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Recollections and impressions of James A. McNeill Whistler
Recollections and impressions of James A. McNeill Whistler

Chapter II

Chapter 2 of Recollections and impressions of James A. McNeill Whistler is here in full — 488 sentences across 98 reading sections, with audio for every sentence and word.

Cover illustration for Recollections and impressions of James A. McNeill Whistler
Context Illustration Reading 1/97 · 5 lines
English subtitles · tap any word to listen 1 / 5
Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.
And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.
Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.
* * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”
Let us hope not.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Recollections and impressions of James A. McNeill Whistler

Chapter II

Chapter 2 of Recollections and impressions of James A. McNeill Whistler is here in full — 488 sentences across 98 reading sections, with audio for every sentence and word.

Reading 1/97 · 5 reading units · Lines 1–5

Line 1
Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.
Line 2
And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.
Line 3
Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.
Line 4
* * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”
/nɑːt ˈveri lɔːŋ əˈɡoʊ ə frentʃ ˈraɪtər sed ðer ɪz nɑːt æz jet æn əˈmerəkən skuːl ʌv ˈpeɪntɪŋ bʌt ðer ɑːr ɔːlˈredi ˈmeni əˈmerəkən ˈpeɪntərz ənd ɡreɪt wʌnz huː wɪl ɪn taɪm fɔːrm ə skuːl/
Line 5
Let us hope not.
/let ʌs hoʊp nɑːt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Amsterdam noun US /ˈæmstərdæm/

an industrial center and the nominal capital of the Netherlands; center of the diamond-cutting industry; seat of an important stock exchange; known for its canals and art museum

From this reading “Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.”

barbaric adjective US /bɑːrˈbærɪk/

without civilizing influences

From this reading “Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.”

blues noun US /bluːz/

a type of folksong that originated among Black Americans at the beginning of the 20th century; has a melancholy sound from repeated use of blue notes

From this reading “Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.”

grays noun US /ɡreɪz/

plural of “gray” — a neutral achromatic color midway between white and black

From this reading “Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.”

Orient verb US /ˈɔːrient/

be oriented

From this reading “Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.”

porcelains noun US /ˈpɔːrsələnz/

plural of “porcelain” — ceramic ware made of a more or less translucent ceramic

From this reading “Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.”

vagrant noun US /ˈveɪɡrənt/

a wanderer who has no established residence or visible means of support

From this reading “And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.”

Whistler noun US /ˈwɪslər/

United States painter (1834-1903)

From this reading “Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

silvery whites adjective + noun counted as “silvery white”

In this reading “Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.”

towards the East preposition + article + noun counted as “towards … east”

In this reading “And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.”

All words in this reading · 96

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

agoadverbUS /əˈɡoʊ/

in the past

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

AmericannounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

AmsterdamnounUS /ˈæmstərdæm/

an industrial center and the nominal capital of the Netherlands; center of the diamond-cutting industry; seat of an important stock exchange; known for its canals and art museum

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

barbaricadjectiveUS /bɑːrˈbærɪk/

without civilizing influences

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

BeforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

besideprepositionUS /bɪˈsaɪd/

next to; at the side of

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

blacksnounUS /blæks/

plural of “black” — the quality or state of the achromatic color of least lightness (bearing the least resemblance to white)

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

blue-and-white

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

bluesnounUS /bluːz/

a type of folksong that originated among Black Americans at the beginning of the 20th century; has a melancholy sound from repeated use of blue notes

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

caredverbUS /kerd/

past form of “care” — feel concern or interest

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

chinanounUS /ˈtʃaɪnə/

a communist nation that covers a vast territory in eastern Asia; the most populous country in the world

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

colornounUS /ˈkʌlər/

a visual attribute of things that results from the light they emit or transmit or reflect

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

conceivedverbUS /kənˈsiːvd/

past form of “conceive” — have the idea for

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

crudeadjectiveUS /kruːd/

not carefully or expertly made

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

EastnounUS /iːst/

the cardinal compass point that is at 90 degrees

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

finestadjectiveUS /ˈfaɪnəst/

superlative of “fine” — being satisfactory or in satisfactory condition

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

foundverbUS /faʊnd/

set up or found

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

FrancenounUS /fræns/

a republic in western Europe; the largest country wholly in Europe

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

graysnounUS /ɡreɪz/

plural of “gray” — a neutral achromatic color midway between white and black

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

hopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading Let us hope not.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

inspirationnounUS /ˌɪnspərˈeɪʃən/

arousal of the mind to special unusual activity or creativity

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

islandnounUS /ˈaɪlənd/

a land mass (smaller than a continent) that is surrounded by water

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

JapannounUS /dʒəˈpæn/

a string of more than 3,000 islands to the east of Asia extending 1,300 miles between the Sea of Japan and the western Pacific Ocean

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

Letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading Let us hope not.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

MadridnounUS /məˈdrɪd/

the capital and largest city situated centrally in Spain; home of an outstanding art museum

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

mapverbUS /mæp/

make a map of; show or establish the features of details of

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

masternounUS /ˈmæstər/

an artist of consummate skill

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

mostadverbUS /moʊst/

used to form the superlative

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

NotadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

onesnounUS /wʌnz/

plural of “one” — the smallest whole number or a numeral representing this number

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

OrientverbUS /ˈɔːrient/

be oriented

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

paintersnounUS /ˈpeɪntərz/

plural of “painter” — an artist who paints

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

playingnounUS /ˈpleɪɪŋ/

the act of playing a musical instrument

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

porcelainsnounUS /ˈpɔːrsələnz/

plural of “porcelain” — ceramic ware made of a more or less translucent ceramic

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

schoolnounUS /skuːl/

an educational institution

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

SearchingadjectiveUS /ˈsɜːrtʃɪŋ/

diligent and thorough in inquiry or investigation

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

shopsnounUS /ʃɑːps/

plural of “shop” — a mercantile establishment for the retail sale of goods or services

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

silveryadjectiveUS /ˈsɪlvəri/

resembling or reminiscent of silver

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

thereadverbUS /ðer/

in or at that place or location

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Let us hope not.

vagrantnounUS /ˈveɪɡrənt/

a wanderer who has no established residence or visible means of support

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

Velasquez

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Searching the shops of Amsterdam, he found the blue-and-white china which gave him inspiration to do those things beside which the finest art of France is crude and barbaric.

WhistlernounUS /ˈwɪslər/

United States painter (1834-1903)

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

whitesnounUS /waɪts/

plural of “white” — a Caucasian

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

whopronounUS /huː/

which person or people

From this reading And it was he,--Whistler,--the American, who turned the face of France towards the East, and made her see things in line and color her most vagrant fancy had never before conceived.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

withprepositionUS /wɪð/

in the company of; together with

From this reading Before France cared very much for Velasquez, before it so much as knew there was an island called Japan on the art map, Whistler was playing with the blacks and grays of the master of Madrid and with the blues and silvery whites of the porcelains of the Orient.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

yetconjunctionUS /jet/

but in spite of that

From this reading * * * * * Not very long ago a French writer said, “There is not, as yet, an American school of painting, but there are already many American painters, and great ones, who will in time form a school.”

Chapter 2 of Recollections and impressions of James A. McNeill Whistler by Arthur Jerome Eddy holds 488 sentences, grouped into 98 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Recollections and impressions of James A. McNeill Whistler contain?

Chapter 2 holds 488 sentences of Recollections and impressions of James A. McNeill Whistler, unabridged, divided into 98 reading sections.

This page carries chapter 2 of Recollections and impressions of James A. McNeill Whistler by Arthur Jerome Eddy exactly as it stands in the source edition, without abridgement. It runs to 488 sentences, grouped into 98 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Recollections and impressions of James A. McNeill Whistler?

Work through the 98 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 98 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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