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Our Stage and Its Critics By "E.F.S."
Our Stage and Its Critics By "E.F.S."

Chapter IV · Chapter 4

Chapter 4 of Our Stage and Its Critics By "E.F.S." is here in full — 262 sentences across 53 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/52 · 5 lines
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PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.
The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.
At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.
He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.
The inaccuracies fascinate him.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Our Stage and Its Critics By "E.F.S."

Chapter IV · Chapter 4

Chapter 4 of Our Stage and Its Critics By "E.F.S." is here in full — 262 sentences across 53 reading sections, with audio for every sentence and word.

Reading 1/52 · 5 reading units · Lines 1–5

Line 1
PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.
Line 2
The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.
/ðə ˈlætər pɔɪnt ɪz nɑːt ˈaʊər θiːm ənd meɪ biː dɪˈsmɪst wɪð ðə rɪˈmɑːrk ðæt ðer wɑːz ˈnʌθɪŋ ɪn ðə laɪf ʌv ðə ˈkriːtʃər æz priˈzentɪd əˈpɑːn ðə steɪdʒ tuː sɜːrv æz æn ɪksˈkjuːs fɔːr riˈkwaɪərɪŋ ʌs tuː spend æn ˈiːvnɪŋ wɪð sʌtʃ ə ˈwɜːrθləs ˈbæɡədʒ/
Line 3
At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.
Line 4
He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.
/hiː laɪks tuː hæv ɪt prəˈduːst ɑːn ə ˈsætərdi ˈiːvnɪŋ soʊ ðæt hiː meɪ pæs ə ˈhæpi ˈsʌndeɪ/
Line 5
The inaccuracies fascinate him.
/ðə ˌɪˈnækjəræsiz ˈfæsəneɪt hɪm/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

complaints noun US /kəmˈpleɪnts/

plural of “complaint” — an often persistent bodily disorder or disease; a cause for complaining

From this reading “PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.”

fascinate verb US /ˈfæsəneɪt/

cause to be interested or curious

From this reading “The inaccuracies fascinate him.”

inaccuracies noun US /ˌɪˈnækjəræsiz/

plural of “inaccuracy” — the quality of being inaccurate and having errors

From this reading “The inaccuracies fascinate him.”

inaccuracy noun US /ˌɪˈnækjərəsi/

the quality of being inaccurate and having errors

From this reading “PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.”

requiring verb US /riˈkwaɪərɪŋ/

-ing form of “require” — require as useful, just, or proper

From this reading “The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.”

Savoy noun US /səˈvɔɪ/

a geographical region of historical importance; a former duchy in what is now southwestern France, western Switzerland, and northwestern Italy

From this reading “PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.”

types noun US /taɪps/

plural of “type” — a subdivision of a particular kind of thing

From this reading “PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.”

welcomes noun US /ˈwelkəmz/

plural of “welcome” — the state of being welcome

From this reading “At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.”

All words in this reading · 88

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1905

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

atprepositionUS /æt/

in or near a particular place or position

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

baggagenounUS /ˈbæɡədʒ/

cases used to carry belongings when traveling

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

Barri

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

careernounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

classnounUS /klæs/

a collection of things sharing a common attribute

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

complaintsnounUS /kəmˈpleɪnts/

plural of “complaint” — an often persistent bodily disorder or disease; a cause for complaining

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

concerningverbUS /kənˈsɜːrnɪŋ/

-ing form of “concern” — be relevant to

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

creaturenounUS /ˈkriːtʃər/

a living organism characterized by voluntary movement

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

criticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

detailnounUS /dɪˈteɪl/

an isolated fact that is considered separately from the whole

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

dismissedadjectiveUS /dɪˈsmɪst/

having lost your job

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

du

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

excuseverbUS /ɪksˈkjuːs/

accept an excuse for

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

fascinateverbUS /ˈfæsəneɪt/

cause to be interested or curious

From this reading The inaccuracies fascinate him.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The inaccuracies fascinate him.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

inaccuraciesnounUS /ˌɪˈnækjəræsiz/

plural of “inaccuracy” — the quality of being inaccurate and having errors

From this reading The inaccuracies fascinate him.

inaccuracynounUS /ˌɪˈnækjərəsi/

the quality of being inaccurate and having errors

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

latteradjectiveUS /ˈlætər/

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

likesnounUS /laɪks/

plural of “like” — a similar kind

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

MadamenounUS /ˈmædəm/

title used for a married Frenchwoman

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

MarchverbUS /mɑːrtʃ/

march in a procession

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

PARTICULARadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

passverbUS /pæs/

go across or through

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

playverbUS /pleɪ/

participate in games or sport

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

PLAYSnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

Pseudo-Historical

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

remarknounUS /rɪˈmɑːrk/

a statement that expresses a personal opinion or belief or adds information

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

requiringverbUS /riˈkwaɪərɪŋ/

-ing form of “require” — require as useful, just, or proper

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

runningadjectiveUS /ˈrʌnɪŋ/

(of fluids) moving or issuing in a stream

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

SaturdaynounUS /ˈsætərdi/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

SavoynounUS /səˈvɔɪ/

a geographical region of historical importance; a former duchy in what is now southwestern France, western Switzerland, and northwestern Italy

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

serveverbUS /sɜːrv/

serve a purpose, role, or function

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

spendverbUS /spend/

use up a period of time in a specific way

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

SundaynounUS /ˈsʌndeɪ/

first day of the week; observed as a day of rest and worship by most Christians

From this reading He likes to have it produced on a Saturday evening, so that he may pass a happy Sunday.

takesnounUS /teɪks/

plural of “take” — the income or profit arising from such transactions as the sale of land or other property

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

themenounUS /θiːm/

the subject matter of a conversation or discussion

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

thereadverbUS /ðer/

in or at that place or location

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

TYPESnounUS /taɪps/

plural of “type” — a subdivision of a particular kind of thing

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

unamiable

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

undesirabilitynoun

the quality possessed by something that should be avoided

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

usualadjectiveUS /ˈjuːʒəwəl/

occurring or encountered or experienced or observed frequently or in accordance with regular practice or procedure

From this reading PLAYS OF PARTICULAR TYPES The Pseudo-Historical A play running at the Savoy in March 1905, concerning Madame du Barri, called forth the usual complaints about inaccuracy in detail and undesirability of subject.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

welcomeverbUS /ˈwelkəm/

accept gladly

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

welcomesnounUS /ˈwelkəmz/

plural of “welcome” — the state of being welcome

From this reading At an early stage of his career the critic welcomes this class of pseudo-historical drama--but his welcome takes an unamiable form.

withprepositionUS /wɪð/

in the company of; together with

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

worthlessadjectiveUS /ˈwɜːrθləs/

lacking in usefulness or value

From this reading The latter point is not our theme, and may be dismissed with the remark that there was nothing in the life of the creature as presented upon the stage to serve as an excuse for requiring us to spend an evening with such a worthless baggage.

Chapter 4 of Our Stage and Its Critics By "E.F.S." by Edward Fordham Spence holds 262 sentences, grouped into 53 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Our Stage and Its Critics By "E.F.S." contain?

Chapter 4 holds 262 sentences of Our Stage and Its Critics By "E.F.S.", unabridged, divided into 53 reading sections.

This page carries chapter 4 of Our Stage and Its Critics By "E.F.S." by Edward Fordham Spence exactly as it stands in the source edition, without abridgement. It runs to 262 sentences, grouped into 53 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Our Stage and Its Critics By "E.F.S."?

Work through the 53 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 53 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Our Stage and Its Critics By "E.F.S."

Common questions about reading Our Stage and Its Critics By "E.F.S." by Edward Fordham Spence on this page, its source edition and its audio.

Is this the complete text of Our Stage and Its Critics By "E.F.S."?

Yes. All 2841 sentences of Project Gutenberg eBook #13408 are kept, with a record of which sentences cover which part.

Which edition of Our Stage and Its Critics By "E.F.S." is used?

Project Gutenberg eBook #13408, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Our Stage and Its Critics By "E.F.S." take to read?

About 236 minutes of reading across 569 sections of 5 sentences each, at an unhurried pace.

How to read Our Stage and Its Critics By "E.F.S." section by section

How to work through Our Stage and Its Critics By "E.F.S." section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 13 chapters of Our Stage and Its Critics By "E.F.S." to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Our Stage and Its Critics By "E.F.S."

Words and structures a reader meets early in Our Stage and Its Critics By "E.F.S.", each tappable for pronunciation and meaning.

Production
A word that appears in the opening chapter of Our Stage and Its Critics By "E.F.S."; the reader can tap it to hear it and see its dictionary entry.
Russian
A word that appears in the opening chapter of Our Stage and Its Critics By "E.F.S."; the reader can tap it to hear it and see its dictionary entry.
Tongue
A word that appears in the opening chapter of Our Stage and Its Critics By "E.F.S."; the reader can tap it to hear it and see its dictionary entry.
Renders
A word that appears in the opening chapter of Our Stage and Its Critics By "E.F.S."; the reader can tap it to hear it and see its dictionary entry.