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Oscar Wilde
Oscar Wilde

Chapter II

Chapter 2 of Oscar Wilde is here in full — 738 sentences across 148 reading sections, with audio for every sentence and word.

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THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.
The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.
What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!
Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.
It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Oscar Wilde

Chapter II

Chapter 2 of Oscar Wilde is here in full — 738 sentences across 148 reading sections, with audio for every sentence and word.

Reading 1/147 · 5 reading units · Lines 1–5

Line 1
THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.
Line 2
The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.
Line 3
What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!
/wʌt ˈprɑːməs ʌv ə lɔːŋ səkˈseʃən ʌv ˈsoʊʃəl ˈkɑːmədiz ˌɪˈluːməneɪtəd baɪ ðə ˈɪntəmət ˈnɑːlədʒ ʌv hɪz səbˈdʒekt ðæt hiː soʊ ɪnˈtaɪərli pəˈzest wɑːz held aʊt tuː ʌs/
Line 4
Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.
Line 5
It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

acclaimed verb US /əˈkleɪmd/

past form of “acclaim” — praise vociferously

From this reading “The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.”

facile adjective US /ˈfæsəl/

superficially impressive, but lacking depth and attention to the true complexities of a subject

From this reading “Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.”

playwright noun US /ˈpleɪraɪt/

someone who writes plays

From this reading “THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.”

pleasantries noun US /ˈplezəntriz/

plural of “pleasantry” — an agreeable or amusing remark

From this reading “It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.”

portraying noun US /pɔːrˈtreɪɪŋ/

a representation by picture or portraiture

From this reading “Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.”

stagecraft noun US /ˈsteɪdʒkræft/

skill in writing or staging plays

From this reading “The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.”

stilted adjective US /ˈstɪltɪd/

artificially formal

From this reading “Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.”

Valhalla noun US /ˌvælˈhælə/

(Norse mythology) the hall in which the souls of heros slain in battle were received by Odin

From this reading “THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

intimate knowledge adjective + noun

In this reading “What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!”

at once preposition + adverb

without delay or hesitation; with no time intervening

In this reading “THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.”

conscious effort adjective + noun

In this reading “Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.”

on account preposition + noun

In this reading “THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.”

upon a pedestal preposition + article + noun counted as “upon … pedestal”

In this reading “THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.”

succeeded in verb + particle counted as “succeed in”

In this reading “The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.”

real life adjective + noun

the practical world as opposed to the academic world

In this reading “It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.”

long succession adjective + noun

In this reading “What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!”

All words in this reading · 174

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1892

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

abroadadverbUS /əˈbrɔːd/

to or in a foreign country

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

acclaimedverbUS /əˈkleɪmd/

past form of “acclaim” — praise vociferously

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

accountnounUS /əˈkaʊnt/

a record or narrative description of past events

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

AlexandernounUS /ˌæləɡˈzændər/

European herb somewhat resembling celery widely naturalized in Britain coastal regions and often cultivated as a potherb

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

aroundprepositionUS /ərˈaʊnd/

surrounding, or on every side of, something

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

brilliancynoun

a quality that outshines the usual

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

byprepositionUS /baɪ/

showing who or what does the action

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

clothingnounUS /ˈkloʊðɪŋ/

a covering designed to be worn on a person's body

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

comediesnounUS /ˈkɑːmədiz/

plural of “comedy” — light and humorous drama with a happy ending

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

comingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

conditionnounUS /kənˈdɪʃən/

a state at a particular time

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

consciousadjectiveUS /ˈkɑːnʃəs/

intentionally conceived

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

conversationnounUS /ˌkɑːnvərˈseɪʃən/

the use of speech for informal exchange of views or ideas or information etc.

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

createdverbUS /kriˈeɪtəd/

past form of “create” — make or cause to be or to become

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

delightedadjectiveUS /dɪˈlaɪtəd/

greatly pleased

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

dialoguenounUS /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

DramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

DRAMATISTnounUS /ˈdrɑːmətɪst/

someone who writes plays

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

easeverbUS /iːz/

move gently or carefully

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

effortnounUS /ˈefərt/

earnest and conscientious activity intended to do or accomplish something

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

epigrams

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

existsverbUS /ɪɡˈzɪsts/

third-person singular of “exist” — have an existence, be extant

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

facileadjectiveUS /ˈfæsəl/

superficially impressive, but lacking depth and attention to the true complexities of a subject

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

fallsnounUS /fɔːlz/

the petals or sepals of a flower that bend downward (especially the outer perianth of an iris)

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

FanverbUS /fæn/

strike out (a batter), (of a pitcher)

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

five-o'clock

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

flownounUS /floʊ/

the motion characteristic of fluids (liquids or gases)

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

folknounUS /foʊk/

people in general (often used in the plural)

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

franklyadverbUS /ˈfræŋkli/

(used as intensives reflecting the speaker's attitude) it is sincerely the case that

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

furorenoun

an interest followed with exaggerated zeal

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

GeorgenounUS /dʒɔːrdʒ/

Christian martyr; patron saint of England; hero of the legend of Saint George and the Dragon in which he slew a dragon and saved a princess (?-303)

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

habituallyadverbUS /həˈbɪtʃuːəli/

according to habit or custom

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

heldadjectiveUS /held/

occupied or in the control of; often used in combination

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

HereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

higheradjectiveUS /ˈhaɪər/

advanced in complexity or elaboration

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

hithertoadverbUS /ˈhɪðɜːrˈtuː/

used in negative statement to describe a situation that has existed up to this point or up to the present time

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

illadjectiveUS /ɪl/

affected by an impairment of normal physical or mental function

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

illuminatedadjectiveUS /ˌɪˈluːməneɪtəd/

provided with artificial light

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

interlarded

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

intimateadjectiveUS /ˈɪntəmət/

marked by close acquaintance, association, or familiarity

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

James'snounUS /ˈdʒeɪmzɪz/

possessive form of “james” — a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

jeu

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

knowledgenounUS /ˈnɑːlədʒ/

the psychological result of perception and learning and reasoning

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

LadynounUS /ˈleɪdi/

a polite name for any woman

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

lastadjectiveUS /læst/

immediately past

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

lipsnounUS /lɪps/

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

mindsnounUS /maɪndz/

plural of “mind” — that which is responsible for one's thoughts, feelings, and conscious brain functions; the seat of the faculty of reason

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

MODERNadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

naturallyadverbUS /ˈnætʃərəli/

as might be expected

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

nimbleadjectiveUS /ˈnɪmbəl/

moving quickly and lightly

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

nodeterminerUS /noʊ/

not any; not one

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

objectedverbUS /əbˈdʒektəd/

past form of “object” — express or raise an objection or protest or criticism or express dissent

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

onceadverbUS /wʌns/

on one occasion

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

originalitynounUS /ərˌɪdʒəˈnælɪti/

the ability to think and act independently

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

paradoxnounUS /ˈperədɑːks/

(logic) a statement that contradicts itself

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

pedestalnounUS /ˈpedəstəl/

a support or foundation

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

periodsnounUS /ˈpɪriədz/

plural of “period” — an amount of time

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

personages

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

phrasenounUS /freɪz/

an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

placedadjectiveUS /pleɪst/

situated in a particular spot or position

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

playgoing

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

PLAYWRIGHTnounUS /ˈpleɪraɪt/

someone who writes plays

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

pleasantriesnounUS /ˈplezəntriz/

plural of “pleasantry” — an agreeable or amusing remark

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

plotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

portrayingnounUS /pɔːrˈtreɪɪŋ/

a representation by picture or portraiture

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

possessedadjectiveUS /pəˈzest/

influenced or controlled by a powerful force such as a strong emotion

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

promiseverbUS /ˈprɑːməs/

make a promise or commitment

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

ranksnounUS /ræŋks/

plural of “rank” — a row or line of people (especially soldiers or police) standing abreast of one another

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

roundedadjectiveUS /ˈraʊndəd/

curving and somewhat round in shape rather than jagged

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

scatterverbUS /ˈskætər/

to cause to separate and go in different directions

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

sentencesnounUS /ˈsentənsəz/

plural of “sentence” — a string of words satisfying the grammatical rules of a language

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

sitverbUS /sɪt/

be seated

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

socialadjectiveUS /ˈsoʊʃəl/

relating to human society and its members

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

societynounUS /səˈsaɪəti/

an extended social group having a distinctive cultural and economic organization

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

sparkleverbUS /ˈspɑːrkəl/

reflect brightly

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

sprightlyadjectiveUS /ˈspraɪtli/

full of spirit and vitality

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

springnounUS /sprɪŋ/

the season of growth

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

stagecraftnounUS /ˈsteɪdʒkræft/

skill in writing or staging plays

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

stiltedadjectiveUS /ˈstɪltɪd/

artificially formal

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

strikingadjectiveUS /ˈstraɪkɪŋ/

sensational in appearance or thrilling in effect

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

succeededverbUS /səkˈsiːdɪd/

past form of “succeed” — attain success or reach a desired goal

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

successionnounUS /səkˈseʃən/

a following of one thing after another in time

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

surroundingsnounUS /sərˈaʊndɪŋz/

the environmental condition

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

tea-table

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

TennounUS /ten/

the cardinal number that is the sum of nine and one; the base of the decimal system

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

TheatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

thoroughlyadverbUS /ˈθɜːroʊli/

in an exhaustive manner

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

treatedadjectiveUS /ˈtriːtɪd/

subjected to a physical (or chemical) treatment or action or agent

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

typesnounUS /taɪps/

plural of “type” — a subdivision of a particular kind of thing

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

unaccustomedadjectiveUS /ˌʌnəˈkʌstəmd/

unusual or unfamiliar

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

unprecedentedadjectiveUS /ənˈpresɪdentɪd/

having no precedent; novel

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

unravelverbUS /ənˈrævəl/

become or cause to become undone by separating the fibers or threads of

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

UpperadjectiveUS /ˈʌpər/

the topmost one of two

From this reading It may be objected that people in real life, even in the higher life of the Upper Ten, do not habitually scatter sprightly pleasantries abroad as they sit around the five-o'clock tea-table.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

ValhallanounUS /ˌvælˈhælə/

(Norse mythology) the hall in which the souls of heros slain in battle were received by Odin

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

vesturenoun

something that covers or cloaks like a garment

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

vicesnounUS /ˈvaɪsəz/

plural of “vice” — moral weakness

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

vieux

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

virtuesnounUS /ˈvɜːrtʃuːz/

plural of “virtue” — the quality of doing what is right and avoiding what is wrong

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What promise of a long succession of social comedies, illuminated by the intimate knowledge of his subject that he so entirely possessed, was held out to us!

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

WhenconjunctionUS /wen/

at the time that

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

whopronounUS /huː/

which person or people

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

Windermere's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

withprepositionUS /wɪð/

in the company of; together with

From this reading The author was acclaimed as a playwright who had at last succeeded in clothing stagecraft with the vesture of literature, and with happy phrase and nimble paradox delighted the minds of his audience.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Here was a man who treated society as it really exists; who was himself living in it; portraying its folk as he knew them, with their virtues and vices coming to them as naturally as the facile flow of their conversation; conversation interlarded with no stilted sentences, no well- (or ill-) rounded periods, but such as that which falls without conscious effort from the lips of people who, in whatever surroundings they may be placed, are, before all things, and at all times, thoroughly at their ease.

yetconjunctionUS /jet/

but in spite of that

From this reading THE MODERN PLAYWRIGHT THE DRAMATIST When Mr George Alexander produced "Lady Windermere's Fan" at the St James's Theatre, in the spring of 1892, it created an unprecedented furore among all ranks of the playgoing public, and placed the author at once upon a pedestal in the Valhalla of the Drama; not on account of the plot, which was frankly somewhat _vieux jeu_, nor yet upon any striking originality in the types of the personages who were to unravel it, but upon the sparkle of the dialogue, the brilliancy of the epigrams, a condition of things to which the English stage had hitherto been entirely unaccustomed.

Chapter 2 of Oscar Wilde by Guy Thorne holds 738 sentences, grouped into 148 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Oscar Wilde contain?

Chapter 2 holds 738 sentences of Oscar Wilde, unabridged, divided into 148 reading sections.

This page carries chapter 2 of Oscar Wilde by Guy Thorne exactly as it stands in the source edition, without abridgement. It runs to 738 sentences, grouped into 148 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Oscar Wilde?

Work through the 148 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 148 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Is this the complete text of Oscar Wilde?

Yes. All 4358 sentences of Project Gutenberg eBook #38251 are kept, with a record of which sentences cover which part.

Which edition of Oscar Wilde is used?

Project Gutenberg eBook #38251, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Oscar Wilde take to read?

About 363 minutes of reading across 872 sections of 5 sentences each, at an unhurried pace.

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Words and structures a reader meets early in Oscar Wilde, each tappable for pronunciation and meaning.

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