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Oscar Wilde, His Life and Confessions — Volume 1
Oscar Wilde, His Life and Confessions — Volume 1

Chapter VI · Chapter 6

Chapter 6 of Oscar Wilde, His Life and Confessions — Volume 1 is here in full — 117 sentences across 24 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/23 · 5 lines
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From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).
His appearance was not in his favour; there was something oily and fat about him that repelled me.
Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.
The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.
Two of Balzac's characters, it will be remembered, practised this form of humour.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Oscar Wilde, His Life and Confessions — Volume 1

Chapter VI · Chapter 6

Chapter 6 of Oscar Wilde, His Life and Confessions — Volume 1 is here in full — 117 sentences across 24 reading sections, with audio for every sentence and word.

Reading 1/23 · 5 reading units · Lines 1–5

Line 1
From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).
Line 2
His appearance was not in his favour; there was something oily and fat about him that repelled me.
/hɪz əˈpɪrəns wɑːz nɑːt ɪn hɪz ˈfeɪvər ðer wɑːz ˈsʌmθɪŋ ˈɔɪli ənd fæt əˈbaʊt hɪm ðæt rəˈpeld miː/
Line 3
Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.
Line 4
The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.
Line 5
Two of Balzac's characters, it will be remembered, practised this form of humour.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

consist verb US /kənˈsɪst/

originate

From this reading “The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.”

laziness noun US /ˈleɪzinəs/

inactivity resulting from a dislike of work

From this reading “Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.”

monologues noun US /ˈmɑːnəlɔːɡz/

plural of “monologue” — speech you make to yourself

From this reading “The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.”

oily adjective US /ˈɔɪli/

containing an unusual amount of grease or oil

From this reading “His appearance was not in his favour; there was something oily and fat about him that repelled me.”

proverbs noun US /ˈprɑːvərbz/

an Old Testament book consisting of proverbs from various Israeli sages (including Solomon)

From this reading “The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.”

snatches noun US /ˈsnætʃɪz/

plural of “snatch” — a small fragment

From this reading “The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.”

upside noun US /ˈʌpˈsaɪd/

the highest or uppermost side of anything

From this reading “The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.”

Wilde noun US /waɪld/

Irish writer and wit (1854-1900)

From this reading “From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1884

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

afterwardsadverbUS /ˈæftərwərdz/

happening at a time subsequent to a reference time

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

appearancenounUS /əˈpɪrəns/

outward or visible aspect of a person or thing

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

atprepositionUS /æt/

in or near a particular place or position

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

Balzac's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

British-born

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

caughtverbUS /kɑːt/

inflected form of “catch” — discover or come upon accidentally, suddenly, or unexpectedly; catch somebody doing something or in a certain state

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

chieflyadverbUS /ˈtʃiːfli/

for the most part

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

consistverbUS /kənˈsɪst/

originate

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

constructedverbUS /kənˈstrʌktəd/

past form of “construct” — make by combining materials and parts

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

continuallyadverbUS /kənˈtɪnjuːəli/

seemingly without interruption

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

drawingnounUS /ˈdrɔːɪŋ/

an illustration that is drawn by hand and published in a book, magazine, or newspaper

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

epigrams

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

familiaradjectiveUS /fəˈmɪljər/

well known or easily recognized

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

fatadjectiveUS /fæt/

having an (over)abundance of flesh

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

favournounUS /ˈfeɪvər/

a feeling of favorable regard

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

fleshlyadjective

marked by the appetites and passions of the body

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

foundationnounUS /faʊnˈdeɪʃən/

the basis on which something is grounded

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

Helier

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

humournounUS /ˈhjuːmər/

a characteristic (habitual or relatively temporary) state of feeling

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

indulgencenounUS /ˌɪnˈdʌldʒəns/

an inability to resist the gratification of whims and desires

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

Jeune's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

LadynounUS /ˈleɪdi/

a polite name for any woman

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

lazinessnounUS /ˈleɪzinəs/

inactivity resulting from a dislike of work

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

mechanicallyadverbUS /məˈkænɪkli/

in a mechanical manner; by a mechanism

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

metverbUS /met/

inflected form of “meet” — come together

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

monologuesnounUS /ˈmɑːnəlɔːɡz/

plural of “monologue” — speech you make to yourself

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

moraladjectiveUS /ˈmɔːrəl/

concerned with principles of right and wrong or conforming to standards of behavior and character based on those principles

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

mostadverbUS /moʊst/

used to form the superlative

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

NaturallyadverbUS /ˈnætʃərəli/

as might be expected

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

oilyadjectiveUS /ˈɔɪli/

containing an unusual amount of grease or oil

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

OscarnounUS /ˈɔːskər/

an annual award by the Academy of Motion Picture Arts and Sciences for achievements in motion picture production and performance

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

practisedadjectiveUS /ˈpræktɪst/

skillful after much practice

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

proverbsnounUS /ˈprɑːvərbz/

an Old Testament book consisting of proverbs from various Israeli sages (including Solomon)

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

rememberedverbUS /rɪˈmembərd/

past form of “remember” — recall knowledge from memory; have a recollection

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

repelledverbUS /rəˈpeld/

inflected form of “repel” — cause to move back by force or influence

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

repugnancenoun

intense aversion

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

sayingsnounUS /ˈseɪɪŋz/

plural of “saying” — a word or phrase that particular people use in particular situations

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

snatchesnounUS /ˈsnætʃɪz/

plural of “snatch” — a small fragment

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

societynounUS /səˈsaɪəti/

an extended social group having a distinctive cultural and economic organization

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

thereadverbUS /ðer/

in or at that place or location

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

triedadjectiveUS /traɪd/

tested and proved useful or correct

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

TwonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

upsidenounUS /ˈʌpˈsaɪd/

the highest or uppermost side of anything

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading His appearance was not in his favour; there was something oily and fat about him that repelled me.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The snatches of his monologues which I caught from time to time seemed to me to consist chiefly of epigrams almost mechanically constructed of proverbs and familiar sayings turned upside down.

WildenounUS /waɪld/

Irish writer and wit (1854-1900)

From this reading From 1884 on I met Oscar Wilde continually, now at the theatre, now in some society drawing room; most often, I think, at Mrs. Jeune's (afterwards Lady St. Helier).

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Two of Balzac's characters, it will be remembered, practised this form of humour.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading Naturally being British-born and young I tried to give my repugnance a moral foundation; fleshly indulgence and laziness, I said to myself, were written all over him.

Chapter 6 of Oscar Wilde, His Life and Confessions — Volume 1 by Frank Harris holds 117 sentences, grouped into 24 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of Oscar Wilde, His Life and Confessions — Volume 1 contain?

Chapter 6 holds 117 sentences of Oscar Wilde, His Life and Confessions — Volume 1, unabridged, divided into 24 reading sections.

This page carries chapter 6 of Oscar Wilde, His Life and Confessions — Volume 1 by Frank Harris exactly as it stands in the public-domain source edition, without abridgement. It runs to 117 sentences, grouped into 24 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of Oscar Wilde, His Life and Confessions — Volume 1?

Work through the 24 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 24 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Oscar Wilde, His Life and Confessions — Volume 1

Common questions about reading Oscar Wilde, His Life and Confessions — Volume 1 by Frank Harris on this page, its source edition and its audio.

Is this the complete text of Oscar Wilde, His Life and Confessions — Volume 1?

Yes. All 3874 sentences of Project Gutenberg eBook #3662 are kept, with a record of which sentences cover which part.

Which edition of Oscar Wilde, His Life and Confessions — Volume 1 is used?

Project Gutenberg eBook #3662, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Oscar Wilde, His Life and Confessions — Volume 1 take to read?

About 322 minutes of reading across 775 sections of 5 sentences each, at an unhurried pace.

How to read Oscar Wilde, His Life and Confessions — Volume 1 section by section

How to work through Oscar Wilde, His Life and Confessions — Volume 1 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 16 chapters of Oscar Wilde, His Life and Confessions — Volume 1 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Oscar Wilde, His Life and Confessions — Volume 1

Words and structures a reader meets early in Oscar Wilde, His Life and Confessions — Volume 1, each tappable for pronunciation and meaning.

December
A word that appears in the opening chapter of Oscar Wilde, His Life and Confessions — Volume 1; the reader can tap it to hear it and see its dictionary entry.
Dublin
A word that appears in the opening chapter of Oscar Wilde, His Life and Confessions — Volume 1; the reader can tap it to hear it and see its dictionary entry.
Society
A word that appears in the opening chapter of Oscar Wilde, His Life and Confessions — Volume 1; the reader can tap it to hear it and see its dictionary entry.
Abuzz
A word that appears in the opening chapter of Oscar Wilde, His Life and Confessions — Volume 1; the reader can tap it to hear it and see its dictionary entry.