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Outlines of English and American Literature
Outlines of English and American Literature

Chapter II · Chapter 2

Chapter 2 of Outlines of English and American Literature is here in full — 390 sentences across 78 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/78 · 5 lines
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BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.
Then from hero's lips there fell A wonder-tale, well told.
_Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.
As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.
That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Outlines of English and American Literature

Chapter II · Chapter 2

Chapter 2 of Outlines of English and American Literature is here in full — 390 sentences across 78 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.
Line 2
Then from hero's lips there fell A wonder-tale, well told.
Line 3
_Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.
Line 4
As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.
/æz ðer ɪz ə pleɪs wer ðə ˈrɪvər əˈsuːmz ə ˈkerɪktər ʌv ɪts oʊn dɪˈstɪŋkt frʌm ɔːl ɪts ˈtrɪbjəteriz soʊ ɪn ˈɪŋɡlɪʃ ˈlɪtərətʃər ðer ɪz ə taɪm wen ɪt bɪˈkʌmz ˈnæʃənəl ˈræðər ðæn ˈtraɪbəl ənd ˈɪŋɡlɪʃ ˈræðər ðæn ˈsæksən ɔːr ˈseltɪk ɔːr ˈnɔːrmən/
Line 5
That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.
/ðæt taɪm wɑːz ɪn ðə fɪfˈtiːnθ ˈsentʃəri wen ðə ˈpoʊəmz ʌv ˈtʃɔːsər ənd ðə ˈprɪntɪŋ pres ʌv ˈkækstən ɪɡˈzɔːltɪd ðə ˈmɪdlænd əˈbʌv ɔːl ˈʌðər ˈdaɪəlekts ənd ɪˈstæblɪʃt ɪt æz ðə ˈlɪtəreri ˈlæŋɡwədʒ ʌv ˈɪŋɡlənd/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Beowulf noun US /ˈbeɪəwʊlf/

the legendary hero of an anonymous Old English epic poem composed in the early 8th century; he slays a monster and becomes king but dies fighting a dragon

Caxton noun US /ˈkækstən/

English printer who in 1474 printed the first book in English (1422-1491)

From this reading “That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.”

dialects noun US /ˈdaɪəlekts/

plural of “dialect” — the usage or vocabulary that is characteristic of a specific group of people

From this reading “That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.”

hero's noun US /ˈhɪroʊz/

possessive form of “hero” — a man distinguished by exceptional courage and nobility and strength

From this reading “Then from hero's lips there fell A wonder-tale, well told.”

Midland noun US /ˈmɪdlænd/

a town in west central Texas

From this reading “That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.”

tribal adjective US /ˈtraɪbəl/

relating to or characteristic of a tribe

From this reading “As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.”

tributaries noun US /ˈtrɪbjəteriz/

plural of “tributary” — a branch that flows into the main stream

From this reading “As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.”

wellhead noun US /ˈwelhed/

the source of water for a well

From this reading “_Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.”

All words in this reading · 95

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

2017

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

assumesverbUS /əˈsuːmz/

third-person singular of “assume” — take to be the case or to be true; accept without verification or proof

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

awokeverbUS /əˈwoʊk/

inflected form of “awake” — stop sleeping

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

battle-tried

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

BEGINNINGSnounUS /bɪˈɡɪnɪŋz/

plural of “beginning” — the event consisting of the start of something

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

BeowulfnounUS /ˈbeɪəwʊlf/

the legendary hero of an anonymous Old English epic poem composed in the early 8th century; he slays a monster and becomes king but dies fighting a dragon

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

bitteradjectiveUS /ˈbɪtər/

marked by strong resentment or cynicism

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

CaxtonnounUS /ˈkækstən/

English printer who in 1474 printed the first book in English (1422-1491)

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

CelticadjectiveUS /ˈseltɪk/

relating to or characteristic of the Celts

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

ChaucernounUS /ˈtʃɔːsər/

English poet remembered as author of the Canterbury Tales (1340-1400)

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

dialectsnounUS /ˈdaɪəlekts/

plural of “dialect” — the usage or vocabulary that is characteristic of a specific group of people

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

distinctadjectiveUS /dɪˈstɪŋkt/

(often followed by “from”) not alike; different in nature or quality

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

ENGLISHnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

establishedadjectiveUS /ɪˈstæblɪʃt/

brought about or set up or accepted; especially long established

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

exaltedadjectiveUS /ɪɡˈzɔːltɪd/

of high moral or intellectual value; elevated in nature or style

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

fellverbUS /fel/

cause to fall by or as if by delivering a blow

From this reading Then from hero's lips there fell A wonder-tale, well told.

fifteenthadjectiveUS /fɪfˈtiːnθ/

coming next after the fourteenth and just before the sixteenth in position

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Then from hero's lips there fell A wonder-tale, well told.

glee-wood

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

harp's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

hero'snounUS /ˈhɪroʊz/

possessive form of “hero” — a man distinguished by exceptional courage and nobility and strength

From this reading Then from hero's lips there fell A wonder-tale, well told.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

likeverbUS /laɪk/

prefer or wish to do something

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

lipsnounUS /lɪps/

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading Then from hero's lips there fell A wonder-tale, well told.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

LITERATUREnounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

MidlandnounUS /ˈmɪdlænd/

a town in west central Texas

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

nationaladjectiveUS /ˈnæʃənəl/

of or relating to or belonging to a nation or country

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

NormannounUS /ˈnɔːrmən/

United States operatic soprano (born in 1945)

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

notenounUS /noʊt/

a brief written record

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

ownverbUS /oʊn/

have ownership or possession of

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

pressverbUS /pres/

exert pressure or force to or upon

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

printingnounUS /ˈprɪntɪŋ/

text handwritten in the style of printed matter

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

proceedsnounUS /prəˈsiːdz/

the income or profit arising from such transactions as the sale of land or other property

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

ratheradverbUS /ˈræðər/

on the contrary

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

renderingnounUS /ˈrendərɪŋ/

a performance of a musical composition or a dramatic role etc.

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

rivernounUS /ˈrɪvər/

a large natural stream of water (larger than a creek)

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

rivuletnoun

a small stream

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

sadadjectiveUS /sæd/

experiencing or showing sorrow or unhappiness

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

SaxonnounUS /ˈsæksən/

a member of a Germanic people who conquered England and merged with the Angles and Jutes to become Anglo-Saxons; dominant in England until the Norman Conquest

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

sendingnounUS /ˈsendɪŋ/

the act of causing something to go (especially messages)

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

singleadjectiveUS /ˈsɪŋɡəl/

being or characteristic of a single thing or person

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

songnounUS /sɔːŋ/

a short musical composition with words

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

Soothnoun

truth or reality

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

soundingadjectiveUS /ˈsaʊndɪŋ/

appearing to be as specified; usually used as combining forms

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

springsnounUS /sprɪŋz/

plural of “spring” — the season of growth

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

StraightadjectiveUS /streɪt/

successive (without a break)

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

sweetadjectiveUS /swiːt/

having or denoting the characteristic taste of sugar

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

thereadverbUS /ðer/

in or at that place or location

From this reading Then from hero's lips there fell A wonder-tale, well told.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading Then from hero's lips there fell A wonder-tale, well told.

touchedadjectiveUS /tʌtʃt/

having come into contact

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

tribaladjectiveUS /ˈtraɪbəl/

relating to or characteristic of a tribe

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

tributariesnounUS /ˈtrɪbjəteriz/

plural of “tributary” — a branch that flows into the main stream

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

uprose

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

warriornounUS /ˈwɔːriər/

someone engaged in or experienced in warfare

From this reading BEGINNINGS OF ENGLISH LITERATURE Then the warrior, battle-tried, touched the sounding glee-wood: Straight awoke the harp's sweet note; straight a song uprose, Sooth and sad its music.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading That time was in the fifteenth century, when the poems of Chaucer and the printing press of Caxton exalted the Midland above all other dialects and established it as the literary language of England.

waternounUS /ˈwɔːtər/

binary compound that occurs at room temperature as a clear colorless odorless tasteless liquid; freezes into ice below 0 degrees centigrade and boils above 100 degrees centigrade; widely used as a solvent

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Then from hero's lips there fell A wonder-tale, well told.

wellheadnounUS /ˈwelhed/

the source of water for a well

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

whenconjunctionUS /wen/

at the time that

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

whereconjunctionUS /wer/

in or at the place that

From this reading As there is a place where the river assumes a character of its own, distinct from all its tributaries, so in English literature there is a time when it becomes national rather than tribal, and English rather than Saxon or Celtic or Norman.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading _Beowulf_, line 2017 (a free rendering) In its beginnings English literature is like a river, which proceeds not from a single wellhead but from many springs, each sending forth its rivulet of sweet or bitter water.

wonder-tale

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Then from hero's lips there fell A wonder-tale, well told.

Chapter 2 of Outlines of English and American Literature by William J. (William Joseph) Long holds 390 sentences, grouped into 78 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Outlines of English and American Literature contain?

Chapter 2 holds 390 sentences of Outlines of English and American Literature, unabridged, divided into 78 reading sections.

This page carries chapter 2 of Outlines of English and American Literature by William J. (William Joseph) Long exactly as it stands in the source edition, without abridgement. It runs to 390 sentences, grouped into 78 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Outlines of English and American Literature?

Work through the 78 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 78 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Outlines of English and American Literature

Common questions about reading Outlines of English and American Literature by William J. (William Joseph) Long on this page, its source edition and its audio.

Is this the complete text of Outlines of English and American Literature?

Yes. All 6414 sentences of Project Gutenberg eBook #7800 are kept, with a record of which sentences cover which part.

Which edition of Outlines of English and American Literature is used?

Project Gutenberg eBook #7800, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Outlines of English and American Literature take to read?

About 534 minutes of reading across 1283 sections of 5 sentences each, at an unhurried pace.

How to read Outlines of English and American Literature section by section

How to work through Outlines of English and American Literature section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 13 chapters of Outlines of English and American Literature to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Outlines of English and American Literature

Words and structures a reader meets early in Outlines of English and American Literature, each tappable for pronunciation and meaning.

Lesson
A word that appears in the opening chapter of Outlines of English and American Literature; the reader can tap it to hear it and see its dictionary entry.
Invitation
A word that appears in the opening chapter of Outlines of English and American Literature; the reader can tap it to hear it and see its dictionary entry.
Sleep
A word that appears in the opening chapter of Outlines of English and American Literature; the reader can tap it to hear it and see its dictionary entry.
Wakened
A word that appears in the opening chapter of Outlines of English and American Literature; the reader can tap it to hear it and see its dictionary entry.