Chapter IV
Chapter 4 of Our Artist in Cuba, Peru, Spain and Algiers is here in full — 22 sentences across 5 reading sections, with audio for every sentence and word.
SPAIN. A SPANISH OVERCOAT. HACKMEN IN SPAIN. A CITIZEN OF VALLADOLID. A MADRID HAT.
Chapter 4 of Our Artist in Cuba, Peru, Spain and Algiers is here in full — 22 sentences across 5 reading sections, with audio for every sentence and word.
Chapter IV
Chapter 4 of Our Artist in Cuba, Peru, Spain and Algiers is here in full — 22 sentences across 5 reading sections, with audio for every sentence and word.
SPAIN. A SPANISH OVERCOAT. HACKMEN IN SPAIN. A CITIZEN OF VALLADOLID. A MADRID HAT.
Chapter 4 of Our Artist in Cuba, Peru, Spain and Algiers is here in full — 22 sentences across 5 reading sections, with audio for every sentence and word.
Reading 1/4 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
a native or naturalized member of a state or other political community
From this reading “A CITIZEN OF VALLADOLID.”
headdress that protects the head from bad weather; has shaped crown and usually a brim
From this reading “A MADRID HAT.”
the capital and largest city situated centrally in Spain; home of an outstanding art museum
From this reading “A MADRID HAT.”
a heavy coat worn over clothes in winter
From this reading “A SPANISH OVERCOAT.”
a parliamentary monarchy in southwestern Europe on the Iberian Peninsula; a former colonial power
From this reading “SPAIN.”
the Romance language spoken in most of Spain and the countries colonized by Spain
From this reading “A SPANISH OVERCOAT.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used before a singular noun to mean one of a group, when it is not a particular one
From this reading A SPANISH OVERCOAT.
a native or naturalized member of a state or other political community
From this reading A CITIZEN OF VALLADOLID.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading HACKMEN IN SPAIN.
headdress that protects the head from bad weather; has shaped crown and usually a brim
From this reading A MADRID HAT.
inside something, or within a place, period, or state
From this reading HACKMEN IN SPAIN.
the capital and largest city situated centrally in Spain; home of an outstanding art museum
From this reading A MADRID HAT.
belonging to, or connected with, somebody or something
From this reading A CITIZEN OF VALLADOLID.
a heavy coat worn over clothes in winter
From this reading A SPANISH OVERCOAT.
a parliamentary monarchy in southwestern Europe on the Iberian Peninsula; a former colonial power
From this reading SPAIN.
the Romance language spoken in most of Spain and the countries colonized by Spain
From this reading A SPANISH OVERCOAT.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading A CITIZEN OF VALLADOLID.
Chapter 4 of Our Artist in Cuba, Peru, Spain and Algiers by George Washington Carleton holds 22 sentences, grouped into 5 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 4 holds 22 sentences of Our Artist in Cuba, Peru, Spain and Algiers, unabridged, divided into 5 reading sections.
This page carries chapter 4 of Our Artist in Cuba, Peru, Spain and Algiers by George Washington Carleton exactly as it stands in the source edition, without abridgement. It runs to 22 sentences, grouped into 5 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 5 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 5 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Our Artist in Cuba, Peru, Spain and Algiers by George Washington Carleton on this page, its source edition and its audio.
Yes. All 280 sentences of Project Gutenberg eBook #36348 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #36348, unabridged. The Project Gutenberg header, footer and licence are removed.
About 23 minutes of reading across 56 sections of 5 sentences each, at an unhurried pace.
How to work through Our Artist in Cuba, Peru, Spain and Algiers section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 5 chapters of Our Artist in Cuba, Peru, Spain and Algiers to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Our Artist in Cuba, Peru, Spain and Algiers, each tappable for pronunciation and meaning.