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Personal reminiscences of Henry Irving
Personal reminiscences of Henry Irving

Chapter XVIII

Chapter 18 of Personal reminiscences of Henry Irving is here in full — 419 sentences across 84 reading sections, with audio for every sentence and word.

Cover illustration for Personal reminiscences of Henry Irving
Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:
“I cannot play it.”
“Go on, man!
Go on!” said Belmore, who was acting as stage manager.
“I cannot!” he answered; “I cannot!” and stood unmoving.
0:00 / 0:00
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Personal reminiscences of Henry Irving

Chapter XVIII

Chapter 18 of Personal reminiscences of Henry Irving is here in full — 419 sentences across 84 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:
Line 2
“I cannot play it.”
Line 3
“Go on, man!
/ɡoʊ ɑːn mæn/
Line 4
Go on!” said Belmore, who was acting as stage manager.
Line 5
“I cannot!” he answered; “I cannot!” and stood unmoving.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

baton noun US /bəˈtɑːn/

a thin tapered rod used by a conductor to lead an orchestra or choir

From this reading “When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:”

changing adjective US /ˈtʃeɪndʒɪŋ/

marked by continuous change or effective action

From this reading “When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:”

Conductor noun US /kənˈdʌktər/

the person who leads a musical group

From this reading “When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:”

manager noun US /ˈmænədʒər/

someone who controls resources and expenditures

From this reading “Go on!” said Belmore, who was acting as stage manager.”

medley noun US /ˈmedli/

a musical composition consisting of a series of songs or other musical pieces from various sources

From this reading “When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:”

Prelude noun US /ˈpreɪluːd/

something that serves as a preceding event or introduces what follows

From this reading “When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:”

regimental adjective US /ˌredʒəˈmentəl/

belonging to or concerning a regiment

From this reading “When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:”

Royalties noun US /ˈrɔɪəltiz/

plural of “royalty” — payment to the holder of a patent or copyright or resource for the right to use their property

From this reading “When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

stage manager noun + noun

someone who supervises the physical aspects in the production of a show and who is in charge of the stage when the show is being performed

In this reading “Go on!” said Belmore, who was acting as stage manager.”

looked at verb + particle counted as “look at”

take into consideration for exemplifying purposes

In this reading “When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:”

Go on verb + particle

continue a certain state, condition, or activity

In this reading ““Go on, man!”

All words in this reading · 46

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

actingnounUS /ˈæktɪŋ/

the performance of a part or role in a drama

From this reading Go on!” said Belmore, who was acting as stage manager.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “I cannot!” he answered; “I cannot!” and stood unmoving.

answeredverbUS /ˈænsərd/

past form of “answer” — react verbally

From this reading “I cannot!” he answered; “I cannot!” and stood unmoving.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Go on!” said Belmore, who was acting as stage manager.

atprepositionUS /æt/

in or near a particular place or position

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

batonnounUS /bəˈtɑːn/

a thin tapered rod used by a conductor to lead an orchestra or choir

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

Belmore

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Go on!” said Belmore, who was acting as stage manager.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “I cannot play it.”

changingadjectiveUS /ˈtʃeɪndʒɪŋ/

marked by continuous change or effective action

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

ConductornounUS /kənˈdʌktər/

the person who leads a musical group

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

continuallyadverbUS /kənˈtɪnjuːəli/

seemingly without interruption

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

GoverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading “Go on, man!

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “I cannot play it.”

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading “I cannot play it.”

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading “Go on, man!

managernounUS /ˈmænədʒər/

someone who controls resources and expenditures

From this reading Go on!” said Belmore, who was acting as stage manager.

medleynounUS /ˈmedli/

a musical composition consisting of a series of songs or other musical pieces from various sources

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading “Go on, man!

playverbUS /pleɪ/

participate in games or sport

From this reading “I cannot play it.”

PreludenounUS /ˈpreɪluːd/

something that serves as a preceding event or introduces what follows

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

quicksteps

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

regimentaladjectiveUS /ˌredʒəˈmentəl/

belonging to or concerning a regiment

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

RoyaltiesnounUS /ˈrɔɪəltiz/

plural of “royalty” — payment to the holder of a patent or copyright or resource for the right to use their property

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

scorenounUS /skɔːr/

a number or letter indicating quality (especially of a student's performance)

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

signalnounUS /ˈsɪɡnəl/

any nonverbal action or gesture that encodes a message

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Go on!” said Belmore, who was acting as stage manager.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading “I cannot!” he answered; “I cannot!” and stood unmoving.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

timenounUS /taɪm/

an instance or single occasion for some event

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

unmovingadjective

not in motion

From this reading “I cannot!” he answered; “I cannot!” and stood unmoving.

variousadjectiveUS /ˈveriəs/

of many different kinds purposefully arranged but lacking any uniformity

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

WhenconjunctionUS /wen/

at the time that

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

whopronounUS /huː/

which person or people

From this reading Go on!” said Belmore, who was acting as stage manager.

withprepositionUS /wɪð/

in the company of; together with

From this reading When the signal was given of the movement of the Royalties the Conductor took his baton, but when he looked at the score of the Prelude, which is continually changing time with the medley of the various regimental quicksteps, he said:

Chapter 18 of Personal reminiscences of Henry Irving by Bram Stoker holds 419 sentences, grouped into 84 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 18 of Personal reminiscences of Henry Irving contain?

Chapter 18 holds 419 sentences of Personal reminiscences of Henry Irving, unabridged, divided into 84 reading sections.

This page carries chapter 18 of Personal reminiscences of Henry Irving by Bram Stoker exactly as it stands in the source edition, without abridgement. It runs to 419 sentences, grouped into 84 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 18 of Personal reminiscences of Henry Irving?

Work through the 84 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 84 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 18 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Vocabulary met early in Personal reminiscences of Henry Irving

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Chapter 2
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Chapter 3
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