Chapter 7 of Our Catholic Heritage in English Literature is here in full — 67 sentences across 14 reading sections, with audio for every sentence and word.
A keeper or guardian of historical records and memories.
Chapter VII
Chapter 7 of Our Catholic Heritage in English Literature is here in full — 67 sentences across 14 reading sections, with audio for every sentence and word.
The beginnings of Literature in England. Two poets of the best period of our old poetry, Caedmon and Cynewulf. The language they wrote in. The monastery at Whitby. The story of Caedmon's gift of song.
Chapter 7 of Our Catholic Heritage in English Literature is here in full — 67 sentences across 14 reading sections, with audio for every sentence and word.
Reading 1/13 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
plural of “beginning” — the event consisting of the start of something
From this reading “The beginnings of Literature in England.”
something acquired without compensation
From this reading “The story of Caedmon's gift of song.”
creative writing of recognized artistic value
From this reading “The beginnings of Literature in England.”
the residence of a religious community
From this reading “The monastery at Whitby.”
an amount of time
From this reading “Two poets of the best period of our old poetry, Caedmon and Cynewulf.”
literature in metrical form
From this reading “Two poets of the best period of our old poetry, Caedmon and Cynewulf.”
plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)
From this reading “Two poets of the best period of our old poetry, Caedmon and Cynewulf.”
a short musical composition with words
From this reading “The story of Caedmon's gift of song.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used to join words or parts of a sentence that go together
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
in or near a particular place or position
From this reading The monastery at Whitby.
plural of “beginning” — the event consisting of the start of something
From this reading The beginnings of Literature in England.
the supreme effort one can make
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The story of Caedmon's gift of song.
Anglo-Saxon poet (circa 9th century)
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
a division of the United Kingdom
From this reading The beginnings of Literature in England.
something acquired without compensation
From this reading The story of Caedmon's gift of song.
inside something, or within a place, period, or state
From this reading The beginnings of Literature in England.
a systematic means of communicating by the use of sounds or conventional symbols
From this reading The language they wrote in.
creative writing of recognized artistic value
From this reading The beginnings of Literature in England.
the residence of a religious community
From this reading The monastery at Whitby.
belonging to, or connected with, somebody or something
From this reading The beginnings of Literature in England.
(used especially of persons) having lived for a relatively long time or attained a specific age
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
belonging to the speaker and others
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
an amount of time
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
literature in metrical form
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
a short musical composition with words
From this reading The story of Caedmon's gift of song.
a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
From this reading The story of Caedmon's gift of song.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading The beginnings of Literature in England.
the people, animals, or things already mentioned, as the subject
From this reading The language they wrote in.
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading Two poets of the best period of our old poetry, Caedmon and Cynewulf.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The monastery at Whitby.
inflected form of “write” — produce a literary work
From this reading The language they wrote in.
Chapter 7 of Our Catholic Heritage in English Literature by Emily Henrietta Hickey holds 67 sentences, grouped into 14 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 7 holds 67 sentences of Our Catholic Heritage in English Literature, unabridged, divided into 14 reading sections.
This page carries chapter 7 of Our Catholic Heritage in English Literature by Emily Henrietta Hickey exactly as it stands in the source edition, without abridgement. It runs to 67 sentences, grouped into 14 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 14 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 14 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Our Catholic Heritage in English Literature by Emily Henrietta Hickey on this page, its source edition and its audio.
Yes. All 980 sentences of Project Gutenberg eBook #16785 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #16785, unabridged. The Project Gutenberg header, footer and licence are removed.
About 81 minutes of reading across 196 sections of 5 sentences each, at an unhurried pace.
How to work through Our Catholic Heritage in English Literature section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 22 chapters of Our Catholic Heritage in English Literature to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Our Catholic Heritage in English Literature, each tappable for pronunciation and meaning.
