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Philothea: A Grecian Romance
Philothea: A Grecian Romance

Chapter VIII · Chapter 8

Chapter 8 of Philothea: A Grecian Romance is here in full — 53 sentences across 11 reading sections, with audio for every sentence and word.

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Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.
EURIPIDES.
Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.
Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.
Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Philothea: A Grecian Romance

Chapter VIII · Chapter 8

Chapter 8 of Philothea: A Grecian Romance is here in full — 53 sentences across 11 reading sections, with audio for every sentence and word.

Reading 1/10 · 5 reading units · Lines 1–5

Line 1
Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.
/ðʌs ɪt ɪz aɪ hæv meɪd ðoʊz əˈvɜːrs tuː miː huːm ˈneɪtʃər fɔːrmd maɪ frendz ðoʊz huː frʌm miː dɪˈzɜːrvd noʊ ɪl tuː wɪn ðaɪ ɡreɪs aɪ ɡeɪv dʒʌst kɑːz tuː biː maɪ foʊz ənd ðaʊ moʊst vaɪl ʌv men ðaʊ hæst bɪˈtreɪd miː/
Line 2
EURIPIDES.
Line 3
Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.
Line 4
Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.
Line 5
Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Aphrodite noun US /ˌæfrəˈdaɪti/

goddess of love and beauty and daughter of Zeus in ancient mythology; identified with Roman Venus

From this reading “Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.”

Athenian noun US /əˈθiːniən/

a resident of Athens

From this reading “Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.”

characterized verb US /ˈkerəktəraɪzd/

past form of “characterize” — describe or portray the character or the qualities or peculiarities of

From this reading “Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.”

Hera noun US /ˈhɪrə/

queen of the Olympian gods in ancient Greek mythology; sister and wife of Zeus remembered for her jealously of the many mortal women Zeus fell in love with; identified with Roman Juno

From this reading “Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.”

Pallas noun US /ˈpæləs/

(Greek mythology) goddess of wisdom and useful arts and prudent warfare; guardian of Athens; identified with Roman Minerva

From this reading “Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.”

tablet noun US /ˈtæblət/

a slab of stone or wood suitable for bearing an inscription

From this reading “Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.”

voluptuous adjective US /vəˈlʌptʃəwəs/

having strong sexual appeal

From this reading “Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.”

workmanship noun US /ˈwɜːrkmənʃɪp/

skill in an occupation or trade

From this reading “Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.”

All words in this reading · 101

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

Alcibiadesnoun

ancient Athenian statesman and general in the Peloponnesian War (circa 450-404 BC)

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

AphroditenounUS /ˌæfrəˈdaɪti/

goddess of love and beauty and daughter of Zeus in ancient mythology; identified with Roman Venus

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

applenounUS /ˈæpəl/

fruit with red or yellow or green skin and sweet to tart crisp whitish flesh

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

artistsnounUS /ˈɑːrtɪsts/

plural of “artist” — a person whose creative work shows sensitivity and imagination

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

AtheniannounUS /əˈθiːniən/

a resident of Athens

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

AverseadjectiveUS /əˈvɜːrs/

(usually followed by “to”) strongly opposed

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

betrayedverbUS /bɪˈtreɪd/

past form of “betray” — reveal unintentionally

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

boreverbUS /bɔːr/

cause to be bored

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

causenounUS /kɑːz/

events that provide the generative force that is the origin of something

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

characterizedverbUS /ˈkerəktəraɪzd/

past form of “characterize” — describe or portray the character or the qualities or peculiarities of

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

conspicuousadjectiveUS /kənˈspɪkjuːəs/

obvious to the eye or mind

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

deservedadjectiveUS /dɪˈzɜːrvd/

properly deserved

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

drawingnounUS /ˈdrɔːɪŋ/

an illustration that is drawn by hand and published in a book, magazine, or newspaper

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

EURIPIDESnoun

one of the greatest tragic dramatists of ancient Greece (480-406 BC)

From this reading EURIPIDES.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

featuresnounUS /ˈfiːtʃərz/

plural of “feature” — a prominent attribute or aspect of something

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

flatterynounUS /ˈflætəri/

excessive or insincere praise

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

foesnounUS /foʊz/

plural of “foe” — an armed adversary (especially a member of an opposing military force)

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

formedadjectiveUS /fɔːrmd/

having or given a form or shape

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

friendsnounUS /frendz/

plural of “friend” — a person you know well and regard with affection and trust

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

goddessnounUS /ˈɡɑːdəs/

a female deity

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

goldenadjectiveUS /ˈɡoʊldən/

having the deep slightly brownish color of gold

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

gracenounUS /ɡreɪs/

(Christian theology) a state of sanctification by God; the state of one who is under such divine influence

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

gracefuladjectiveUS /ˈɡreɪsfəl/

characterized by beauty of movement, style, form, or execution

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

groupnounUS /ɡruːp/

any number of entities (members) considered as a unit

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

groupsnounUS /ɡruːps/

plural of “group” — any number of entities (members) considered as a unit

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

hastauxiliary verbUS /hæst/

an old form of “have”, used with “thou”

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

HeranounUS /ˈhɪrə/

queen of the Olympian gods in ancient Greek mythology; sister and wife of Zeus remembered for her jealously of the many mortal women Zeus fell in love with; identified with Roman Juno

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

illadjectiveUS /ɪl/

affected by an impairment of normal physical or mental function

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

justadverbUS /dʒʌst/

and nothing more

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

kneelingnounUS /ˈniːlɪŋ/

supporting yourself on your knees

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

majestynounUS /ˈmædʒəsti/

impressiveness in scale or proportion

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

mennounUS /men/

the force of workers available

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

modenounUS /moʊd/

how something is done or how it happens

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

mostadverbUS /moʊst/

used to form the superlative

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

Myron

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

NearadverbUS /nɪr/

near in time or place or relationship

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

nodeterminerUS /noʊ/

not any; not one

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

offeringnounUS /ˈɔːfərɪŋ/

something offered (as a proposal or bid)

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

PallasnounUS /ˈpæləs/

(Greek mythology) goddess of wisdom and useful arts and prudent warfare; guardian of Athens; identified with Roman Minerva

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

ParisnounUS /ˈperɪs/

the capital and largest city of France; and international center of culture and commerce

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

Phidiasnoun

ancient Greek sculptor (circa 500-432 BC)

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

representingverbUS /ˌreprɪˈzentɪŋ/

-ing form of “represent” — take the place of or be parallel or equivalent to

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

scornnounUS /skɔːrn/

lack of respect accompanied by a feeling of intense dislike

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

severeadjectiveUS /səˈvɪr/

intensely or extremely bad or unpleasant in degree or quality

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

statuesnounUS /ˈstætʃuːz/

plural of “statue” — a sculpture representing a human or animal

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

tabletnounUS /ˈtæblət/

a slab of stone or wood suitable for bearing an inscription

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

thoupronounUS /ðaʊ/

an old word for “you”, as the subject, speaking to one person

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

ThusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

ThydeterminerUS /ðaɪ/

an old word for “your”, speaking to one person

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

towardprepositionUS /təˈwɔːrd/

in the direction of

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

unfinishedadjectiveUS /ənˈfɪnɪʃt/

not brought to the desired final state

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

VariousadjectiveUS /ˈveriəs/

of many different kinds purposefully arranged but lacking any uniformity

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

vileadjectiveUS /vaɪl/

morally reprehensible

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

voluptuousadjectiveUS /vəˈlʌptʃəwəs/

having strong sexual appeal

From this reading Near this group was Hera and Pallas, from the hand of Phidias; characterized by a severe majesty of expression, as they looked toward Paris and his voluptuous goddess in quiet scorn.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

waxenadjective

made of or covered with wax

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

whopronounUS /huː/

which person or people

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

winverbUS /wɪn/

be the winner in a contest or competition; be victorious

From this reading Thus it is; I have made those Averse to me whom nature formed my friends; Those, who from me deserved no ill, to win Thy grace, I gave just cause to be my foes; And thou, most vile of men, thou hast betrayed me.

withprepositionUS /wɪð/

in the company of; together with

From this reading Phidias was alone, with a large unfinished drawing before him, on a waxen tablet.

workmanshipnounUS /ˈwɜːrkmənʃɪp/

skill in an occupation or trade

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

youthnounUS /juːθ/

a young person (especially a young man or boy)

From this reading Various groups of statues were about the room; among which was conspicuous the beautiful workmanship of Myron, representing a kneeling Paris offering the golden apple to Aphrodite; and by a mode of flattery common with Athenian artists, the graceful youth bore the features of Alcibiades.

Chapter 8 of Philothea: A Grecian Romance by Lydia Maria Child holds 53 sentences, grouped into 11 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of Philothea: A Grecian Romance contain?

Chapter 8 holds 53 sentences of Philothea: A Grecian Romance, unabridged, divided into 11 reading sections.

This page carries chapter 8 of Philothea: A Grecian Romance by Lydia Maria Child exactly as it stands in the source edition, without abridgement. It runs to 53 sentences, grouped into 11 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of Philothea: A Grecian Romance?

Work through the 11 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 11 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Project Gutenberg eBook #9982, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Philothea: A Grecian Romance take to read?

About 281 minutes of reading across 675 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Philothea: A Grecian Romance

Words and structures a reader meets early in Philothea: A Grecian Romance, each tappable for pronunciation and meaning.

Athenae's
A word that appears in the opening chapter of Philothea: A Grecian Romance; the reader can tap it to hear it and see its dictionary entry.
Towers
A word that appears in the opening chapter of Philothea: A Grecian Romance; the reader can tap it to hear it and see its dictionary entry.
Cradle
A word that appears in the opening chapter of Philothea: A Grecian Romance; the reader can tap it to hear it and see its dictionary entry.
Cecrops'
A word that appears in the opening chapter of Philothea: A Grecian Romance; the reader can tap it to hear it and see its dictionary entry.