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Our Stage and Its Critics By "E.F.S."
Our Stage and Its Critics By "E.F.S."

Chapter I · Chapter 1

Chapter 1 of Our Stage and Its Critics By "E.F.S." is here in full — 263 sentences across 53 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/52 · 5 lines
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The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.
After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."
During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.
Latin drama we hear at Westminster; a Greek company came to the Court but did not act.
A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Our Stage and Its Critics By "E.F.S."

Chapter I · Chapter 1

Chapter 1 of Our Stage and Its Critics By "E.F.S." is here in full — 263 sentences across 53 reading sections, with audio for every sentence and word.

Reading 1/52 · 5 reading units · Lines 1–5

Line 1
The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.
Line 2
After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."
/ˈæftər ˈlɪsənɪŋ tuː ə ˈsʌmˈwʌt ekˈstrævəɡənt spiːtʃ əˈbaʊt ðə ˈduːtiz ʌv ðə ˈkrɪtɪk hiː sed ðæt ðə drəˈmætɪk ˈkrɪtɪk ɔːt əˈperəntli tuː biː ə pɑːliːɡlɑːt ˌɑːrˈkeɪndʒəl/
Line 3
During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.
/ˈdʊrɪŋ ðə læst fjuː jɪrz wiː hæv hæd pleɪz ɪn ˈrʌʃən ˌdʒæpəˈniːz bəˈveriən ˌpæˈtwɑː dʌtʃ ˈdʒɜːrmən frentʃ ənd ˌɪˈtæljən tuː seɪ ˈnʌθɪŋ ʌv iːst end pərˈfɔːrmənsəz ɪn ˈhiːbruː ənd ˈjɪdɪʃ wɪtʃ wiː nəˈɡlekt/
Line 4
Latin drama we hear at Westminster; a Greek company came to the Court but did not act.
/ˈlætən ˈdrɑːmə wiː hiːr æt ˌwestˈmɪnstər ə ɡriːk ˈkʌmpəniː keɪm tuː ðə kɔːrt bʌt dɪd nɑːt ækt/
Line 5
A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Calderon noun US /ˈkɔːldərɑːn/

Spanish poet and dramatist considered one of the great Spanish writers (1600-1681)

From this reading “A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.”

Gaelic adjective US /ˈɡeɪlɪk/

relating to or characteristic of the Celts

From this reading “A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.”

Lope verb US /loʊp/

run easily

From this reading “A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.”

patois noun US /ˌpæˈtwɑː/

a characteristic language of a particular group (as among thieves)

polyglot noun US /pɑːliːɡlɑːt/

a person who speaks more than one language

From this reading “After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."”

topical adjective US /ˈtɑːpəkəl/

pertaining to the surface of a body part

From this reading “The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.”

Vega noun US /ˈveɪɡə/

prolific Spanish playwright (1562-1635)

From this reading “A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.”

Yiddish noun US /ˈjɪdɪʃ/

a dialect of High German including some Hebrew and other words; spoken in Europe as a vernacular by many Jews; written in the Hebrew script

From this reading “During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.”

All words in this reading · 100

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

apparentlyadverbUS /əˈperəntli/

from appearances alone

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

archangelnounUS /ˌɑːrˈkeɪndʒəl/

an angel ranked above the highest rank in the celestial hierarchy

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

atprepositionUS /æt/

in or near a particular place or position

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

awfuladjectiveUS /ˈɑːfəl/

exceptionally bad or displeasing

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

BavariannounUS /bəˈveriən/

a native or an inhabitant of Bavaria

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

CalderonnounUS /ˈkɔːldərɑːn/

Spanish poet and dramatist considered one of the great Spanish writers (1600-1681)

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

Cecil

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

ChinesenounUS /tʃaɪˈniːz/

any of the Sino-Tibetan languages spoken in China; regarded as dialects of a single language (even though they are mutually unintelligible) because they share an ideographic writing system

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

concerningverbUS /kənˈsɜːrnɪŋ/

-ing form of “concern” — be relevant to

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

CourtnounUS /kɔːrt/

an assembly (including one or more judges) to conduct judicial business

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

criticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

DanishnounUS /ˈdeɪnɪʃ/

a Scandinavian language that is the official language of Denmark

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

di

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

DuringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

DutchadjectiveUS /dʌtʃ/

of or relating to the Netherlands or its people or culture

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

dutiesnounUS /ˈduːtiz/

plural of “duty” — the social force that binds you to the courses of action demanded by that force

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

EastnounUS /iːst/

the cardinal compass point that is at 90 degrees

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

Echegaray

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

EndnounUS /end/

either extremity of something that has length

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

Ersenoun

any of several related languages of the Celts in Ireland and Scotland

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

escapedadjectiveUS /ɪˈskeɪpt/

having escaped, especially from confinement

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

extravagantadjectiveUS /ekˈstrævəɡənt/

unrestrained, especially with regard to feelings

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

GaelicadjectiveUS /ˈɡeɪlɪk/

relating to or characteristic of the Celts

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

GermannounUS /ˈdʒɜːrmən/

a person of German nationality

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

goodnessnounUS /ˈɡʊdnəs/

that which is pleasing or valuable or useful

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

GreeknounUS /ɡriːk/

the Hellenic branch of the Indo-European family of languages

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

hearverbUS /hiːr/

perceive (sound) via the auditory sense

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

HebrewnounUS /ˈhiːbruː/

the ancient Canaanitic language of the Hebrews that has been revived as the official language of Israel

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

hopesnounUS /hoʊps/

plural of “hope” — a specific instance of feeling hopeful

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

ItaliannounUS /ˌɪˈtæljən/

a native or inhabitant of Italy

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

JapanesenounUS /ˌdʒæpəˈniːz/

a native or inhabitant of Japan

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

knowsnounUS /noʊz/

plural of “know” — the fact of being aware of information that is known to few people

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

lastadjectiveUS /læst/

immediately past

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

LatinadjectiveUS /ˈlætən/

of or relating to the ancient Latins or the Latin language

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

listeningnounUS /ˈlɪsənɪŋ/

the act of hearing attentively

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

LopeverbUS /loʊp/

run easily

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

neglectverbUS /nəˈɡlekt/

leave undone or leave out

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

onceadverbUS /wʌns/

on one occasion

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

patoisnounUS /ˌpæˈtwɑː/

a characteristic language of a particular group (as among thieves)

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

performancesnounUS /pərˈfɔːrmənsəz/

plural of “performance” — a dramatic or musical entertainment

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

phrasenounUS /freɪz/

an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

playverbUS /pleɪ/

participate in games or sport

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

polyglotnounUS /pɑːliːɡlɑːt/

a person who speaks more than one language

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

productionnounUS /prəˈdʌkʃən/

the act or process of producing something

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

promisedverbUS /ˈprɑːməst/

past form of “promise” — make a promise or commitment

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

qualificationsnounUS /ˌkwɑːləfəˈkeɪʃənz/

plural of “qualification” — an attribute that must be met or complied with and that fits a person for something

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

RaleighnounUS /ˈrɔːli/

English courtier (a favorite of Elizabeth I) who tried to colonize Virginia; introduced potatoes and tobacco to England (1552-1618)

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

rendersnounUS /ˈrendərz/

plural of “render” — a substance similar to stucco but exclusively applied to masonry walls

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

RussiannounUS /ˈrʌʃən/

a native or inhabitant of Russia

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

sayverbUS /seɪ/

express in words

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

speechnounUS /spiːtʃ/

the act of delivering a formal spoken communication to an audience

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

thereadverbUS /ðer/

in or at that place or location

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

threatenedadjectiveUS /ˈθretənd/

(of flora or fauna) likely in the near future to become endangered

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading After listening to a somewhat extravagant speech about the duties of the critic, he said that the dramatic critic ought, apparently, to be a "polyglot archangel."

tonguenounUS /tʌŋ/

a mobile mass of muscular tissue covered with mucous membrane and located in the oral cavity

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

topicaladjectiveUS /ˈtɑːpəkəl/

pertaining to the surface of a body part

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

TurkishadjectiveUS /ˈtɜːrkɪʃ/

of or relating to or characteristic of Turkey or its people or language

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

unhappilyadverbUS /ənˈhæpəli/

in an unpleasant way

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading The production of a play in the Russian tongue renders topical a phrase once used, not unhappily, by Mr Cecil Raleigh concerning the qualifications of the dramatic critic.

VeganounUS /ˈveɪɡə/

prolific Spanish playwright (1562-1635)

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

WestminsternounUS /ˌwestˈmɪnstər/

a borough of Greater London on the Thames; contains Buckingham Palace and the Houses of Parliament and Westminster Abbey

From this reading Latin drama we hear at Westminster; a Greek company came to the Court but did not act.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading A Chinese has been promised, and a Turkish drama threatened; Danish has been given; there are awful hopes of Gaelic and Erse; and goodness knows why we have escaped Echegaray, Lope di Vega and Calderon in the original.

yearsnounUS /jɪrz/

a late time of life

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

YiddishnounUS /ˈjɪdɪʃ/

a dialect of High German including some Hebrew and other words; spoken in Europe as a vernacular by many Jews; written in the Hebrew script

From this reading During the last few years we have had plays in Russian, Japanese, Bavarian _patois_, Dutch, German, French and Italian, to say nothing of East End performances in Hebrew and Yiddish, which we neglect.

Chapter 1 of Our Stage and Its Critics By "E.F.S." by Edward Fordham Spence holds 263 sentences, grouped into 53 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Our Stage and Its Critics By "E.F.S." contain?

Chapter 1 holds 263 sentences of Our Stage and Its Critics By "E.F.S.", unabridged, divided into 53 reading sections.

This page carries chapter 1 of Our Stage and Its Critics By "E.F.S." by Edward Fordham Spence exactly as it stands in the source edition, without abridgement. It runs to 263 sentences, grouped into 53 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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Project Gutenberg eBook #13408, unabridged. The Project Gutenberg header, footer and licence are removed.

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Vocabulary met early in Our Stage and Its Critics By "E.F.S."

Words and structures a reader meets early in Our Stage and Its Critics By "E.F.S.", each tappable for pronunciation and meaning.

Production
A word that appears in the opening chapter of Our Stage and Its Critics By "E.F.S."; the reader can tap it to hear it and see its dictionary entry.
Russian
A word that appears in the opening chapter of Our Stage and Its Critics By "E.F.S."; the reader can tap it to hear it and see its dictionary entry.
Tongue
A word that appears in the opening chapter of Our Stage and Its Critics By "E.F.S."; the reader can tap it to hear it and see its dictionary entry.
Renders
A word that appears in the opening chapter of Our Stage and Its Critics By "E.F.S."; the reader can tap it to hear it and see its dictionary entry.