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Pink and White Tyranny A Society Novel
Pink and White Tyranny A Society Novel

Chapter XXIV · Chapter 24

Chapter 24 of Pink and White Tyranny A Society Novel is here in full — 74 sentences across 15 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/14 · 5 lines
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_SENTIMENT v.
SENSIBILITY._ THE poet has feelingly sung the condition of The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.
Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.
It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.
Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

Pink and White Tyranny A Society Novel

Chapter XXIV · Chapter 24

Chapter 24 of Pink and White Tyranny A Society Novel is here in full — 74 sentences across 15 reading sections, with audio for every sentence and word.

Reading 1/14 · 5 reading units · Lines 1–5

Line 1
_SENTIMENT v.
/ˈsentəmənt viː/
Line 2
SENSIBILITY._ THE poet has feelingly sung the condition ofThe banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.
Line 3
Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.
Line 4
It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.
Line 5
Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

dispersing verb US /dɪˈspɜːrsɪŋ/

-ing form of “disperse” — distribute loosely

From this reading “Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.”

flimsy adjective US /ˈflɪmzi/

lacking solidity or strength

From this reading “It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.”

inexorable adjective US /ˌɪˈneksərəbəl/

not to be placated or appeased or moved by entreaty

From this reading “It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.”

realities noun US /ˌriːˈælətiːz/

plural of “reality” — all of your experiences that determine how things appear to you

From this reading “It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.”

revellers noun US /ˈrevələrz/

plural of “reveller” — a celebrant who shares in a noisy party

From this reading “Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.”

sensibility noun US /ˌsensɪˈbɪlɪti/

mental responsiveness and awareness

From this reading “SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.”

softness noun US /ˈsɔːftnəs/

the property of giving little resistance to pressure and being easily cut or molded

From this reading “Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.”

sternest adjective US /ˈstɜːrnəst/

superlative of “stern” — of a stern or strict bearing or demeanor; forbidding in aspect

From this reading “It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.”

All words in this reading · 117

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

afterprepositionUS /ˈæftər/

later than; following

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

armnounUS /ɑːrm/

a human limb; technically the part of the superior limb between the shoulder and the elbow but commonly used to refer to the whole superior limb

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

atprepositionUS /æt/

in or near a particular place or position

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

awfuladjectiveUS /ˈɑːfəl/

exceptionally bad or displeasing

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

babynounUS /ˈbeɪbi/

a very young child (birth to 1 year) who has not yet begun to walk or talk

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

banquetnounUS /ˈbæŋkwət/

a ceremonial dinner party for many people

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

besideprepositionUS /bɪˈsaɪd/

next to; at the side of

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

broughtverbUS /brɔːt/

inflected form of “bring” — take something or somebody with oneself somewhere

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

cnounUS /siː/

a degree on the centigrade scale of temperature

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

castverbUS /kæst/

put or send forth

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

Charlie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

conditionnounUS /kənˈdɪʃən/

a state at a particular time

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

daylightnounUS /ˈdeɪlaɪt/

the time after sunrise and before sunset while it is light outside

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

descriptionnounUS /dɪˈskrɪpʃən/

a statement that represents something in words

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

desertedadjectiveUS /dɪˈzɜːrtɪd/

forsaken by owner or inhabitants

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

dispersingverbUS /dɪˈspɜːrsɪŋ/

-ing form of “disperse” — distribute loosely

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

dyingadjectiveUS /ˈdaɪɪŋ/

in or associated with the process of passing from life or ceasing to be

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

earlyadjectiveUS /ˈɜːrli/

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

feelinglyadverb

with great feeling

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

fellownounUS /ˈfeloʊ/

a boy or man

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

Ferrola

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

Ferrola's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

fledverbUS /fled/

inflected form of “flee” — run away quickly

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

flimsyadjectiveUS /ˈflɪmzi/

lacking solidity or strength

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

Follingsbee

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

frightfuladjectiveUS /ˈfraɪtfəl/

provoking horror

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

garlands

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

greetverbUS /ɡriːt/

express greetings upon meeting someone

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

gripnounUS /ɡrɪp/

the act of grasping

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

hallnounUS /hɔːl/

an interior passage or corridor onto which rooms open

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

heldadjectiveUS /held/

occupied or in the control of; often used in combination

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

hurriedadjectiveUS /ˈhɜːrid/

moving rapidly or performed quickly or in great haste

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

inexorableadjectiveUS /ˌɪˈneksərəbəl/

not to be placated or appeased or moved by entreaty

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

intenseadjectiveUS /ˌɪnˈtens/

possessing or displaying a distinctive feature to a heightened degree

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

justadverbUS /dʒʌst/

and nothing more

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

lastadjectiveUS /læst/

immediately past

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

lightsnounUS /laɪts/

plural of “light” — (physics) electromagnetic radiation that can produce a visual sensation

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

mansionnounUS /ˈmænʃən/

(astrology) one of 12 equal areas into which the zodiac is divided

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

messengernounUS /ˈmesəndʒər/

a person who carries a message

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

minutenounUS /ˈmɪnət/

a unit of time equal to 60 seconds or 1/60th of an hour

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

momentsnounUS /ˈmoʊmənts/

plural of “moment” — a particular point in time

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

mostadverbUS /moʊst/

used to form the superlative

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

neednounUS /niːd/

a condition requiring relief

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

pain-shunning

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

pitifulness

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

pleasure-seeking

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

realitiesnounUS /ˌriːˈælətiːz/

plural of “reality” — all of your experiences that determine how things appear to you

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

revellersnounUS /ˈrevələrz/

plural of “reveller” — a celebrant who shares in a noisy party

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

selfishnessnounUS /ˈselfɪʃnəs/

stinginess resulting from a concern for your own welfare and a disregard of others

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

SENSIBILITYnounUS /ˌsensɪˈbɪlɪti/

mental responsiveness and awareness

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

SENTIMENTnounUS /ˈsentəmənt/

tender, romantic, or nostalgic feeling or emotion

From this reading _SENTIMENT v.

sentimentalists

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

softnessnounUS /ˈsɔːftnəs/

the property of giving little resistance to pressure and being easily cut or molded

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

standingadjectiveUS /ˈstændɪŋ/

having a supporting base

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

sternestadjectiveUS /ˈstɜːrnəst/

superlative of “stern” — of a stern or strict bearing or demeanor; forbidding in aspect

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

summonedverbUS /ˈsʌmənd/

past form of “summon” — call in an official matter, such as to attend court

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

sungnounUS /sʌŋ/

the imperial dynasty of China from 960 to 1279; noted for art and literature and philosophy

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

takenadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

thingnounUS /θɪŋ/

a special situation

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Charlie Ferrola was one of those whose softness and pitifulness, like that of sentimentalists generally, was only one form of intense selfishness.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

vnounUS /viː/

a unit of potential equal to the potential difference between two points on a conductor carrying a current of 1 ampere when the power dissipated between the two points is 1 watt

From this reading _SENTIMENT v.

vainadjectiveUS /veɪn/

characteristic of false pride; having an exaggerated sense of self-importance

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

WhosedeterminerUS /huːz/

belonging to which person

From this reading SENSIBILITY._ THE poet has feelingly sung the condition of “The banquet hall deserted, Whose lights are fled, and garlands dead,” &c., and so we need not cast the daylight of minute description on the Follingsbee mansion.

wifenounUS /waɪf/

a married woman; a man's partner in marriage

From this reading Charlie Ferrola, however, was summoned away at early daylight, just as the last of the revellers were dispersing, by a hurried messenger from his wife; and, a few moments after he entered his house, he was standing beside his dying baby,—the little fellow whom we have seen brought down on Mrs. Ferrola’s arm, to greet the call of Mrs. Follingsbee.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

withprepositionUS /wɪð/

in the company of; together with

From this reading It is an awful thing for people of the flimsy, vain, pain-shunning, pleasure-seeking character of Charlie Ferrola, to be taken at times, as such people will be, in the grip of an inexorable power, and held face to face with the sternest, the most awful, the most frightful realities of life.

Chapter 24 of Pink and White Tyranny A Society Novel by Harriet Beecher Stowe holds 74 sentences, grouped into 15 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 24 of Pink and White Tyranny A Society Novel contain?

Chapter 24 holds 74 sentences of Pink and White Tyranny A Society Novel, unabridged, divided into 15 reading sections.

This page carries chapter 24 of Pink and White Tyranny A Society Novel by Harriet Beecher Stowe exactly as it stands in the source edition, without abridgement. It runs to 74 sentences, grouped into 15 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 24 of Pink and White Tyranny A Society Novel?

Work through the 15 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 15 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 24 be read aloud to me?

Yes — every sentence and every individual word in chapter 24 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Pink and White Tyranny A Society Novel

Common questions about reading Pink and White Tyranny A Society Novel by Harriet Beecher Stowe on this page, its source edition and its audio.

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Project Gutenberg eBook #12354, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Pink and White Tyranny A Society Novel take to read?

About 304 minutes of reading across 730 sections of 5 sentences each, at an unhurried pace.

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How to work through Pink and White Tyranny A Society Novel section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in Pink and White Tyranny A Society Novel

Words and structures a reader meets early in Pink and White Tyranny A Society Novel, each tappable for pronunciation and meaning.

Falling
A word that appears in the opening chapter of Pink and White Tyranny A Society Novel; the reader can tap it to hear it and see its dictionary entry.
Beautiful
A word that appears in the opening chapter of Pink and White Tyranny A Society Novel; the reader can tap it to hear it and see its dictionary entry.
Creature
A word that appears in the opening chapter of Pink and White Tyranny A Society Novel; the reader can tap it to hear it and see its dictionary entry.
Seymour
A word that appears in the opening chapter of Pink and White Tyranny A Society Novel; the reader can tap it to hear it and see its dictionary entry.