Chapter 16 of Plays : First Series is here in full — 403 sentences across 81 reading sections, with audio for every sentence and word.
A keeper or guardian of historical records and memories.
Chapter XVI
Chapter 16 of Plays : First Series is here in full — 403 sentences across 81 reading sections, with audio for every sentence and word.
MADGE. [In a low, fierce voice.] Keep your kind feelings to yourself. You think you can come amongst us, but you're mistaken. Go back and tell the Manager that. ENID.
Chapter 16 of Plays : First Series is here in full — 403 sentences across 81 reading sections, with audio for every sentence and word.
Reading 1/80 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
surrounded by; in the company of
From this reading “You think you can come amongst us, but you're mistaken.”
a town in north central Oklahoma
From this reading “ENID.”
emotional or moral sensitivity (especially in relation to personal principles or dignity)
From this reading “[In a low, fierce voice.] Keep your kind feelings to yourself.”
marked by extreme and violent energy
From this reading “[In a low, fierce voice.] Keep your kind feelings to yourself.”
less than normal in degree or intensity or amount
From this reading “[In a low, fierce voice.] Keep your kind feelings to yourself.”
someone who controls resources and expenditures
From this reading “Go back and tell the Manager that.”
wrong in e.g. opinion or judgment
From this reading “You think you can come amongst us, but you're mistaken.”
used when the person spoken to is also the object of the action
From this reading “[In a low, fierce voice.] Keep your kind feelings to yourself.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used before a singular noun to mean one of a group, when it is not a particular one
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
surrounded by; in the company of
From this reading You think you can come amongst us, but you're mistaken.
used to join words or parts of a sentence that go together
From this reading Go back and tell the Manager that.
in or to or toward a former location
From this reading Go back and tell the Manager that.
used to introduce something that contrasts with what came before
From this reading You think you can come amongst us, but you're mistaken.
to be able to, or to be allowed to
From this reading You think you can come amongst us, but you're mistaken.
move toward, travel toward something or somebody or approach something or somebody
From this reading You think you can come amongst us, but you're mistaken.
a town in north central Oklahoma
From this reading ENID.
emotional or moral sensitivity (especially in relation to personal principles or dignity)
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
marked by extreme and violent energy
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
change location; move, travel, or proceed, also metaphorically
From this reading Go back and tell the Manager that.
inside something, or within a place, period, or state
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
cause to continue in a certain state, position, or activity; e.g., “keep clean”
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
having or showing a tender and considerate and helpful nature; used especially of persons and their behavior
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
less than normal in degree or intensity or amount
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading MADGE.
someone who controls resources and expenditures
From this reading Go back and tell the Manager that.
wrong in e.g. opinion or judgment
From this reading You think you can come amongst us, but you're mistaken.
express in words
From this reading Go back and tell the Manager that.
used to introduce what somebody said, thought, or felt
From this reading Go back and tell the Manager that.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading Go back and tell the Manager that.
judge or regard; look upon; judge
From this reading You think you can come amongst us, but you're mistaken.
used before the base form of a verb to make the infinitive
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
the speaker and others, as the object of a verb or preposition
From this reading You think you can come amongst us, but you're mistaken.
the distinctive quality or pitch or condition of a person's speech
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
the person or people being spoken to
From this reading You think you can come amongst us, but you're mistaken.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading You think you can come amongst us, but you're mistaken.
belonging to the person or people being spoken to
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
used when the person spoken to is also the object of the action
From this reading [In a low, fierce voice.] Keep your kind feelings to yourself.
Chapter 16 of Plays : First Series by John Galsworthy holds 403 sentences, grouped into 81 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 16 holds 403 sentences of Plays : First Series, unabridged, divided into 81 reading sections.
This page carries chapter 16 of Plays : First Series by John Galsworthy exactly as it stands in the public-domain source edition, without abridgement. It runs to 403 sentences, grouped into 81 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 81 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 81 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Plays : First Series by John Galsworthy on this page, its source edition and its audio.
Yes. All 6758 sentences of Project Gutenberg eBook #5055 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #5055, a public-domain edition. The Project Gutenberg header, footer and licence are removed.
About 563 minutes of reading across 1352 sections of 5 sentences each, at an unhurried pace.
How to work through Plays : First Series section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 17 chapters of Plays : First Series to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Plays : First Series, each tappable for pronunciation and meaning.
