used before a singular noun to mean one of a group, when it is not a particular one
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
abominableadjectiveUS /əˈbɑːmənəbəl/
unequivocally detestable
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
perform an action, or work out or perform (an action)
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
declare to be true or admit the existence or reality or truth of
From this reading _QUINTIAN._ You admit that Cæsar was not drunk?
used to join words or parts of a sentence that go together
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
at the same time that; because; in the way that
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
make a request or demand for something to somebody
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
in or near a particular place or position
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
in or to or toward a former location
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
culturenounUS /ˈkʌltʃər/
a particular society at a particular time and place
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
Cæsar
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading _QUINTIAN._ You admit that Cæsar was not drunk?
used to form questions and negatives, and to give emphasis
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
plural of “door” — a swinging or sliding barrier that will close the entrance to a room or building or vehicle
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
stupefied or excited by a chemical substance (especially alcohol)
From this reading _QUINTIAN._ You admit that Cæsar was not drunk?
eruditionnounUS /ˌerəˈdɪʃən/
profound scholarly knowledge
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
the person speaking or writing, as the subject of the verb
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
IInoun
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
inside something, or within a place, period, or state
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
a thing, animal, or idea already mentioned
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
largeadjectiveUS /lɑːrdʒ/
above average in size or number or quantity or magnitude or extent
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
location near or direction toward the left side; i.e. the side to the north when a person or object faces east
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
something that is lost
From this reading What’s your net loss?
engage in
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
an adult person who is male (as opposed to a woman)
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
netnounUS /net/
a computer network consisting of a worldwide network of computer networks that use the TCP/IP network protocols to facilitate data transmission and exchange
From this reading What’s your net loss?
used to make a word, phrase, or sentence negative
From this reading _QUINTIAN._ You admit that Cæsar was not drunk?
belonging to, or connected with, somebody or something
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
a large and stately mansion
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
QUINTIAN
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
any object that is left unused or still extant
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
precisely, exactly
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
an area within a building enclosed by walls and floor and ceiling
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
the place where some action occurs
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
SCEVINUS
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
SENECIOnoun
enormous and diverse cosmopolitan genus of trees and shrubs and vines and herbs including many weeds
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
term of address for a man
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
used to introduce what somebody said, thought, or felt
From this reading _QUINTIAN._ You admit that Cæsar was not drunk?
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
in every part of a place, or for the whole of a period
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
plural of “ti” — a light strong grey lustrous corrosion-resistant metallic element used in strong lightweight alloys (as for airplane parts); the main sources are rutile and ilmenite
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
unchangedadjectiveUS /ənˈtʃeɪndʒd/
not made or become different
From this reading The scene remains unchanged throughout the act._ _SENECIO, SCEVINUS and QUINTIAN._ _SCEVINUS._ ’Tis abominable, sir.
wasauxiliary verbUS /wɑːz/
the past form of “be” used with I, he, she, it, or a singular noun
From this reading _QUINTIAN._ You admit that Cæsar was not drunk?
used to ask for information about something
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
What's
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading What’s your net loss?
(trademark) an operating system with a graphical user interface
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
in the company of; together with
From this reading ACT · II _A room in the palace, with large windows at back, and doors right and left.
the person or people being spoken to
From this reading _SENECIO._ I ask you, Quintian, as a man of culture and erudition, what do you make of it?
belonging to the person or people being spoken to
From this reading What’s your net loss?
