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Punch — Vol. 158, June 9, 1920
Punch — Vol. 158, June 9, 1920

Chapter I

Chapter 1 of Punch — Vol. 158, June 9, 1920 is here in full — 628 sentences across 126 reading sections, with audio for every sentence and word.

Cover illustration for Punch — Vol. 158, June 9, 1920
Context Illustration Reading 56/125 · 5 lines
English subtitles · tap any word to listen 1 / 5
This is why there is so large a body of uncompleted Limericks.
For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.
But in the quiet days of Peace I can get no further with it.
It only shows how much easier it is to begin a Limerick than to end it.
Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Punch — Vol. 158, June 9, 1920

Chapter I

Chapter 1 of Punch — Vol. 158, June 9, 1920 is here in full — 628 sentences across 126 reading sections, with audio for every sentence and word.

Reading 56/125 · 5 reading units · Lines 276–280

Line 1
This is why there is so large a body of uncompleted Limericks.
/ðɪs ɪz waɪ ðer ɪz soʊ lɑːrdʒ ə ˈbɑːdi ʌv ˌʌnkəmˈpliːtɪd ˈlɪmərɪks/
Line 2
For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.
Line 3
But in the quiet days of Peace I can get no further with it.
/bʌt ɪn ðə ˈkwaɪət deɪz ʌv piːs aɪ kæn ɡet noʊ ˈfɜːrðər wɪð ɪt/
Line 4
It only shows how much easier it is to begin a Limerick than to end it.
Line 5
Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.
/əˈpɑːrt frʌm ðə ˈsʌtəl ˈfreɪzɪŋ ʌv ðə ˈsekənd laɪn ðɪs ˈpoʊəm ɪz ˈnoʊtwɜːrði bɪˈkɔːz ɪt ɪz kæst ɪn ðə ˈklæsɪk fɔːrm/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Limerick noun US /ˈlɪmərɪk/

port city in southwestern Ireland

From this reading “It only shows how much easier it is to begin a Limerick than to end it.”

Limericks noun US /ˈlɪmərɪks/

plural of “limerick” — port city in southwestern Ireland

From this reading “This is why there is so large a body of uncompleted Limericks.”

masterpiece noun US /ˈmæstərpiːs/

the most outstanding work of a creative artist or craftsman

From this reading “For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.”

noteworthy adjective US /ˈnoʊtwɜːrði/

worthy of attention because interesting, significant, or unusual

From this reading “Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.”

Peninsula noun US /pəˈnɪnsələ/

a large mass of land projecting into a body of water

From this reading “For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.”

phrasing noun US /ˈfreɪzɪŋ/

the grouping of musical phrases in a melodic line

From this reading “Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.”

uncompleted adjective US /ˌʌnkəmˈpliːtɪd/

not yet finished

From this reading “This is why there is so large a body of uncompleted Limericks.”

unfinished adjective US /ənˈfɪnɪʃt/

not brought to the desired final state

From this reading “For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

many years adjective + noun

In this reading “For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.”

young man adjective + noun

a teenager or a young adult male

In this reading “For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.”

over the top preposition + article + noun counted as “over … top”

In this reading “For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.”

in fact preposition + noun

in reality or actuality

In this reading “For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.”

much easier adverb + adjective counted as “much easy”

In this reading “It only shows how much easier it is to begin a Limerick than to end it.”

feel very verb + adjective

In this reading “For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.”

at the time preposition + article + noun counted as “at … time”

simultaneously

In this reading “For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.”

All words in this reading · 85

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading This is why there is so large a body of uncompleted Limericks.

ApartadverbUS /əˈpɑːrt/

separated or at a distance in place or position or time

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

atprepositionUS /æt/

in or near a particular place or position

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

beginverbUS /bɪˈɡɪn/

take the first step or steps in carrying out an action

From this reading It only shows how much easier it is to begin a Limerick than to end it.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading This is why there is so large a body of uncompleted Limericks.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But in the quiet days of Peace I can get no further with it.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading But in the quiet days of Peace I can get no further with it.

castverbUS /kæst/

put or send forth

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

classicnounUS /ˈklæsɪk/

a creation of the highest excellence

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

composedadjectiveUS /kəmˈpoʊzd/

serenely self-possessed and free from agitation especially in times of stress

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading But in the quiet days of Peace I can get no further with it.

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

easieradjectiveUS /ˈiːziər/

comparative of “easy” — posing no difficulty; requiring little effort

From this reading It only shows how much easier it is to begin a Limerick than to end it.

endnounUS /end/

either extremity of something that has length

From this reading It only shows how much easier it is to begin a Limerick than to end it.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

finishverbUS /ˈfɪnɪʃ/

come or bring to a finish or an end

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

fireverbUS /ˈfaɪər/

start firing a weapon

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

furtheradverbUS /ˈfɜːrðər/

to or at a greater extent or degree or a more advanced stage (“further” is used more often than “farther” in this abstract sense)

From this reading But in the quiet days of Peace I can get no further with it.

Gallipoli

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading But in the quiet days of Peace I can get no further with it.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

HellnounUS /hel/

any place of pain and turmoil

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It only shows how much easier it is to begin a Limerick than to end it.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading This is why there is so large a body of uncompleted Limericks.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading This is why there is so large a body of uncompleted Limericks.

LimericknounUS /ˈlɪmərɪk/

port city in southwestern Ireland

From this reading It only shows how much easier it is to begin a Limerick than to end it.

LimericksnounUS /ˈlɪmərɪks/

plural of “limerick” — port city in southwestern Ireland

From this reading This is why there is so large a body of uncompleted Limericks.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

masterpiecenounUS /ˈmæstərpiːs/

the most outstanding work of a creative artist or craftsman

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading It only shows how much easier it is to begin a Limerick than to end it.

nodeterminerUS /noʊ/

not any; not one

From this reading But in the quiet days of Peace I can get no further with it.

noteworthyadjectiveUS /ˈnoʊtwɜːrði/

worthy of attention because interesting, significant, or unusual

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading This is why there is so large a body of uncompleted Limericks.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading It only shows how much easier it is to begin a Limerick than to end it.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

PeacenounUS /piːs/

the state prevailing during the absence of war

From this reading But in the quiet days of Peace I can get no further with it.

PeninsulanounUS /pəˈnɪnsələ/

a large mass of land projecting into a body of water

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

phrasingnounUS /ˈfreɪzɪŋ/

the grouping of musical phrases in a melodic line

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading But in the quiet days of Peace I can get no further with it.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

showsnounUS /ʃoʊz/

plural of “show” — the act of publicly exhibiting or entertaining

From this reading It only shows how much easier it is to begin a Limerick than to end it.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading This is why there is so large a body of uncompleted Limericks.

subtleadjectiveUS /ˈsʌtəl/

difficult to detect or grasp by the mind or analyze

From this reading Apart from the subtle phrasing of the second line this poem is noteworthy because it is cast in the classic form.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading It only shows how much easier it is to begin a Limerick than to end it.

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

thereadverbUS /ðer/

in or at that place or location

From this reading This is why there is so large a body of uncompleted Limericks.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This is why there is so large a body of uncompleted Limericks.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

topnounUS /tɑːp/

the upper part of anything

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

tryingadjectiveUS /ˈtraɪɪŋ/

hard to endure

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

uncompletedadjectiveUS /ˌʌnkəmˈpliːtɪd/

not yet finished

From this reading This is why there is so large a body of uncompleted Limericks.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

unfinishedadjectiveUS /ənˈfɪnɪʃt/

not brought to the desired final state

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

whopronounUS /huː/

which person or people

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading This is why there is so large a body of uncompleted Limericks.

withprepositionUS /wɪð/

in the company of; together with

From this reading But in the quiet days of Peace I can get no further with it.

yearsnounUS /jɪrz/

a late time of life

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading For many years I have been trying to finish the following unfinished masterpiece:-- There was a young man who said "_Hell!_ I don't think I feel very well----" That was composed on the Gallipoli Peninsula; in fact it was composed under fire; indeed I remember now that we were going over the top at the time.

Chapter 1 of Punch — Vol. 158, June 9, 1920 by Various holds 628 sentences, grouped into 126 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Punch — Vol. 158, June 9, 1920 contain?

Chapter 1 holds 628 sentences of Punch — Vol. 158, June 9, 1920, unabridged, divided into 126 reading sections.

This page carries chapter 1 of Punch — Vol. 158, June 9, 1920 by Various exactly as it stands in the source edition, without abridgement. It runs to 628 sentences, grouped into 126 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Punch — Vol. 158, June 9, 1920?

Work through the 126 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 126 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Punch — Vol. 158, June 9, 1920

Common questions about reading Punch — Vol. 158, June 9, 1920 by Various on this page, its source edition and its audio.

Is this the complete text of Punch — Vol. 158, June 9, 1920?

Yes. All 628 sentences of Project Gutenberg eBook #31119 are kept, with a record of which sentences cover which part.

Which edition of Punch — Vol. 158, June 9, 1920 is used?

Project Gutenberg eBook #31119, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Punch — Vol. 158, June 9, 1920 take to read?

About 52 minutes of reading across 126 sections of 5 sentences each, at an unhurried pace.

How to read Punch — Vol. 158, June 9, 1920 section by section

How to work through Punch — Vol. 158, June 9, 1920 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of Punch — Vol. 158, June 9, 1920 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Punch — Vol. 158, June 9, 1920

Words and structures a reader meets early in Punch — Vol. 158, June 9, 1920, each tappable for pronunciation and meaning.

Charivaria
A word that appears in the opening chapter of Punch — Vol. 158, June 9, 1920; the reader can tap it to hear it and see its dictionary entry.
Owing
A word that appears in the opening chapter of Punch — Vol. 158, June 9, 1920; the reader can tap it to hear it and see its dictionary entry.
Heavy
A word that appears in the opening chapter of Punch — Vol. 158, June 9, 1920; the reader can tap it to hear it and see its dictionary entry.
Storms
A word that appears in the opening chapter of Punch — Vol. 158, June 9, 1920; the reader can tap it to hear it and see its dictionary entry.