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Rayton: A Backwoods Mystery
Rayton: A Backwoods Mystery

Chapter III

Chapter 3 of Rayton: A Backwoods Mystery is here in full — 182 sentences across 37 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/36 · 5 lines
English subtitles · tap any word to listen 1 / 5
DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.
He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.
Young David Marsh spent a restless night, going over and over all that Jim had told him.
He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.
Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

Rayton: A Backwoods Mystery

Chapter III

Chapter 3 of Rayton: A Backwoods Mystery is here in full — 182 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.
Line 2
He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.
Line 3
Young David Marsh spent a restless night, going over and over all that Jim had told him.
Line 4
He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.
/hiː keɪm tuː ðə kənˈkluːʒən æt læst ðæt ðə red ˈkrɔːsɪz ðemˈselvz wɜːr ˈhɑːrmləs ənd ˈʌtərli ˈfuːlɪʃ ənd ðæt ðə riːl ˈdeɪndʒər ənd ˈtrædʒədi leɪ ɪn ðə ˈhjuːmən feɪt ðæt hæd ˈɔːlweɪz ˌɪnˈspaɪərd ðer əˈpɪrəns/
Line 5
Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

advent noun US /ˈædvent/

arrival that has been awaited (especially of something momentous)

From this reading “He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.”

correspond verb US /ˌkɔːrəˈspɑːnd/

be compatible, similar or consistent; coincide in their characteristics

From this reading “Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.”

crosses noun US /ˈkrɔːsɪz/

plural of “cross” — a wooden structure consisting of an upright post with a transverse piece

From this reading “He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.”

decides verb US /ˌdɪˈsaɪdz/

third-person singular of “decide” — reach, make, or come to a decision about something

From this reading “DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.”

harmless adjective US /ˈhɑːrmləs/

not causing or capable of causing harm

From this reading “He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.”

Jackson noun US /ˈdʒæksən/

English film actress who later became a member of British Parliament (born in 1936)

From this reading “Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.”

marsh noun US /mɑːrʃ/

low-lying wet land with grassy vegetation; usually is a transition zone between land and water

From this reading “DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.”

tragic adjective US /ˈtrædʒɪk/

very sad; especially involving grief or death or destruction

From this reading “DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

tragic story adjective + noun

In this reading “DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.”

real danger adjective + noun

In this reading “He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.”

correspond with verb + particle

In this reading “Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.”

active mind adjective + noun

In this reading “Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.”

restless night adjective + noun

In this reading “Young David Marsh spent a restless night, going over and over all that Jim had told him.”

search of verb + particle

In this reading “Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.”

lay in verb + particle

keep or lay aside for future use

In this reading “He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.”

All words in this reading · 98

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

activeadjectiveUS /ˈæktɪv/

tending to become more severe or wider in scope

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

adventnounUS /ˈædvent/

arrival that has been awaited (especially of something momentous)

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

appearancenounUS /əˈpɪrəns/

outward or visible aspect of a person or thing

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

atprepositionUS /æt/

in or near a particular place or position

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

conclusionnounUS /kənˈkluːʒən/

a position or opinion or judgment reached after consideration

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

correspondverbUS /ˌkɔːrəˈspɑːnd/

be compatible, similar or consistent; coincide in their characteristics

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

countverbUS /kaʊnt/

determine the number or amount of

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

crossesnounUS /ˈkrɔːsɪz/

plural of “cross” — a wooden structure consisting of an upright post with a transverse piece

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

dangernounUS /ˈdeɪndʒər/

the condition of being susceptible to harm or injury

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

DAVIDnounUS /ˈdeɪvɪd/

patron saint of Wales (circa 520-600)

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

decidedadjectiveUS /ˌdɪˈsaɪdɪd/

recognizable; marked

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

DECIDESverbUS /ˌdɪˈsaɪdz/

third-person singular of “decide” — reach, make, or come to a decision about something

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

DOESN'T

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

enemynounUS /ˈenəmi/

an opposing military force

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

fatenounUS /feɪt/

an event (or a course of events) that will inevitably happen in the future

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

foolishadjectiveUS /ˈfuːlɪʃ/

devoid of good sense or judgment

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

Harley

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

harmlessadjectiveUS /ˈhɑːrmləs/

not causing or capable of causing harm

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

inspiredadjectiveUS /ˌɪnˈspaɪərd/

being of such surpassing excellence as to suggest inspiration by the gods

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

JacksonnounUS /ˈdʒæksən/

English film actress who later became a member of British Parliament (born in 1936)

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

Jim

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

lastadjectiveUS /læst/

immediately past

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

marksnounUS /mɑːrks/

English businessman who created a retail chain (1888-1964)

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

MARSHnounUS /mɑːrʃ/

low-lying wet land with grassy vegetation; usually is a transition zone between land and water

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

MillverbUS /mɪl/

move about in a confused manner

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

mysteriousadjectiveUS /mɪˈstɪriəs/

of an obscure nature

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

neednounUS /niːd/

a condition requiring relief

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

Nell

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

nodeterminerUS /noʊ/

not any; not one

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

ownverbUS /oʊn/

have ownership or possession of

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

quested

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

Rayton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

rednounUS /red/

red color or pigment; the chromatic color resembling the hue of blood

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

restlessadjectiveUS /ˈrestləs/

worried and uneasy

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

Samson's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

searchverbUS /sɜːrtʃ/

try to locate or discover, or try to establish the existence of

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

SettlementnounUS /ˈsetəlmənt/

a body of people who settle far from home but maintain ties with their homeland; inhabitants remain nationals of their home state but are not literally under the home state's system of government

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

SpanishnounUS /ˈspænɪʃ/

the Romance language spoken in most of Spain and the countries colonized by Spain

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

SPEAKverbUS /spiːk/

express in speech

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

spentadjectiveUS /spent/

depleted of energy, force, or strength

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

tellverbUS /tel/

express in words

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

thereadverbUS /ðer/

in or at that place or location

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

tragicadjectiveUS /ˈtrædʒɪk/

very sad; especially involving grief or death or destruction

From this reading DAVID MARSH DECIDES TO SPEAK--AND DOESN'T Jim Harley decided, before morning, that he must tell the tragic story to Rayton.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

utterlyadverbUS /ˈʌtərli/

completely and without qualification; used informally as intensifiers

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading He came to the conclusion, at last, that the red crosses themselves were harmless, and utterly foolish, and that the real danger and tragedy lay in the human fate that had always inspired their appearance.

whopronounUS /huː/

which person or people

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

wifenounUS /waɪf/

a married woman; a man's partner in marriage

From this reading He also decided that there was no need, at present, of telling either Nell or his wife of the mysterious advent of the two red marks into Samson's Mill Settlement.

withprepositionUS /wɪð/

in the company of; together with

From this reading Then his active mind quested far and near in search of an enemy of his own to correspond with the Spanish count of the first tragedy, and with young Jackson of the second--and not only that, but he must find an enemy who was in love with Nell Harley, and who knew the story of the red crosses.

YoungadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading Young David Marsh spent a restless night, going over and over all that Jim had told him.

Chapter 3 of Rayton: A Backwoods Mystery by Theodore Goodridge Roberts holds 182 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Rayton: A Backwoods Mystery contain?

Chapter 3 holds 182 sentences of Rayton: A Backwoods Mystery, unabridged, divided into 37 reading sections.

This page carries chapter 3 of Rayton: A Backwoods Mystery by Theodore Goodridge Roberts exactly as it stands in the source edition, without abridgement. It runs to 182 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Rayton: A Backwoods Mystery?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Rayton: A Backwoods Mystery

Common questions about reading Rayton: A Backwoods Mystery by Theodore Goodridge Roberts on this page, its source edition and its audio.

Is this the complete text of Rayton: A Backwoods Mystery?

Yes. All 5088 sentences of Project Gutenberg eBook #41122 are kept, with a record of which sentences cover which part.

Which edition of Rayton: A Backwoods Mystery is used?

Project Gutenberg eBook #41122, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Rayton: A Backwoods Mystery take to read?

About 424 minutes of reading across 1018 sections of 5 sentences each, at an unhurried pace.

How to read Rayton: A Backwoods Mystery section by section

How to work through Rayton: A Backwoods Mystery section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Rayton: A Backwoods Mystery

Words and structures a reader meets early in Rayton: A Backwoods Mystery, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Rayton: A Backwoods Mystery; the reader can tap it to hear it and see its dictionary entry.
Captain
A word that appears in the opening chapter of Rayton: A Backwoods Mystery; the reader can tap it to hear it and see its dictionary entry.
Raleigh's
A word that appears in the opening chapter of Rayton: A Backwoods Mystery; the reader can tap it to hear it and see its dictionary entry.
Comrades
A word that appears in the opening chapter of Rayton: A Backwoods Mystery; the reader can tap it to hear it and see its dictionary entry.