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Poems by Emily Dickinson, Series One
Poems by Emily Dickinson, Series One

Chapter I · Chapter 1

Chapter 1 of Poems by Emily Dickinson, Series One is here in full — 156 sentences across 32 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/31 · 5 lines
English subtitles · tap any word to listen 1 / 5
Edited by two of her friends PREFACE.
THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.
Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.
On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.
In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Poems by Emily Dickinson, Series One

Chapter I · Chapter 1

Chapter 1 of Poems by Emily Dickinson, Series One is here in full — 156 sentences across 32 reading sections, with audio for every sentence and word.

Reading 1/31 · 5 reading units · Lines 1–5

Line 1
Edited by two of her friends PREFACE.
/ˈedətəd baɪ tuː ʌv hɜːr frendz ˈprefəs/
Line 2
THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.
Line 3
Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.
/sʌtʃ vɜːrs mʌst ˌɪˈnevətəbli ˈfɔːrfɪt ˌwʌˈtevər ædˈvæntɪdʒ laɪz ɪn ðə ˈdɪsəplən ʌv ˈpʌblɪk ˈkrɪtɪsɪzəm ənd ðə enˈfɔːrst kənˈfɔːrməti tuː ækˈseptɪd weɪz/
Line 4
On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.
/ɑːn ðə ˈʌðər hænd ɪt meɪ ˈɔːfən ɡeɪn ˈsʌmθɪŋ θruː ðə ˈhæbət ʌv ˈfriːdəm ənd ðə ˌʌnkənˈvenʃənəl ˈʌtərəns ʌv ˈderɪŋ θɔːts/
Line 5
In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.
/ɪn ðə keɪs ʌv ðə ˈprezənt ˈɔːθər ðer wɑːz ˌæbsəˈluːtli noʊ tʃɔɪs ɪn ðə ˈmætər ʃiː mʌst raɪt ðʌs ɔːr nɑːt æt ɔːl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

conformity noun US /kənˈfɔːrməti/

correspondence in form or appearance

From this reading “Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.”

Dickinson noun US /ˈdɪkɪnsən/

United States poet noted for her mystical and unrhymed poems (1830-1886)

From this reading “THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.”

Edited adjective US /ˈedətəd/

improved or corrected by critical editing

From this reading “Edited by two of her friends PREFACE.”

enforced adjective US /enˈfɔːrst/

forced or compelled or put in force

From this reading “Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.”

forfeit verb US /ˈfɔːrfɪt/

lose (s.th.) or lose the right to (s.th.) by some error, offense, or crime

From this reading “Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.”

Portfolio noun US /pɔːrtˈfoʊlioʊ/

a large, flat, thin case for carrying loose papers or drawings or maps; usually leather

From this reading “THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.”

unconventional adjective US /ˌʌnkənˈvenʃənəl/

not conforming to accepted rules or standards

From this reading “On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.”

writer's noun US /ˈraɪtərz/

possessive form of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.”

All words in this reading · 79

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

absolutelyadverbUS /ˌæbsəˈluːtli/

completely and without qualification; used informally as intensifiers

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

acceptedadjectiveUS /ækˈseptɪd/

generally approved or compelling recognition

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

advantagenounUS /ædˈvæntɪdʒ/

the quality of having a superior or more favorable position

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

atprepositionUS /æt/

in or near a particular place or position

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

belongverbUS /bɪˈlɔːŋ/

be owned by; be in the possession of

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Edited by two of her friends PREFACE.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

casenounUS /keɪs/

an occurrence of something

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

conformitynounUS /kənˈfɔːrməti/

correspondence in form or appearance

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

criticismnounUS /ˈkrɪtɪsɪzəm/

disapproval expressed by pointing out faults or shortcomings

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

daringnounUS /ˈderɪŋ/

a challenge to do something dangerous or foolhardy

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

DickinsonnounUS /ˈdɪkɪnsən/

United States poet noted for her mystical and unrhymed poems (1830-1886)

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

disciplinenounUS /ˈdɪsəplən/

a branch of knowledge

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

EditedadjectiveUS /ˈedətəd/

improved or corrected by critical editing

From this reading Edited by two of her friends PREFACE.

EmersonnounUS /ˈemərsən/

United States writer and leading exponent of transcendentalism (1803-1882)

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

Emily

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

emphaticallyadverbUS /emˈfætɪkli/

without question and beyond doubt

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

enforcedadjectiveUS /enˈfɔːrst/

forced or compelled or put in force

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

expressionnounUS /ɪkˈspreʃən/

the feelings expressed on a person's face

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

forfeitverbUS /ˈfɔːrfɪt/

lose (s.th.) or lose the right to (s.th.) by some error, offense, or crime

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

freedomnounUS /ˈfriːdəm/

the condition of being free; the power to act or speak or think without externally imposed restraints

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

friendsnounUS /frendz/

plural of “friend” — a person you know well and regard with affection and trust

From this reading Edited by two of her friends PREFACE.

gainverbUS /ɡeɪn/

obtain

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

habitnounUS /ˈhæbət/

an established custom

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Edited by two of her friends PREFACE.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

inevitablyadverbUS /ˌɪˈnevətəbli/

in such a manner as could not be otherwise

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

liesnounUS /laɪz/

plural of “lie” — a statement that deviates from or perverts the truth

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

nodeterminerUS /noʊ/

not any; not one

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Edited by two of her friends PREFACE.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

OnprepositionUS /ɑːn/

touching and supported by a surface

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

ownverbUS /oʊn/

have ownership or possession of

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

PoetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

PortfolionounUS /pɔːrtˈfoʊlioʊ/

a large, flat, thin case for carrying loose papers or drawings or maps; usually leather

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

PREFACEnounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading Edited by two of her friends PREFACE.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

publicationnounUS /ˌpʌblɪˈkeɪʃən/

a copy of a printed work offered for distribution

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

solelyadverbUS /ˈsoʊəli/

without any others being included or involved

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

SuchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

thereadverbUS /ðer/

in or at that place or location

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

thoughtsnounUS /θɔːts/

plural of “thought” — the content of cognition; the main thing you are thinking about

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

thusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Edited by two of her friends PREFACE.

unconventionaladjectiveUS /ˌʌnkənˈvenʃənəl/

not conforming to accepted rules or standards

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

utterancenounUS /ˈʌtərəns/

the use of uttered sounds for auditory communication

From this reading On the other hand, it may often gain something through the habit of freedom and the unconventional utterance of daring thoughts.

versenounUS /vɜːrs/

literature in metrical form

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

versesnounUS /ˈvɜːrsəz/

plural of “verse” — literature in metrical form

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

waynounUS /weɪ/

how something is done or how it happens

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

waysnounUS /weɪz/

structure consisting of a sloping way down to the water from the place where ships are built or repaired

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

whatpronounUS /wʌt/

used to ask for information about something

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

writeverbUS /raɪt/

produce a literary work

From this reading In the case of the present author, there was absolutely no choice in the matter; she must write thus, or not at all.

writer'snounUS /ˈraɪtərz/

possessive form of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading THE verses of Emily Dickinson belong emphatically to what Emerson long since called "the Poetry of the Portfolio,"--something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind.

Chapter 1 of Poems by Emily Dickinson, Series One by Emily Dickinson holds 156 sentences, grouped into 32 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Poems by Emily Dickinson, Series One contain?

Chapter 1 holds 156 sentences of Poems by Emily Dickinson, Series One, unabridged, divided into 32 reading sections.

This page carries chapter 1 of Poems by Emily Dickinson, Series One by Emily Dickinson exactly as it stands in the public-domain source edition, without abridgement. It runs to 156 sentences, grouped into 32 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Poems by Emily Dickinson, Series One?

Work through the 32 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 32 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Poems by Emily Dickinson, Series One

Common questions about reading Poems by Emily Dickinson, Series One by Emily Dickinson on this page, its source edition and its audio.

Is this the complete text of Poems by Emily Dickinson, Series One?

Yes. All 643 sentences of Project Gutenberg eBook #2678 are kept, with a record of which sentences cover which part.

Which edition of Poems by Emily Dickinson, Series One is used?

Project Gutenberg eBook #2678, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Poems by Emily Dickinson, Series One take to read?

About 53 minutes of reading across 129 sections of 5 sentences each, at an unhurried pace.

How to read Poems by Emily Dickinson, Series One section by section

How to work through Poems by Emily Dickinson, Series One section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 4 chapters of Poems by Emily Dickinson, Series One to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Poems by Emily Dickinson, Series One

Words and structures a reader meets early in Poems by Emily Dickinson, Series One, each tappable for pronunciation and meaning.

Edited
A word that appears in the opening chapter of Poems by Emily Dickinson, Series One; the reader can tap it to hear it and see its dictionary entry.
Friends
A word that appears in the opening chapter of Poems by Emily Dickinson, Series One; the reader can tap it to hear it and see its dictionary entry.
Preface
A word that appears in the opening chapter of Poems by Emily Dickinson, Series One; the reader can tap it to hear it and see its dictionary entry.
Verses
A word that appears in the opening chapter of Poems by Emily Dickinson, Series One; the reader can tap it to hear it and see its dictionary entry.