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Ranching for Sylvia
Ranching for Sylvia

Chapter XVII · Chapter 17

Chapter 17 of Ranching for Sylvia is here in full — 184 sentences across 37 reading sections, with audio for every sentence and word.

Cover illustration for Ranching for Sylvia
Context Illustration Reading 1/36 · 5 lines
English subtitles · tap any word to listen 1 / 5
BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.
She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.
Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.
Mrs. Lansing was talking to Stephen West on the opposite side of the large room.
"How is Edgar getting on?"
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Ranching for Sylvia

Chapter XVII · Chapter 17

Chapter 17 of Ranching for Sylvia is here in full — 184 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.
Line 2
She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.
/ʃiː felt ðə koʊld ənd ˈheɪtəd dɪˈskʌmfərt ʌv ˈeni kaɪnd ðoʊ ɪt wɑːz ˌkerəktərˈɪstɪk ʌv hɜːr ðæt ʃiː ˈdʒenərəli səkˈsiːdɪd ɪn əˈvɔɪdɪŋ ɪt/
Line 3
Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.
Line 4
Mrs. Lansing was talking to Stephen West on the opposite side of the large room.
/ˈmɪsɪz ˈlænsɪŋ wɑːz ˈtɔːkɪŋ tuː ˈstiːvən west ɑːn ðə ˈɑːpəzət saɪd ʌv ðə lɑːrdʒ ruːm/
Line 5
"How is Edgar getting on?"

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bland adjective US /blænd/

lacking taste or flavor or tang

From this reading “BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.”

Edgar noun US /ˈedɡər/

the younger brother of Edwy who became king of Northumbria when it renounced Edwy; on Edwy's death he succeeded to the throne of England (944-975)

From this reading “"How is Edgar getting on?"”

fender noun US /ˈfendər/

a barrier that surrounds the wheels of a vehicle to block splashing water or mud

From this reading “BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.”

fleecy adjective US /ˈfliːsi/

(of fabrics) having soft nap produced by brushing

From this reading “BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.”

Lansing noun US /ˈlænsɪŋ/

capital of the state of Michigan; located in southern Michigan on the Grand River

From this reading “Mrs. Lansing was talking to Stephen West on the opposite side of the large room.”

pensive adjective US /ˈpensɪv/

deeply or seriously thoughtful

From this reading “Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.”

shod adjective US /ʃɑːd/

wearing footgear

From this reading “BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.”

West's noun US /wests/

possessive form of “west” — the countries of (originally) Europe and (now including) North America and South America

From this reading “BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.”

All words in this reading · 69

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

attractiveadjectiveUS /əˈtræktɪv/

pleasing to the eye or mind especially through beauty or charm

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

avoidingverbUS /əˈvɔɪdɪŋ/

-ing form of “avoid” — stay clear from; keep away from; keep out of the way of someone or something

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

BLANDadjectiveUS /blænd/

lacking taste or flavor or tang

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

byprepositionUS /baɪ/

showing who or what does the action

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

calmlyadverbUS /ˈkɑːmli/

with self-possession (especially in times of stress)

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

chairnounUS /tʃer/

a seat for one person, with a support for the back

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

characteristicnounUS /ˌkerəktərˈɪstɪk/

a prominent attribute or aspect of something

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

coldadjectiveUS /koʊld/

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

curiousadjectiveUS /ˈkjʊriəs/

beyond or deviating from the usual or expected

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

daintyadjectiveUS /ˈdeɪnti/

delicately beautiful

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

discomfortnounUS /dɪˈskʌmfərt/

the state of being tense and feeling pain

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

drawing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

EdgarnounUS /ˈedɡər/

the younger brother of Edwy who became king of Northumbria when it renounced Edwy; on Edwy's death he succeeded to the throne of England (944-975)

From this reading "How is Edgar getting on?"

Ethel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

eyesnounUS /aɪz/

opinion or judgment

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

feetnounUS /fiːt/

plural of “foot” — the part of the leg of a human being below the ankle joint

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

feltverbUS /felt/

mat together and make felt-like

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

fendernounUS /ˈfendər/

a barrier that surrounds the wheels of a vehicle to block splashing water or mud

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

fleecyadjectiveUS /ˈfliːsi/

(of fabrics) having soft nap produced by brushing

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

gettingnounUS /ˈɡetɪŋ/

the act of acquiring something

From this reading "How is Edgar getting on?"

hatedadjectiveUS /ˈheɪtəd/

treated with dislike or contempt

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

hearthnounUS /hɑːrθ/

an open recess in a wall at the base of a chimney where a fire can be built

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "How is Edgar getting on?"

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "How is Edgar getting on?"

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

LansingnounUS /ˈlænsɪŋ/

capital of the state of Michigan; located in southern Michigan on the Grand River

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

lowadjectiveUS /loʊ/

less than normal in degree or intensity or amount

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

MAKESnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

neatlyadverbUS /ˈniːtli/

with neatness

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

oppositeadjectiveUS /ˈɑːpəzət/

being directly across from each other; facing

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

pensiveadjectiveUS /ˈpensɪv/

deeply or seriously thoughtful

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

rugnounUS /rʌɡ/

floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

SACRIFICEnounUS /ˈsækrəfaɪs/

the act of losing or surrendering something as a penalty for a mistake or fault or failure to perform etc.

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

shodadjectiveUS /ʃɑːd/

wearing footgear

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

sittingnounUS /ˈsɪtɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

StephennounUS /ˈstiːvən/

English writer (1832-1904)

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

succeededverbUS /səkˈsiːdɪd/

past form of “succeed” — attain success or reach a desired goal

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

Sylvia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

talkingnounUS /ˈtɔːkɪŋ/

an exchange of ideas via conversation

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading She felt the cold and hated discomfort of any kind, though it was characteristic of her that she generally succeeded in avoiding it.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

watchingnounUS /ˈwɑːtʃɪŋ/

the act of observing; taking a patient look

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

WestnounUS /west/

the countries of (originally) Europe and (now including) North America and South America

From this reading Mrs. Lansing was talking to Stephen West on the opposite side of the large room.

West'snounUS /wests/

possessive form of “west” — the countries of (originally) Europe and (now including) North America and South America

From this reading BLAND MAKES A SACRIFICE Sylvia was sitting by the hearth in Ethel West's drawing-room, her neatly shod feet on the fender, her low chair on the fleecy rug, and she made a very dainty and attractive picture.

withprepositionUS /wɪð/

in the company of; together with

From this reading Ethel sat near by, watching her with calmly curious eyes, for Sylvia was looking pensive.

Chapter 17 of Ranching for Sylvia by Harold Bindloss holds 184 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of Ranching for Sylvia contain?

Chapter 17 holds 184 sentences of Ranching for Sylvia, unabridged, divided into 37 reading sections.

This page carries chapter 17 of Ranching for Sylvia by Harold Bindloss exactly as it stands in the source edition, without abridgement. It runs to 184 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of Ranching for Sylvia?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Ranching for Sylvia

Common questions about reading Ranching for Sylvia by Harold Bindloss on this page, its source edition and its audio.

Is this the complete text of Ranching for Sylvia?

Yes. All 6371 sentences of Project Gutenberg eBook #14698 are kept, with a record of which sentences cover which part.

Which edition of Ranching for Sylvia is used?

Project Gutenberg eBook #14698, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Ranching for Sylvia take to read?

About 530 minutes of reading across 1275 sections of 5 sentences each, at an unhurried pace.

How to read Ranching for Sylvia section by section

How to work through Ranching for Sylvia section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 32 chapters of Ranching for Sylvia to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Ranching for Sylvia

Words and structures a reader meets early in Ranching for Sylvia, each tappable for pronunciation and meaning.

Afternoon
A word that appears in the opening chapter of Ranching for Sylvia; the reader can tap it to hear it and see its dictionary entry.
Following
A word that appears in the opening chapter of Ranching for Sylvia; the reader can tap it to hear it and see its dictionary entry.
Arrival
A word that appears in the opening chapter of Ranching for Sylvia; the reader can tap it to hear it and see its dictionary entry.
George
A word that appears in the opening chapter of Ranching for Sylvia; the reader can tap it to hear it and see its dictionary entry.