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Poems of the Past and the Present
Poems of the Past and the Present

Chapter III · Chapter 3

Chapter 3 of Poems of the Past and the Present is here in full — 106 sentences across 22 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/21 · 5 lines
English subtitles · tap any word to listen 1 / 5
XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.
XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?
Must I pipe a palinody, Or be silent thereupon?
XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?
XVII Nay; I’ll sing The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Poems of the Past and the Present

Chapter III · Chapter 3

Chapter 3 of Poems of the Past and the Present is here in full — 106 sentences across 22 reading sections, with audio for every sentence and word.

Reading 1/21 · 5 reading units · Lines 1–5

Line 1
XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.
Line 2
XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?
Line 3
Must I pipe a palinody, Or be silent thereupon?
Line 4
XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?
Line 5
XVII Nay; I’ll singThe Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

engrossing adjective US /ɪnˈɡroʊsɪŋ/

capable of arousing and holding the attention

From this reading “XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?”

fame noun US /feɪm/

the state or quality of being widely honored and acclaimed

From this reading “XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?”

Guesses noun US /ˈɡesəz/

plural of “guess” — a message expressing an opinion based on incomplete evidence

From this reading “XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!”

nod verb US /nɑːd/

express or signify by nodding

From this reading “XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!”

romantic adjective US /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading “XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!”

steeple noun US /ˈstiːpəl/

a tall tower that forms the superstructure of a building (usually a church or temple) and that tapers to a point at the top

From this reading “XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?”

strand noun US /strænd/

a pattern forming a unity within a larger structural whole

From this reading “XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?”

viewing noun US /ˈvjuːɪŋ/

the display of a motion picture

From this reading “XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?”

All words in this reading · 73

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Must I pipe a palinody, Or be silent thereupon?

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

Areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

arightadverb

in an accurate manner

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

BridgenounUS /brɪdʒ/

a structure that allows people or vehicles to cross an obstacle such as a river or canal or railway etc.

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

byprepositionUS /baɪ/

showing who or what does the action

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

claimnounUS /kleɪm/

an assertion of a right (as to money or property)

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

crimenounUS /kraɪm/

(criminal law) an act punishable by law; usually considered an evil act

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

engrossingadjectiveUS /ɪnˈɡroʊsɪŋ/

capable of arousing and holding the attention

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

famenounUS /feɪm/

the state or quality of being widely honored and acclaimed

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

fightverbUS /faɪt/

be engaged in a fight; carry on a fight

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

glorynounUS /ˈɡlɔːri/

a state of high honor

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

GuessesnounUS /ˈɡesəz/

plural of “guess” — a message expressing an opinion based on incomplete evidence

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

I'll

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

Isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

Lodi

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

Lodi-bred

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

long-loved

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

lowadjectiveUS /loʊ/

less than normal in degree or intensity or amount

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

Mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Must I pipe a palinody, Or be silent thereupon?

NayexclamationUS /neɪ/

an old word for “no”

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

nodeterminerUS /noʊ/

not any; not one

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

nodverbUS /nɑːd/

express or signify by nodding

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

nonepronounUS /nʌn/

not one, and not any

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

OnceadverbUS /wʌns/

on one occasion

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

onesnounUS /wʌnz/

plural of “one” — the smallest whole number or a numeral representing this number

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

OrconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Must I pipe a palinody, Or be silent thereupon?

palinody

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Must I pipe a palinody, Or be silent thereupon?

passverbUS /pæs/

go across or through

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

pipenounUS /paɪp/

a tube with a small bowl at one end; used for smoking tobacco

From this reading Must I pipe a palinody, Or be silent thereupon?

RatenounUS /reɪt/

a magnitude or frequency relative to a time unit

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

sayverbUS /seɪ/

express in words

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

SeemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

showverbUS /ʃoʊ/

give an exhibition of to an interested audience

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

silentadjectiveUS /ˈsaɪlənt/

marked by absence of sound

From this reading Must I pipe a palinody, Or be silent thereupon?

SinceprepositionUS /sɪns/

from a time in the past until now

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

singverbUS /sɪŋ/

deliver by singing

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

smileverbUS /smaɪl/

change one's facial expression by spreading the lips, often to signal pleasure

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

steeplenounUS /ˈstiːpəl/

a tall tower that forms the superstructure of a building (usually a church or temple) and that tapers to a point at the top

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

stonenounUS /stoʊn/

a lump or mass of hard consolidated mineral matter

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

strandnounUS /strænd/

a pattern forming a unity within a larger structural whole

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

thereupon

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Must I pipe a palinody, Or be silent thereupon?

thingnounUS /θɪŋ/

a special situation

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

ThoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

thydeterminerUS /ðaɪ/

an old word for “your”, speaking to one person

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

trulyadverbUS /ˈtruːli/

in accordance with truth or fact or reality

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

viewingnounUS /ˈvjuːɪŋ/

the display of a motion picture

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

whatpronounUS /wʌt/

used to ask for information about something

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

XIVnoun

the cardinal number that is the sum of thirteen and one

From this reading XIV Since all Lodi, low and head ones, Seem to pass that story by, It may be the Lodi-bred ones Rate it truly, and not I.

XVnoun

the cardinal number that is the sum of fourteen and one

From this reading XV Once engrossing Bridge of Lodi, Is thy claim to glory gone?

XVInoun

the cardinal number that is the sum of fifteen and one

From this reading XVI And if here, from strand to steeple, Be no stone to fame the fight, Must I say the Lodi people Are but viewing crime aright?

XVIInoun

the cardinal number that is the sum of sixteen and one

From this reading XVII Nay; I’ll sing “The Bridge of Lodi”— That long-loved, romantic thing, Though none show by smile or nod he Guesses why and what I sing!

Chapter 3 of Poems of the Past and the Present by Thomas Hardy holds 106 sentences, grouped into 22 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Poems of the Past and the Present contain?

Chapter 3 holds 106 sentences of Poems of the Past and the Present, unabridged, divided into 22 reading sections.

This page carries chapter 3 of Poems of the Past and the Present by Thomas Hardy exactly as it stands in the public-domain source edition, without abridgement. It runs to 106 sentences, grouped into 22 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Poems of the Past and the Present?

Work through the 22 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 22 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Poems of the Past and the Present

Common questions about reading Poems of the Past and the Present by Thomas Hardy on this page, its source edition and its audio.

Is this the complete text of Poems of the Past and the Present?

Yes. All 854 sentences of Project Gutenberg eBook #3168 are kept, with a record of which sentences cover which part.

Which edition of Poems of the Past and the Present is used?

Project Gutenberg eBook #3168, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Poems of the Past and the Present take to read?

About 71 minutes of reading across 171 sections of 5 sentences each, at an unhurried pace.

How to read Poems of the Past and the Present section by section

How to work through Poems of the Past and the Present section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Poems of the Past and the Present

Words and structures a reader meets early in Poems of the Past and the Present, each tappable for pronunciation and meaning.

Poems
A word that appears in the opening chapter of Poems of the Past and the Present; the reader can tap it to hear it and see its dictionary entry.
Embarcation
A word that appears in the opening chapter of Poems of the Past and the Present; the reader can tap it to hear it and see its dictionary entry.
Departure
A word that appears in the opening chapter of Poems of the Past and the Present; the reader can tap it to hear it and see its dictionary entry.
Colonel
A word that appears in the opening chapter of Poems of the Past and the Present; the reader can tap it to hear it and see its dictionary entry.