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Pastoral Poetry & Pastoral Drama A Literary
Pastoral Poetry & Pastoral Drama A Literary

Chapter VII · Chapter 7

Chapter 7 of Pastoral Poetry & Pastoral Drama A Literary is here in full — 2411 sentences across 483 reading sections, with audio for every sentence and word.

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Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.
Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.
To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.
Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.
It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Pastoral Poetry & Pastoral Drama A Literary

Chapter VII · Chapter 7

Chapter 7 of Pastoral Poetry & Pastoral Drama A Literary is here in full — 2411 sentences across 483 reading sections, with audio for every sentence and word.

Reading 1/482 · 5 reading units · Lines 1–5

Line 1
Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.
Line 2
Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.
Line 3
To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.
Line 4
Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.
Line 5
It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

classification noun US /ˌklæsəfəˈkeɪʃən/

the act of distributing things into classes or categories of the same type

From this reading “Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.”

definitions noun US /ˌdefəˈnɪʃənz/

plural of “definition” — a concise explanation of the meaning of a word or phrase or symbol

From this reading “To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.”

individualized adjective US /ˌɪndɪˈvɪdʒuːəlaɪzd/

made for or directed or adjusted to a particular individual

From this reading “To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.”

morphology noun US /mɔːrˈfɑːlədʒi/

the branch of biology that deals with the structure of animals and plants

From this reading “Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.”

pageants noun US /ˈpædʒənts/

plural of “pageant” — an elaborate representation of scenes from history etc; usually involves a parade with rich costumes

From this reading “It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.”

scenic adjective US /ˈsiːnɪk/

used of locations; having beautiful natural scenery

From this reading “Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.”

spectacular adjective US /spekˈtækjələr/

sensational in appearance or thrilling in effect

From this reading “Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.”

widest adjective US /ˈwaɪdəst/

superlative of “wide” — having great (or a certain) extent from one side to the other

From this reading “It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.”

All words in this reading · 156

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

abstractverbUS /æbˈstrækt/

consider a concept without thinking of a specific example; consider abstractly or theoretically

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

accommodateverbUS /əˈkɑːmədeɪt/

be agreeable or acceptable to

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

accordingadjectiveUS /əˈkɔːrdɪŋ/

(followed by “to”) in agreement with or accordant with

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

adoptverbUS /əˈdɑːpt/

choose and follow; as of theories, ideas, policies, strategies or plans

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

alliedadjectiveUS /əˈlaɪd/

related by common characteristics or ancestry

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

alongprepositionUS /əˈlɔːŋ/

following the length of something from one end toward the other

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

antagonismnounUS /ænˈtæɡənɪzəm/

a state of deep-seated ill-will

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

Brotanek

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

broughtverbUS /brɔːt/

inflected form of “bring” — take something or somebody with oneself somewhere

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

classificationnounUS /ˌklæsəfəˈkeɪʃən/

the act of distributing things into classes or categories of the same type

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

cleareradjectiveUS /ˈklɪrər/

comparative of “clear” — readily apparent to the mind

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

closelyadverbUS /ˈkloʊsli/

in a close relation or position in time or space

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

compositionsnounUS /ˌkɑːmpəˈzɪʃənz/

plural of “composition” — the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

Comus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

conveniencenounUS /kənˈviːnjəns/

the state of being suitable or opportune

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

convenientadjectiveUS /kənˈviːnjənt/

suited to your comfort or purpose or needs

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

convincingadjectiveUS /kənˈvɪnsɪŋ/

causing one to believe the truth of something

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

dancesnounUS /ˈdænsəz/

plural of “dance” — an artistic form of nonverbal communication

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

definiteadjectiveUS /ˈdefənət/

precise; explicit and clearly defined

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

definitionsnounUS /ˌdefəˈnɪʃənz/

plural of “definition” — a concise explanation of the meaning of a word or phrase or symbol

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

denyverbUS /dɪˈnaɪ/

declare untrue; contradict

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

developedadjectiveUS /dɪˈveləpt/

being changed over time so as to be e.g. stronger or more complete or more useful

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

disadvantagenounUS /ˌdɪsədˈvæntɪdʒ/

the quality of having an inferior or less favorable position

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

disguisings

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

displaysnounUS /dɪˈspleɪz/

plural of “display” — something intended to communicate a particular impression

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

divisionnounUS /dɪˈvɪʒən/

an army unit large enough to sustain combat

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

Dr

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

exclusiveadjectiveUS /ɪkˈskluːsɪv/

not divided or shared with others

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

furtheradverbUS /ˈfɜːrðər/

to or at a greater extent or degree or a more advanced stage (“further” is used more often than “farther” in this abstract sense)

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

GeneraladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

highlyadverbUS /ˈhaɪli/

to a high degree or extent; favorably or with much respect

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

includingverbUS /ˌɪnˈkluːdɪŋ/

-ing form of “include” — have as a part, be made up out of

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

inconvenientadjectiveUS /ˌɪnkənˈviːnjənt/

not suited to your comfort, purpose or needs

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

individualizedadjectiveUS /ˌɪndɪˈvɪdʒuːəlaɪzd/

made for or directed or adjusted to a particular individual

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

InfluencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

intermediateadjectiveUS /ˌɪntərˈmiːdiɪt/

lying between two extremes in time or space or state

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

investigationnounUS /ˌɪnvestəˈɡeɪʃən/

an inquiry into unfamiliar or questionable activities

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

Jonsonian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

justifiedadjectiveUS /ˈdʒʌstəfaɪd/

having words so spaced that lines have straight even margins

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

limitationsnounUS /ˌlɪmɪˈteɪʃənz/

plural of “limitation” — a principle that limits the extent of something

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

logicallyadverbUS /ˈlɑːdʒɪkli/

according to logical reasoning

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

makeverbUS /meɪk/

engage in

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

masquenoun

a party of guests wearing costumes and masks

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

Masques

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

miniaturenounUS /ˈmɪniətʃʊr/

painting or drawing included in a book (especially in illuminated medieval manuscripts)

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

morphologynounUS /mɔːrˈfɑːlədʒi/

the branch of biology that deals with the structure of animals and plants

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

neglectverbUS /nəˈɡlekt/

leave undone or leave out

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

numerousadjectiveUS /ˈnuːmərəs/

amounting to a large indefinite number

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

offersnounUS /ˈɔːfərz/

plural of “offer” — the verbal act of offering

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

ownverbUS /oʊn/

have ownership or possession of

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

pageantsnounUS /ˈpædʒənts/

plural of “pageant” — an elaborate representation of scenes from history etc; usually involves a parade with rich costumes

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

piecesnounUS /ˈpiːsəz/

plural of “piece” — a separate part of a whole

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

possessingverbUS /pəˈzesɪŋ/

-ing form of “possess” — have as an attribute, knowledge, or skill

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

productionsnounUS /prəˈdʌkʃənz/

plural of “production” — the act or process of producing something

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

properadjectiveUS /ˈprɑːpər/

marked by suitability or rightness or appropriateness

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

proprietynounUS /prəˈpraɪəti/

correct or appropriate behavior

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

questionverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

recognizedadjectiveUS /ˈrekəɡnaɪzd/

generally approved or compelling recognition

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

regularadjectiveUS /ˈreɡjələr/

in accordance with fixed order or procedure or principle

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

restrictedadjectiveUS /riˈstrɪktəd/

subject to restriction or subjected to restriction

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

rigidadjectiveUS /ˈrɪdʒəd/

incapable of or resistant to bending

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

scenicadjectiveUS /ˈsiːnɪk/

used of locations; having beautiful natural scenery

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

semi-dramatic

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

significationnoun

the message that is intended or expressed or signified

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

specimensnounUS /ˈspesəmənz/

plural of “specimen” — an example regarded as typical of its class

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

spectacularadjectiveUS /spekˈtækjələr/

sensational in appearance or thrilling in effect

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

temptverbUS /tempt/

dispose or incline or entice to

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

tendverbUS /tend/

have a tendency or disposition to do or be something; be inclined

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

termnounUS /tɜːrm/

a word or expression used for some particular thing

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

ThosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

treatverbUS /triːt/

interact in a certain way

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

UnderprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Under the influence of the stage the early disguisings and spectacular dances developed into a semi-dramatic kind, intermediate between the literary drama and mere scenic displays, and recognized as possessing a definite nature and proper limitations of its own.

undesirableadjectiveUS /ˌʌndɪˈzaɪrəbəl/

not wanted

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

varyverbUS /ˈveri/

become different in some particular way, without permanently losing one's or its former characteristics or essence

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Masques and General Influence I The history of the English masque offers a very interesting study in what may be called literary morphology.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

whopronounUS /huː/

which person or people

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

widestadjectiveUS /ˈwaɪdəst/

superlative of “wide” — having great (or a certain) extent from one side to the other

From this reading It must not, therefore, be thought that I place myself in antagonism to critics such as Dr. Brotanek for example, if I give to the term masque its widest possible signification as including not only the regular and highly developed compositions of the Jonsonian type, but also mere pageants on the one hand, and what may be called miniature plays on the other; all dramatic or semi-dramatic pieces, in short, which it is undesirable or inconvenient to treat along with the regular productions.

withprepositionUS /wɪð/

in the company of; together with

From this reading To this highly individualized form of art the term masque may often with convenience and propriety be restricted, but all such rigid and exclusive definitions have this disadvantage, that they tend to make lines of division appear clearer and more logically convincing than they in fact usually are, and further that they tempt us to neglect the often numerous and closely allied specimens which cannot be brought to accommodate themselves to the abstract type.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Those writers who deny that _Comus_ is a masque are entirely justified from their point of view; it is a question of classification, and the classification which it is convenient to adopt may vary according to the nature of the investigation in hand.

Chapter 7 of Pastoral Poetry & Pastoral Drama A Literary by W. W. (Walter Wilson) Greg holds 2411 sentences, grouped into 483 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of Pastoral Poetry & Pastoral Drama A Literary contain?

Chapter 7 holds 2411 sentences of Pastoral Poetry & Pastoral Drama A Literary, unabridged, divided into 483 reading sections.

This page carries chapter 7 of Pastoral Poetry & Pastoral Drama A Literary by W. W. (Walter Wilson) Greg exactly as it stands in the source edition, without abridgement. It runs to 2411 sentences, grouped into 483 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of Pastoral Poetry & Pastoral Drama A Literary?

Work through the 483 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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Project Gutenberg eBook #12218, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 538 minutes of reading across 1292 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Pastoral Poetry & Pastoral Drama A Literary

Words and structures a reader meets early in Pastoral Poetry & Pastoral Drama A Literary, each tappable for pronunciation and meaning.

Pastoral
A word that appears in the opening chapter of Pastoral Poetry & Pastoral Drama A Literary; the reader can tap it to hear it and see its dictionary entry.
Masques
A word that appears in the opening chapter of Pastoral Poetry & Pastoral Drama A Literary; the reader can tap it to hear it and see its dictionary entry.
Slighter
A word that appears in the opening chapter of Pastoral Poetry & Pastoral Drama A Literary; the reader can tap it to hear it and see its dictionary entry.
Dramatic
A word that appears in the opening chapter of Pastoral Poetry & Pastoral Drama A Literary; the reader can tap it to hear it and see its dictionary entry.