Chapter 11 of Pinocchio under the sea is here in full — 147 sentences across 30 reading sections, with audio for every sentence and word.
Chapter 11 of Pinocchio under the sea by Gemma Mongiardini-Rembadi holds 147 sentences, grouped into 30 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 11 holds 147 sentences of Pinocchio under the sea, unabridged, divided into 30 reading sections.
This page carries chapter 11 of Pinocchio under the sea by Gemma Mongiardini-Rembadi exactly as it stands in the source edition, without abridgement. It runs to 147 sentences, grouped into 30 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 30 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 30 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Pinocchio under the sea by Gemma Mongiardini-Rembadi on this page, its source edition and its audio.
Yes. All 2324 sentences of Project Gutenberg eBook #71880 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #71880, unabridged. The Project Gutenberg header, footer and licence are removed.
About 193 minutes of reading across 465 sections of 5 sentences each, at an unhurried pace.
How to work through Pinocchio under the sea section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 16 chapters of Pinocchio under the sea to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Pinocchio under the sea, each tappable for pronunciation and meaning.
A keeper or guardian of historical records and memories.
Chapter XI
Chapter 11 of Pinocchio under the sea is here in full — 147 sentences across 30 reading sections, with audio for every sentence and word.
“PINOCCHIO, Pinocchio, make haste! make haste!” called Marsovino the next morning. “Very well,” sleepily came the answer. “But why must I get up so early?” “Do you call ten o’clock early, you lazy boy?” “Ten o’clock!”
Chapter 11 of Pinocchio under the sea is here in full — 147 sentences across 30 reading sections, with audio for every sentence and word.
Reading 1/30 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.
used to say something is necessary, or almost certainly true
From this reading ““But why must I get up so early?””
Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Very well,” sleepily came the answer.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Do you call ten o’clock early, you lazy boy?”
used to introduce something that contrasts with what came before
From this reading “But why must I get up so early?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Do you call ten o’clock early, you lazy boy?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “PINOCCHIO, Pinocchio, make haste! make haste!” called Marsovino the next morning.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Very well,” sleepily came the answer.
used to form questions and negatives, and to give emphasis
From this reading “Do you call ten o’clock early, you lazy boy?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “But why must I get up so early?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “But why must I get up so early?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “PINOCCHIO, Pinocchio, make haste! make haste!” called Marsovino the next morning.
the person speaking or writing, as the subject of the verb
From this reading “But why must I get up so early?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Do you call ten o’clock early, you lazy boy?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “PINOCCHIO, Pinocchio, make haste! make haste!” called Marsovino the next morning.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “PINOCCHIO, Pinocchio, make haste! make haste!” called Marsovino the next morning.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “PINOCCHIO, Pinocchio, make haste! make haste!” called Marsovino the next morning.
used to say something is necessary, or almost certainly true
From this reading “But why must I get up so early?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “PINOCCHIO, Pinocchio, make haste! make haste!” called Marsovino the next morning.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Do you call ten o’clock early, you lazy boy?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “PINOCCHIO, Pinocchio, make haste! make haste!” called Marsovino the next morning.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Very well,” sleepily came the answer.
for that reason; with the result that
From this reading “But why must I get up so early?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Do you call ten o’clock early, you lazy boy?”
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading “PINOCCHIO, Pinocchio, make haste! make haste!” called Marsovino the next morning.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “But why must I get up so early?”
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Very well,” sleepily came the answer.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Very well,” sleepily came the answer.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “But why must I get up so early?”
the person or people being spoken to
From this reading “Do you call ten o’clock early, you lazy boy?”
