Chapter IV
Chapter 4 of Rahab is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.
“Edith----!” “She is asleep. Have you thought, Harry?” He stood up. “What can I do or say?
Chapter 4 of Rahab is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.
Chapter IV
Chapter 4 of Rahab is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.
“Edith----!” “She is asleep. Have you thought, Harry?” He stood up. “What can I do or say?
Chapter 4 of Rahab is here in full — 409 sentences across 82 reading sections, with audio for every sentence and word.
Reading 1/81 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
in a state of sleep
From this reading ““She is asleep.”
annoy continually or chronically
From this reading “Have you thought, Harry?””
used with a past participle to form the perfect tenses
From this reading “Have you thought, Harry?””
express in words
From this reading ““What can I do or say?”
Maintained an upright posture.
From this reading “He stood up.”
the content of cognition; the main thing you are thinking about
From this reading “Have you thought, Harry?””
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
In this reading “He stood up.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
in a state of sleep
From this reading “She is asleep.
to be able to, or to be allowed to
From this reading “What can I do or say?
used to form questions and negatives, and to give emphasis
From this reading “What can I do or say?
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading “Edith----!”
annoy continually or chronically
From this reading Have you thought, Harry?”
used with a past participle to form the perfect tenses
From this reading Have you thought, Harry?”
a man, boy, or male animal already mentioned, as the subject
From this reading He stood up.
the person speaking or writing, as the subject of the verb
From this reading “What can I do or say?
the form of “be” used with he, she, it, or a singular noun
From this reading “She is asleep.
used to join alternatives or possibilities
From this reading “What can I do or say?
express in words
From this reading “What can I do or say?
a woman, girl, or female animal already mentioned, as the subject
From this reading “She is asleep.
Maintained an upright posture.
From this reading He stood up.
the content of cognition; the main thing you are thinking about
From this reading Have you thought, Harry?”
being or moving higher in position or greater in some value; being above a former position or level
From this reading He stood up.
used to ask for information about something
From this reading “What can I do or say?
the person or people being spoken to
From this reading Have you thought, Harry?”
Chapter 4 of Rahab by Waldo David Frank holds 409 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 4 holds 409 sentences of Rahab, unabridged, divided into 82 reading sections.
This page carries chapter 4 of Rahab by Waldo David Frank exactly as it stands in the source edition, without abridgement. It runs to 409 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Rahab by Waldo David Frank on this page, its source edition and its audio.
Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.
About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.
How to work through Rahab section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 0 chapters of Rahab to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Rahab, each tappable for pronunciation and meaning.