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Records of a Girlhood
Records of a Girlhood

Chapter XXI · Chapter 21

Chapter 21 of Records of a Girlhood is here in full — 4757 sentences across 952 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/951 · 5 lines
English subtitles · tap any word to listen 1 / 5
It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.
I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.
My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.
The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.
Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Records of a Girlhood

Chapter XXI · Chapter 21

Chapter 21 of Records of a Girlhood is here in full — 4757 sentences across 952 reading sections, with audio for every sentence and word.

Reading 1/951 · 5 reading units · Lines 1–5

Line 1
It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.
Line 2
I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.
Line 3
My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.
Line 4
The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.
Line 5
Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

approximate verb US /əˈprɑːksəmət/

be close or similar

From this reading “It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.”

characterizes verb US /ˈkerəktəraɪzəz/

third-person singular of “characterize” — describe or portray the character or the qualities or peculiarities of

From this reading “The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.”

compensated adjective US /ˈkɑːmpənseɪtəd/

receiving or eligible for compensation

From this reading “My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.”

decides verb US /ˌdɪˈsaɪdz/

third-person singular of “decide” — reach, make, or come to a decision about something

From this reading “It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.”

impersonation noun US /ˌɪmpərsəˈneɪʃən/

a representation of a person that is exaggerated for comic effect

From this reading “Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.”

inducing noun US /ˌɪnˈduːsɪŋ/

act of bringing about a desired result

From this reading “The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.”

Kean noun US /kiːn/

English actor noted for his portrayals of Shakespeare's great tragic characters (1789-1833)

From this reading “My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.”

Kean's noun US /kiːnz/

possessive form of “kean” — English actor noted for his portrayals of Shakespeare's great tragic characters (1789-1833)

From this reading “Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.”

All words in this reading · 183

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

absorbedadjectiveUS /əbˈzɔːrbd/

giving or marked by complete attention to

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

actornounUS /ˈæktər/

a theatrical performer

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

actressnounUS /ˈæktrəs/

a female actor

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

affectsnounUS /əˈfekts/

plural of “affect” — the conscious subjective aspect of feeling or emotion

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

appreciationnounUS /əˌpriːʃiˈeɪʃən/

understanding of the nature or meaning or quality or magnitude of something

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

approximateverbUS /əˈprɑːksəmət/

be close or similar

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

arriveverbUS /ərˈaɪv/

reach a destination; arrive by movement or progress

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

atprepositionUS /æt/

in or near a particular place or position

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

authorsnounUS /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

Bartley

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

bestnounUS /best/

the supreme effort one can make

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

calculationnounUS /ˌkælkjəˈleɪʃən/

the procedure of calculating; determining something by mathematical or logical methods

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

certaintynounUS /ˈsɜːrtənti/

the state of being certain

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

characterizesverbUS /ˈkerəktəraɪzəz/

third-person singular of “characterize” — describe or portray the character or the qualities or peculiarities of

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

circumstancenounUS /ˈsɜːrkəmstæns/

a condition that accompanies or influences some event or activity

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

compensatedadjectiveUS /ˈkɑːmpənseɪtəd/

receiving or eligible for compensation

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

curiousadjectiveUS /ˈkjʊriəs/

beyond or deviating from the usual or expected

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

decidesverbUS /ˌdɪˈsaɪdz/

third-person singular of “decide” — reach, make, or come to a decision about something

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

deniedverbUS /dɪˈnaɪd/

inflected form of “deny” — declare untrue; contradict

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

disinterestednessnoun

freedom from bias or from selfish motives

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

eclipseverbUS /ɪˈklɪps/

be greater in significance than

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

esteemnounUS /əˈstiːm/

the condition of being honored (esteemed or respected or well regarded)

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

everadverbUS /ˈevər/

at any time

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

exceedinglyadverbUS /ɪkˈsiːdɪŋli/

to an extreme degree

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

excellentadjectiveUS /ˈeksələnt/

very good; of the highest quality

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

experimentnounUS /ɪkˈsperəmənt/

the act of conducting a controlled test or investigation

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

faint-heartedadjective

lacking conviction or boldness or courage

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

fatenounUS /feɪt/

an event (or a course of events) that will inevitably happen in the future

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

feltverbUS /felt/

mat together and make felt-like

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

filledadjectiveUS /fɪld/

(usually followed by “with” or used as a combining form) generously supplied with

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

foreseeverbUS /fɔːrˈsiː/

realize beforehand

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

gravenounUS /ɡreɪv/

death of a person

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

head-shaking

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

heronounUS /ˈhɪroʊ/

a man distinguished by exceptional courage and nobility and strength

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

highlyadverbUS /ˈhaɪli/

to a high degree or extent; favorably or with much respect

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

HunchbacknounUS /ˈhʌntʃbæk/

an abnormal backward curve to the vertebral column

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

impersonationnounUS /ˌɪmpərsəˈneɪʃən/

a representation of a person that is exaggerated for comic effect

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

inducingnounUS /ˌɪnˈduːsɪŋ/

act of bringing about a desired result

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

insignificantadjectiveUS /ˌɪnsɪɡˈnjɪfɪkənt/

signifying nothing

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

judgmentsnounUS /ˈdʒʌdʒmənts/

plural of “judgment” — an opinion formed by judging something

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

Julia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

KeannounUS /kiːn/

English actor noted for his portrayals of Shakespeare's great tragic characters (1789-1833)

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

Kean'snounUS /kiːnz/

possessive form of “kean” — English actor noted for his portrayals of Shakespeare's great tragic characters (1789-1833)

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

Knowles

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

likeverbUS /laɪk/

prefer or wish to do something

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

lossnounUS /lɔːs/

something that is lost

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

lovernounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

MasternounUS /ˈmæstər/

an artist of consummate skill

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

measurenounUS /ˈmeʒər/

any maneuver made as part of progress toward a goal

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

meritsnounUS /ˈmerəts/

plural of “merit” — any admirable quality or attribute

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

nodeterminerUS /noʊ/

not any; not one

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

overweigh

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

ownverbUS /oʊn/

have ownership or possession of

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

particularadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

partsnounUS /pɑːrts/

the local environment

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

peculiaradjectiveUS /pəˈkjuːljər/

beyond or deviating from the usual or expected

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

perceivedadjectiveUS /pərˈsiːvd/

detected by instinct or inference rather than by recognized perceptual cues

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

perfectlyadverbUS /ˈpɜːrfəktli/

completely and without qualification; used informally as intensifiers

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

perhapsadverbUS /pərˈhæps/

by chance

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

piecenounUS /piːs/

a separate part of a whole

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

piecesnounUS /ˈpiːsəz/

plural of “piece” — a separate part of a whole

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

playersnounUS /ˈpleɪərz/

plural of “player” — a person who participates in or is skilled at some game

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

popularadjectiveUS /ˈpɑːpjələr/

regarded with great favor, approval, or affection especially by the general public

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

positionnounUS /pəˈzɪʃən/

the particular portion of space occupied by something

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

positivelyadverbUS /ˈpɑːzətɪvli/

extremely

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

pre-eminence

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

preciseadjectiveUS /prɪˈsaɪs/

sharply exact or accurate or delimited

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

preciselyadverbUS /prɪˈsaɪsli/

indicating exactness or preciseness

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

probableadjectiveUS /ˈprɑːbəbəl/

likely but not certain to be or become true or real

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

produceverbUS /prəˈduːs/

bring forth or yield

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

professionaladjectiveUS /prəˈfeʃənəl/

engaged in a profession or engaging in as a profession or means of livelihood

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

quantitynounUS /ˈkwɑːntəti/

how much there is or how many there are of something that you can quantify

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

ratheradverbUS /ˈræðər/

on the contrary

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

regardnounUS /rɪˈɡɑːrd/

(usually preceded by “in”) a detail or point

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

relativenounUS /ˈrelətɪv/

a person related by blood or marriage

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

representationnounUS /ˌreprəzenˈteɪʃən/

a presentation to the mind in the form of an idea or image

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

speciesnounUS /ˈspiːʃiz/

(biology) taxonomic group whose members can interbreed

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

stage-manager

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

successnounUS /səkˈses/

an event that accomplishes its intended purpose

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

sureadjectiveUS /ʃʊr/

having or feeling no doubt or uncertainty; confident and assured

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

technicaladjectiveUS /ˈteknɪkəl/

of or relating to technique or proficiency in a practical skill

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

tellsnounUS /telz/

plural of “tell” — a Swiss patriot who lived in the early 14th century and who was renowned for his skill as an archer

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

tempernounUS /ˈtempər/

a sudden outburst of anger

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

theatricaladjectiveUS /θiˈætrɪkəl/

of or relating to the theater

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

thereadverbUS /ðer/

in or at that place or location

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

uncertaintynounUS /ənˈsɜːrtənti/

being unsettled or in doubt or dependent on chance

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

unconsciousadjectiveUS /ˌʌnˈkɑːnʃəs/

not conscious; lacking awareness and the capacity for sensory perception as if asleep or dead

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

unknownadjectiveUS /ənˈnoʊn/

not known

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

valuenounUS /ˈvæljuː/

a numerical quantity measured or assigned or computed

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

verdictnounUS /ˈvɜːrdɪkt/

(law) the findings of a jury on issues of fact submitted to it for decision; can be used in formulating a judgment

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

WalternounUS /ˈwɔːltər/

German conductor (1876-1962)

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading I felt perfectly sure of the success of "The Hunchback," but I think that was precisely because of my want of theatrical experience, which left me rather in the position of one of the public than one of the players, and there was much grave head-shaking over it, especially on the part of our excellent stage-manager, Mr. Bartley, who was exceedingly faint-hearted about the experiment.

whileconjunctionUS /waɪl/

during the time that

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

whopronounUS /huː/

which person or people

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

withprepositionUS /wɪð/

in the company of; together with

From this reading It is very curious that their experience tells so little among theatrical people in their calculation of the probable success of a new piece; perhaps it may be said that they cannot positively foresee the effect each actor or actress may produce with certain parts; but given the best possible representation of the piece, the precise temper of the particular audience who decides its fate on the first night of representation is always an unknown quantity in the calculation, and no technical experience ever seems to arrive at anything like even approximate certainty with regard to that.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading The same species of uncertainty which I have said characterizes the judgments of actors with regard to the success of new pieces sometimes affects the appreciation authors themselves form of the relative merits of their own works, inducing them to value more highly some which they esteem their best, and to which that pre-eminence is denied by popular verdict.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Knowles, while writing "The Hunchback," was so absorbed with the idea of what Kean's impersonation of it would probably be, that he was entirely unconscious of what the great actor himself probably perceived, that on the stage the part of Julia would overweigh and eclipse that of Master Walter.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading My father, with great professional disinterestedness, took the insignificant part of the insignificant lover, and Knowles himself filled that of the hero of the piece, the hunchback; a circumstance which gave the part a peculiar interest, and compensated in some measure for the loss of the great genius of Kean, for whom it had been written.

Chapter 21 of Records of a Girlhood by Fanny Kemble holds 4757 sentences, grouped into 952 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of Records of a Girlhood contain?

Chapter 21 holds 4757 sentences of Records of a Girlhood, unabridged, divided into 952 reading sections.

This page carries chapter 21 of Records of a Girlhood by Fanny Kemble exactly as it stands in the source edition, without abridgement. It runs to 4757 sentences, grouped into 952 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of Records of a Girlhood?

Work through the 952 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Is this the complete text of Records of a Girlhood?

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About 600 minutes of reading across 1801 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Records of a Girlhood

Words and structures a reader meets early in Records of a Girlhood, each tappable for pronunciation and meaning.

Years
A word that appears in the opening chapter of Records of a Girlhood; the reader can tap it to hear it and see its dictionary entry.
Received
A word that appears in the opening chapter of Records of a Girlhood; the reader can tap it to hear it and see its dictionary entry.
Friend
A word that appears in the opening chapter of Records of a Girlhood; the reader can tap it to hear it and see its dictionary entry.
Addressed
A word that appears in the opening chapter of Records of a Girlhood; the reader can tap it to hear it and see its dictionary entry.