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"Persons Unknown"
"Persons Unknown"

Chapter XV

Chapter 15 of "Persons Unknown" is here in full — 115 sentences across 23 reading sections, with audio for every sentence and word.

Cover illustration for "Persons Unknown"
Context Illustration Reading 1/23 · 5 lines
English subtitles · tap any word to listen 1 / 5
MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.
Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.
After that momentous interview of Monday evening Christina would not let Herrick drive home with her.
"Come to the station in the morning, and hear what has happened.
Lunch with me on Thursday.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

"Persons Unknown"

Chapter XV

Chapter 15 of "Persons Unknown" is here in full — 115 sentences across 23 reading sections, with audio for every sentence and word.

Reading 1/23 · 5 reading units · Lines 1–5

Line 1
MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.
Line 2
Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.
/ˈθɜːrzdeɪ wɑːz tuː siː ðə ˈoʊpənɪŋ ʌv ˈoʊpənɪŋz ðer wɜːr bʌt tuː naɪts ɑːn ðə roʊd ənd ˈmɪsɪz hoʊp ənd ˈherɪk wɜːr tuː laɪv θruː ðiːz æz best ðeɪ maɪt ɪn ə məˈtrɑːpələs ðæt wɑːz wʌns mɔːr ə ˈdezərt/
Line 3
After that momentous interview of Monday evening Christina would not let Herrick drive home with her.
Line 4
"Come to the station in the morning, and hear what has happened.
/kʌm tuː ðə ˈsteɪʃən ɪn ðə ˈmɔːrnɪŋ ənd hiːr wʌt hæz ˈhæpənd/
Line 5
Lunch with me on Thursday.
/lʌntʃ wɪð miː ɑːn ˈθɜːrzdeɪ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

critics noun US /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading “MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.”

curses noun US /ˈkɜːrsɪz/

plural of “curse” — profane or obscene expression usually of surprise or anger

From this reading “MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.”

Herrick noun US /ˈherɪk/

English lyric poet (1591-1674)

From this reading “Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.”

metropolis noun US /məˈtrɑːpələs/

a large and densely populated urban area; may include several independent administrative districts

From this reading “Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.”

momentous adjective US /moʊˈmentəs/

of very great significance

From this reading “After that momentous interview of Monday evening Christina would not let Herrick drive home with her.”

openings noun US /ˈoʊpənɪŋz/

plural of “opening” — an open or empty space in or between things

From this reading “Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.”

outcry noun US /ˈaʊtkraɪ/

a loud utterance; often in protest or opposition

From this reading “MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.”

Victors noun US /ˈvɪktərz/

plural of “victor” — a combatant who is able to defeat rivals

From this reading “MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

dramatic critics adjective + noun counted as “dramatic critic”

In this reading “MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.”

once more adverb + adjective

anew

In this reading “Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.”

two nights noun + noun

In this reading “Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.”

drive home verb + noun

carry out or perform

In this reading “After that momentous interview of Monday evening Christina would not let Herrick drive home with her.”

on the road preposition + article + noun counted as “on … road”

travelling about

In this reading “Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.”

in the morning preposition + article + noun counted as “in … morning”

In this reading “"Come to the station in the morning, and hear what has happened.”

Lunch with verb + particle

In this reading “Lunch with me on Thursday.”

in a metropolis preposition + article + noun counted as “in … metropolis”

In this reading “Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

bestnounUS /best/

the supreme effort one can make

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

byprepositionUS /baɪ/

showing who or what does the action

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

Christina

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

ComeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading "Come to the station in the morning, and hear what has happened.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

cursesnounUS /ˈkɜːrsɪz/

plural of “curse” — profane or obscene expression usually of surprise or anger

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

desertverbUS /ˈdezərt/

leave someone who needs or counts on you; leave in the lurch

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

driveverbUS /draɪv/

operate or control a vehicle

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

happenedverbUS /ˈhæpənd/

past form of “happen” — come to pass

From this reading "Come to the station in the morning, and hear what has happened.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading "Come to the station in the morning, and hear what has happened.

hearverbUS /hiːr/

perceive (sound) via the auditory sense

From this reading "Come to the station in the morning, and hear what has happened.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

HerricknounUS /ˈherɪk/

English lyric poet (1591-1674)

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

homenounUS /hoʊm/

where you live at a particular time

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

HopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

interviewverbUS /ˈɪntərvjuː/

conduct an interview in television, newspaper, and radio reporting

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

liveverbUS /laɪv/

be an inhabitant of or reside in

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

LunchverbUS /lʌntʃ/

take the midday meal

From this reading Lunch with me on Thursday.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Lunch with me on Thursday.

metropolisnounUS /məˈtrɑːpələs/

a large and densely populated urban area; may include several independent administrative districts

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

momentousadjectiveUS /moʊˈmentəs/

of very great significance

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

MondaynounUS /ˈmʌndi/

the second day of the week; the first working day

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

MORNINGnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

nightsnounUS /naɪts/

Periods of darkness between sunset and sunrise.

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

onceadverbUS /wʌns/

on one occasion

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

openverbUS /ˈoʊ.pən/

To move from a closed position.

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

openingnounUS /ˈoʊpənɪŋ/

an open or empty space in or between things

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

openingsnounUS /ˈoʊpənɪŋz/

plural of “opening” — an open or empty space in or between things

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

OUTCRYnounUS /ˈaʊtkraɪ/

a loud utterance; often in protest or opposition

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

PARKnounUS /pɑːrk/

a large area of land preserved in its natural state as public property

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

playverbUS /pleɪ/

participate in games or sport

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

producingverbUS /prəˈduːsɪŋ/

-ing form of “produce” — bring forth or yield

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

roadnounUS /roʊd/

an open way (generally public) for travel or transportation

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

SILENTadjectiveUS /ˈsaɪlənt/

marked by absence of sound

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

stationnounUS /ˈsteɪʃən/

a facility equipped with special equipment and personnel for a particular purpose

From this reading "Come to the station in the morning, and hear what has happened.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

thereadverbUS /ðer/

in or at that place or location

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

ThursdaynounUS /ˈθɜːrzdeɪ/

the fifth day of the week; the fourth working day

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

VictorsnounUS /ˈvɪktərz/

plural of “victor” — a combatant who is able to defeat rivals

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

weeknounUS /wiːk/

any period of seven consecutive days

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Thursday was to see the opening of openings; there were but two nights on the road and Mrs. Hope and Herrick were to live through these as best they might in a metropolis that was once more a desert.

whatpronounUS /wʌt/

used to ask for information about something

From this reading "Come to the station in the morning, and hear what has happened.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading MORNING IN THE PARK: THE SILENT OUTCRY The week in which Christina was to open in "The Victors" was one of those which call down the curses of dramatic critics by producing a new play each night.

withprepositionUS /wɪð/

in the company of; together with

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading After that momentous interview of Monday evening Christina would not let Herrick drive home with her.

Chapter 15 of "Persons Unknown" by Virginia, -1946 Tracy holds 115 sentences, grouped into 23 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 15 of "Persons Unknown" contain?

Chapter 15 holds 115 sentences of "Persons Unknown", unabridged, divided into 23 reading sections.

This page carries chapter 15 of "Persons Unknown" by Virginia, -1946 Tracy exactly as it stands in the source edition, without abridgement. It runs to 115 sentences, grouped into 23 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 15 of "Persons Unknown"?

Work through the 23 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 23 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 15 be read aloud to me?

Yes — every sentence and every individual word in chapter 15 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading "Persons Unknown"

Common questions about reading "Persons Unknown" by Virginia, -1946 Tracy on this page, its source edition and its audio.

Is this the complete text of "Persons Unknown"?

Yes. All 9652 sentences of Project Gutenberg eBook #37545 are kept, with a record of which sentences cover which part.

Which edition of "Persons Unknown" is used?

Project Gutenberg eBook #37545, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does "Persons Unknown" take to read?

About 600 minutes of reading across 1931 sections of 5 sentences each, at an unhurried pace.

How to read "Persons Unknown" section by section

How to work through "Persons Unknown" section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of "Persons Unknown" to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in "Persons Unknown"

Words and structures a reader meets early in "Persons Unknown", each tappable for pronunciation and meaning.

Century
A word that appears in the opening chapter of "Persons Unknown"; the reader can tap it to hear it and see its dictionary entry.
Winter's
A word that appears in the opening chapter of "Persons Unknown"; the reader can tap it to hear it and see its dictionary entry.
Breath
A word that appears in the opening chapter of "Persons Unknown"; the reader can tap it to hear it and see its dictionary entry.
Through
A word that appears in the opening chapter of "Persons Unknown"; the reader can tap it to hear it and see its dictionary entry.