reader can tap it to hear it and see its dictionary entry.
Appeared
A word that appears in the opening chapter of Orpheus in Mayfair, and Other Stories; the reader can tap it to hear it and see its dictionary entry.
Morning
A word that appears in the opening chapter of Orpheus in Mayfair, and Other Stories; the reader can tap it to hear it and see its dictionary entry.