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Pictures Every Child Should Know A Selection
Pictures Every Child Should Know A Selection

Chapter IV · Chapter 4

Chapter 4 of Pictures Every Child Should Know A Selection is here in full — 441 sentences across 89 reading sections, with audio for every sentence and word.

Cover illustration for Pictures Every Child Should Know A Selection
Context Illustration Reading 1/88 · 5 lines
English subtitles · tap any word to listen 1 / 5
As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.
Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.
An incident of Hogarth's youth illustrates this.
He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.
Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Pictures Every Child Should Know A Selection

Chapter IV · Chapter 4

Chapter 4 of Pictures Every Child Should Know A Selection is here in full — 441 sentences across 89 reading sections, with audio for every sentence and word.

Reading 1/88 · 5 reading units · Lines 1–5

Line 1
As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.
Line 2
Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.
Line 3
An incident of Hogarth's youth illustrates this.
Line 4
He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.
Line 5
Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

belittling noun US /bɪˈlɪtəlɪŋ/

a belittling comment

From this reading “As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.”

Hogarth noun US /ˈhoʊɡɑːrθ/

English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)

From this reading “As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.”

illustrates verb US /ˈɪləstreɪts/

third-person singular of “illustrate” — clarify by giving an example of

From this reading “An incident of Hogarth's youth illustrates this.”

managers noun US /ˈmænədʒərz/

plural of “manager” — someone who controls resources and expenditures

From this reading “Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.”

pewter noun US /ˈpjuːtər/

any of various alloys of tin with small amounts of other metals (especially lead)

From this reading “He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.”

Reynolds noun US /ˈrenəldz/

English portrait painter and first president of the Royal Academy (1723-1792)

From this reading “Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.”

rioting noun US /ˈraɪətɪŋ/

a state of disorder involving group violence

From this reading “He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.”

souvenirs noun US /ˌsuːvəˈnɪrz/

plural of “souvenir” — something of sentimental value

From this reading “Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.”

All words in this reading · 105

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

AndeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading An incident of Hogarth's youth illustrates this.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

belittlingnounUS /bɪˈlɪtəlɪŋ/

a belittling comment

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

bitteradjectiveUS /ˈbɪtər/

marked by strong resentment or cynicism

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

brawlernoun

a fighter (especially one who participates in brawls)

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

catchverbUS /kætʃ/

discover or come upon accidentally, suddenly, or unexpectedly; catch somebody doing something or in a certain state

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

chapnounUS /tʃæp/

a boy or man

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

directornounUS /dərˈektər/

someone who controls resources and expenditures

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

dislikedadjectiveUS /dɪˈslaɪkt/

regarded with aversion

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

enemiesnounUS /ˈenəmiz/

plural of “enemy” — an opposing military force

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

entitledadjectiveUS /enˈtaɪtəld/

qualified for by right according to law

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

entrancenounUS /ˈentrəns/

something that provides access (to get in or get out)

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

excitementnounUS /ɪkˈsaɪtmənt/

the feeling of lively and cheerful joy

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

familynounUS /ˈfæməli/

a social unit living together

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

fleetingadjectiveUS /ˈfliːtɪŋ/

lasting for a markedly brief time

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

friendsnounUS /frendz/

plural of “friend” — a person you know well and regard with affection and trust

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

Gainsboroughnoun

English portrait and landscape painter (1727-1788)

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

GardensnounUS /ˈɡɑːrdənz/

plural of “garden” — a plot of ground where plants are cultivated

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

goldnounUS /ɡoʊld/

coins made of gold

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

gotverbUS /ɡɑːt/

inflected form of “get” — come into the possession of something concrete or abstract

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

grewverbUS /ɡruː/

inflected form of “grow” — pass into a condition gradually, take on a specific property or attribute; become

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

hangers-on

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

hastilyadverbUS /ˈheɪstəli/

in a hurried or hasty manner

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

hitverbUS /hɪt/

cause to move by striking

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

HogarthnounUS /ˈhoʊɡɑːrθ/

English artist noted for a series of engravings that satirized the affectations of his time (1697-1764)

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

Hogarth's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading An incident of Hogarth's youth illustrates this.

illustratesverbUS /ˈɪləstreɪts/

third-person singular of “illustrate” — clarify by giving an example of

From this reading An incident of Hogarth's youth illustrates this.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

incidentnounUS /ˈɪnsədənt/

a single distinct event

From this reading An incident of Hogarth's youth illustrates this.

instantlyadverbUS /ˈɪnstəntli/

without delay or hesitation; with no time intervening

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

interpretverbUS /ˌɪnˈtɜːrprət/

make sense of; assign a meaning to

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

livesnounUS /lɪvz/

plural of “life” — a characteristic state or mode of living

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

managersnounUS /ˈmænədʒərz/

plural of “manager” — someone who controls resources and expenditures

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

midstnounUS /mɪdst/

the location of something surrounded by other things

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

mostadverbUS /moʊst/

used to form the superlative

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

paintingsnounUS /ˈpeɪntɪŋz/

plural of “painting” — graphic art consisting of an artistic composition made by applying paints to a surface

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

passverbUS /pæs/

go across or through

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

pencilnounUS /ˈpensəl/

a thin cylindrical pointed writing implement; a rod of marking substance encased in wood

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

pewternounUS /ˈpjuːtər/

any of various alloys of tin with small amounts of other metals (especially lead)

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

potnounUS /pɑːt/

metal or earthenware cooking vessel that is usually round and deep; often has a handle and lid

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

pot-house

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

revengenounUS /riˈvendʒ/

action taken in return for an injury or offense

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

revengefuladjective

disposed to seek revenge or intended for revenge

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

ReynoldsnounUS /ˈrenəldz/

English portrait painter and first president of the Royal Academy (1723-1792)

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

riotingnounUS /ˈraɪətɪŋ/

a state of disorder involving group violence

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

rownounUS /roʊ/

an arrangement of objects or people side by side in a line

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

sketchedverbUS /sketʃt/

past form of “sketch” — make a sketch of

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

someonepronounUS /ˈsʌmwʌn/

a person, without saying who

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

souvenirsnounUS /ˌsuːvəˈnɪrz/

plural of “souvenir” — something of sentimental value

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

struckadjectiveUS /strʌk/

(used in combination) affected by something overwhelming

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

thereadverbUS /ðer/

in or at that place or location

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading An incident of Hogarth's youth illustrates this.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

towardprepositionUS /təˈwɔːrd/

in the direction of

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

Tyers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

Vauxhall

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Hogarth came before Reynolds or Gainsborough; in short, was the first great English artist, and his chief power lay in being able instantly to catch a fleeting expression, and to interpret it.

waynounUS /weɪ/

how something is done or how it happens

From this reading As Hogarth grew old he grew also a little bitter and revengeful toward his enemies, often taking his revenge in the ordinary way of belittling the people he disliked, in his paintings.

whenconjunctionUS /wen/

at the time that

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Hogarth was friends with most of the theatre managers, and one of his souvenirs was a gold pass given him by Tyers, the director of Vauxhall Gardens, which entitled Hogarth and his family to entrance during their lives.

whippedverbUS /wɪpt/

inflected form of “whip” — beat severely with a whip or rod

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

whopronounUS /huː/

which person or people

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

withprepositionUS /wɪð/

in the company of; together with

From this reading He had got into a row in a pot-house with one of the hangers-on, and when someone struck the brawler over the head with a pewter pot, there, in the midst of excitement and rioting, Hogarth whipped out his pencil and hastily sketched the expression of the chap who had been hit.

youthnounUS /juːθ/

a young person (especially a young man or boy)

From this reading An incident of Hogarth's youth illustrates this.

Chapter 4 of Pictures Every Child Should Know A Selection by Mary Schell Hoke Bacon holds 441 sentences, grouped into 89 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Pictures Every Child Should Know A Selection contain?

Chapter 4 holds 441 sentences of Pictures Every Child Should Know A Selection, unabridged, divided into 89 reading sections.

This page carries chapter 4 of Pictures Every Child Should Know A Selection by Mary Schell Hoke Bacon exactly as it stands in the source edition, without abridgement. It runs to 441 sentences, grouped into 89 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Pictures Every Child Should Know A Selection?

Work through the 89 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 89 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Pictures Every Child Should Know A Selection

Common questions about reading Pictures Every Child Should Know A Selection by Mary Schell Hoke Bacon on this page, its source edition and its audio.

Is this the complete text of Pictures Every Child Should Know A Selection?

Yes. All 3534 sentences of Project Gutenberg eBook #6932 are kept, with a record of which sentences cover which part.

Which edition of Pictures Every Child Should Know A Selection is used?

Project Gutenberg eBook #6932, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Pictures Every Child Should Know A Selection take to read?

About 294 minutes of reading across 707 sections of 5 sentences each, at an unhurried pace.

How to read Pictures Every Child Should Know A Selection section by section

How to work through Pictures Every Child Should Know A Selection section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 8 chapters of Pictures Every Child Should Know A Selection to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Pictures Every Child Should Know A Selection

Words and structures a reader meets early in Pictures Every Child Should Know A Selection, each tappable for pronunciation and meaning.

Besides
A word that appears in the opening chapter of Pictures Every Child Should Know A Selection; the reader can tap it to hear it and see its dictionary entry.
Making
A word that appears in the opening chapter of Pictures Every Child Should Know A Selection; the reader can tap it to hear it and see its dictionary entry.
Acknowledgments
A word that appears in the opening chapter of Pictures Every Child Should Know A Selection; the reader can tap it to hear it and see its dictionary entry.
Authoritative
A word that appears in the opening chapter of Pictures Every Child Should Know A Selection; the reader can tap it to hear it and see its dictionary entry.