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Pierre
Pierre

Chapter XVII

Chapter 17 of Pierre is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.

Cover illustration for Pierre
Context Illustration Reading 1/34 · 5 lines
English subtitles · tap any word to listen 1 / 5
YOUNG AMERICA IN LITERATURE.
I.
Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.
By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.
I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Pierre

Chapter XVII

Chapter 17 of Pierre is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.

Reading 1/34 · 5 reading units · Lines 1–5

Line 1
YOUNG AMERICA IN LITERATURE.
/jʌŋ əˈmerəkə ɪn ˈlɪtərətʃər/
Line 2
I.
/aɪ/
Line 3
Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.
Line 4
By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.
Line 5
I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.
/aɪ ɪˈlekt ˈniːðər ʌv ðiːz aɪ æm ˈkerləs ʌv ˈiːðər boʊθ ɑːr wel ɪˈnʌf ɪn ðer weɪ aɪ raɪt prɪˈsaɪsli æz aɪ pliːz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

conflicting adjective US /kənˈflɪktɪŋ/

in disagreement

From this reading “Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.”

contemporaneous adjective US /kənˌtempərˈeɪniəs/

occurring in the same period of time

From this reading “By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.”

contemporaneously adverb US /kənˌtempərˈeɪniəsli/

during the same period of time

From this reading “By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.”

dictate verb US /dɪkˈteɪt/

issue commands or orders for

From this reading “By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.”

distinctions noun US /dɪˈstɪŋkʃənz/

plural of “distinction” — a discrimination between things as different and distinct on the basis of their characteristics or attributes

From this reading “Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.”

elect verb US /ɪˈlekt/

select by a vote for an office or membership

From this reading “I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.”

kindred adjective US /ˈkɪndrɪd/

similar in quality or character

From this reading “By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.”

modes noun US /moʊdz/

plural of “mode” — how something is done or how it happens

From this reading “Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

set down verb + adjective

put down in writing; of texts, musical compositions, etc.

In this reading “By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.”

IN LITERATURE preposition + noun

In this reading “YOUNG AMERICA IN LITERATURE.”

All words in this reading · 72

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

AMERICAnounUS /əˈmerəkə/

North American republic containing 50 states - 48 conterminous states in North America plus Alaska in northwest North America and the Hawaiian Islands in the Pacific Ocean; achieved independence in 1776

From this reading YOUNG AMERICA IN LITERATURE.

AmongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

carelessadjectiveUS /ˈkerləs/

marked by lack of attention or consideration or forethought or thoroughness; not careful

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

circumstancesnounUS /ˈsɜːrkəmstænsəz/

your overall circumstances or condition in life (including everything that happens to you)

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

conflictingadjectiveUS /kənˈflɪktɪŋ/

in disagreement

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

contemporaneousadjectiveUS /kənˌtempərˈeɪniəs/

occurring in the same period of time

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

contemporaneouslyadverbUS /kənˌtempərˈeɪniəsli/

during the same period of time

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

dictateverbUS /dɪkˈteɪt/

issue commands or orders for

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

distinctionsnounUS /dɪˈstɪŋkʃənz/

plural of “distinction” — a discrimination between things as different and distinct on the basis of their characteristics or attributes

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

electverbUS /ɪˈlekt/

select by a vote for an office or membership

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

grandadjectiveUS /ɡrænd/

of behavior that is impressive and ambitious in scale or scope

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading YOUNG AMERICA IN LITERATURE.

irrelative

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

kindredadjectiveUS /ˈkɪndrɪd/

similar in quality or character

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

LITERATUREnounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading YOUNG AMERICA IN LITERATURE.

mattersnounUS /ˈmætərz/

plural of “matter” — a vaguely specified concern

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

modenounUS /moʊd/

how something is done or how it happens

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

modesnounUS /moʊdz/

plural of “mode” — how something is done or how it happens

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

pleaseverbUS /pliːz/

give pleasure to or be pleasing to

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

practicaladjectiveUS /ˈpræktəkəl/

concerned with actual use or practice

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

preciselyadverbUS /prɪˈsaɪsli/

indicating exactness or preciseness

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

rangenounUS /reɪndʒ/

an area in which something acts or operates or has power or control: "the range of a supersonic jet"

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

restverbUS /rest/

not move; be in a resting position

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

setverbUS /set/

put into a certain place or abstract location

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

streamnounUS /striːm/

a natural body of running water flowing on or under the earth

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

subordinately

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

thereadverbUS /ðer/

in or at that place or location

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

variousadjectiveUS /ˈveriəs/

of many different kinds purposefully arranged but lacking any uniformity

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading By the one mode, all contemporaneous circumstances, facts, and events must be set down contemporaneously; by the other, they are only to be set down as the general stream of the narrative shall dictate; for matters which are kindred in time, may be very irrelative in themselves.

waynounUS /weɪ/

how something is done or how it happens

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

writeverbUS /raɪt/

produce a literary work

From this reading I elect neither of these; I am careless of either; both are well enough in their way; I write precisely as I please.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Among the various conflicting modes of writing history, there would seem to be two grand practical distinctions, under which all the rest must subordinately range.

YOUNGadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading YOUNG AMERICA IN LITERATURE.

Chapter 17 of Pierre by Herman Melville holds 174 sentences, grouped into 35 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of Pierre contain?

Chapter 17 holds 174 sentences of Pierre, unabridged, divided into 35 reading sections.

This page carries chapter 17 of Pierre by Herman Melville exactly as it stands in the source edition, without abridgement. It runs to 174 sentences, grouped into 35 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of Pierre?

Work through the 35 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 35 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Pierre

Common questions about reading Pierre by Herman Melville on this page, its source edition and its audio.

Is this the complete text of Pierre?

Yes. All 6047 sentences of Project Gutenberg eBook #34970 are kept, with a record of which sentences cover which part.

Which edition of Pierre is used?

Project Gutenberg eBook #34970, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Pierre take to read?

About 503 minutes of reading across 1210 sections of 5 sentences each, at an unhurried pace.

How to read Pierre section by section

How to work through Pierre section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 26 chapters of Pierre to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Pierre

Words and structures a reader meets early in Pierre, each tappable for pronunciation and meaning.

Pierre
A word that appears in the opening chapter of Pierre; the reader can tap it to hear it and see its dictionary entry.
Ambiguities
A word that appears in the opening chapter of Pierre; the reader can tap it to hear it and see its dictionary entry.
Herman
A word that appears in the opening chapter of Pierre; the reader can tap it to hear it and see its dictionary entry.
Melville
A word that appears in the opening chapter of Pierre; the reader can tap it to hear it and see its dictionary entry.