Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Peggy Plays Off-Broadway
Peggy Plays Off-Broadway

Chapter II

Chapter 2 of Peggy Plays Off-Broadway is here in full — 452 sentences across 91 reading sections, with audio for every sentence and word.

Cover illustration for Peggy Plays Off-Broadway
Context Illustration Reading 1/90 · 5 lines
English subtitles · tap any word to listen 1 / 5
“Exactly,” Mal said.
“You’re catching on to the tricks pretty quickly, Peggy.
You see, a director has to work with actors, as well as with a play.
I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.
What I have to do first is get to understand the actors as they are, and then start building from there.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Peggy Plays Off-Broadway

Chapter II

Chapter 2 of Peggy Plays Off-Broadway is here in full — 452 sentences across 91 reading sections, with audio for every sentence and word.

Reading 1/90 · 5 reading units · Lines 1–5

Line 1
“Exactly,” Mal said.
Line 2
“You’re catching on to the tricks pretty quickly, Peggy.
Line 3
You see, a director has to work with actors, as well as with a play.
/juː siː ə dərˈektər hæz tuː wɜːrk wɪð ˈæktərz æz wel æz wɪð ə pleɪ/
Line 4
I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.
Line 5
What I have to do first is get to understand the actors as they are, and then start building from there.
/wʌt aɪ hæv tuː duː fɜːrst ɪz ɡet tuː ˌʌndərˈstænd ðə ˈæktərz æz ðeɪ ɑːr ənd ðen stɑːrt ˈbɪldɪŋ frʌm ðer/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

actors noun US /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading “You see, a director has to work with actors, as well as with a play.”

director noun US /dərˈektər/

someone who controls resources and expenditures

From this reading “You see, a director has to work with actors, as well as with a play.”

notions noun US /ˈnoʊʃənz/

plural of “notion” — a vague idea in which some confidence is placed

From this reading “I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.”

performance noun US /pərˈfɔːrməns/

a dramatic or musical entertainment

From this reading “I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.”

precisely adverb US /prɪˈsaɪsli/

indicating exactness or preciseness

From this reading “I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.”

preconceived adjective US /ˌpriːkənˈsiːvd/

(of an idea or opinion) formed beforehand; especially without evidence or through prejudice

From this reading “I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.”

tricks noun US /trɪks/

plural of “trick” — a cunning or deceitful action or device

From this reading ““You’re catching on to the tricks pretty quickly, Peggy.”

unnatural adjective US /ənˈnætʃərəl/

not in accordance with or determined by nature; contrary to nature

From this reading “I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.”

All words in this reading · 59

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading You see, a director has to work with actors, as well as with a play.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading You see, a director has to work with actors, as well as with a play.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

anyonepronounUS /ˈeniwʌn/

any person at all

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading You see, a director has to work with actors, as well as with a play.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

buildingnounUS /ˈbɪldɪŋ/

a structure that has a roof and walls and stands more or less permanently in one place

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

can't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

catchingnounUS /ˈkætʃɪŋ/

(baseball) playing the position of catcher on a baseball team

From this reading “You’re catching on to the tricks pretty quickly, Peggy.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

directornounUS /dərˈektər/

someone who controls resources and expenditures

From this reading You see, a director has to work with actors, as well as with a play.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

ExactlyadverbUS /ɪɡˈzæktli/

indicating exactness or preciseness

From this reading “Exactly,” Mal said.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

fitverbUS /fɪt/

be agreeable or acceptable to

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

forcenounUS /fɔːrs/

a powerful effect or influence

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading You see, a director has to work with actors, as well as with a play.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

Mal

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Exactly,” Mal said.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

notionsnounUS /ˈnoʊʃənz/

plural of “notion” — a vague idea in which some confidence is placed

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading “You’re catching on to the tricks pretty quickly, Peggy.

ownverbUS /oʊn/

have ownership or possession of

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

Peggy

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “You’re catching on to the tricks pretty quickly, Peggy.

performancenounUS /pərˈfɔːrməns/

a dramatic or musical entertainment

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

playverbUS /pleɪ/

participate in games or sport

From this reading You see, a director has to work with actors, as well as with a play.

preciselyadverbUS /prɪˈsaɪsli/

indicating exactness or preciseness

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

preconceivedadjectiveUS /ˌpriːkənˈsiːvd/

(of an idea or opinion) formed beforehand; especially without evidence or through prejudice

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

prettyadjectiveUS /ˈprɪti/

pleasing by delicacy or grace; not imposing

From this reading “You’re catching on to the tricks pretty quickly, Peggy.

quicklyadverbUS /ˈkwɪkli/

with speed

From this reading “You’re catching on to the tricks pretty quickly, Peggy.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading “Exactly,” Mal said.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading You see, a director has to work with actors, as well as with a play.

startverbUS /stɑːrt/

take the first step or steps in carrying out an action

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

stiffadjectiveUS /stɪf/

not moving or operating freely

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “You’re catching on to the tricks pretty quickly, Peggy.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

thereadverbUS /ðer/

in or at that place or location

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “You’re catching on to the tricks pretty quickly, Peggy.

tricksnounUS /trɪks/

plural of “trick” — a cunning or deceitful action or device

From this reading “You’re catching on to the tricks pretty quickly, Peggy.

triedadjectiveUS /traɪd/

tested and proved useful or correct

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

unnaturaladjectiveUS /ənˈnætʃərəl/

not in accordance with or determined by nature; contrary to nature

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading You see, a director has to work with actors, as well as with a play.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What I have to do first is get to understand the actors as they are, and then start building from there.

withprepositionUS /wɪð/

in the company of; together with

From this reading You see, a director has to work with actors, as well as with a play.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading You see, a director has to work with actors, as well as with a play.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading I can’t force anyone to fit precisely into my own preconceived notions of a character, because if I tried, the performance would be stiff and unnatural.

YoupronounUS /juː/

the person or people being spoken to

From this reading You see, a director has to work with actors, as well as with a play.

You're

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “You’re catching on to the tricks pretty quickly, Peggy.

Chapter 2 of Peggy Plays Off-Broadway by Virginia Hughes holds 452 sentences, grouped into 91 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Peggy Plays Off-Broadway contain?

Chapter 2 holds 452 sentences of Peggy Plays Off-Broadway, unabridged, divided into 91 reading sections.

This page carries chapter 2 of Peggy Plays Off-Broadway by Virginia Hughes exactly as it stands in the source edition, without abridgement. It runs to 452 sentences, grouped into 91 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Peggy Plays Off-Broadway?

Work through the 91 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 91 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Peggy Plays Off-Broadway

Common questions about reading Peggy Plays Off-Broadway by Virginia Hughes on this page, its source edition and its audio.

Is this the complete text of Peggy Plays Off-Broadway?

Yes. All 3151 sentences of Project Gutenberg eBook #55815 are kept, with a record of which sentences cover which part.

Which edition of Peggy Plays Off-Broadway is used?

Project Gutenberg eBook #55815, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Peggy Plays Off-Broadway take to read?

About 262 minutes of reading across 631 sections of 5 sentences each, at an unhurried pace.

How to read Peggy Plays Off-Broadway section by section

How to work through Peggy Plays Off-Broadway section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of Peggy Plays Off-Broadway to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Peggy Plays Off-Broadway

Words and structures a reader meets early in Peggy Plays Off-Broadway, each tappable for pronunciation and meaning.

First
A word that appears in the opening chapter of Peggy Plays Off-Broadway; the reader can tap it to hear it and see its dictionary entry.
Casting
A word that appears in the opening chapter of Peggy Plays Off-Broadway; the reader can tap it to hear it and see its dictionary entry.
Calls
A word that appears in the opening chapter of Peggy Plays Off-Broadway; the reader can tap it to hear it and see its dictionary entry.
Difficult
A word that appears in the opening chapter of Peggy Plays Off-Broadway; the reader can tap it to hear it and see its dictionary entry.