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Representative English Comedies, V. 1. From the Beginnings to Shakespeare
Representative English Comedies, V. 1. From the Beginnings to Shakespeare

Chapter XXV

Chapter 25 of Representative English Comedies, V. 1. From the Beginnings to Shakespeare is here in full — 385 sentences across 77 reading sections, with audio for every sentence and word.

Cover illustration for Representative English Comedies, V. 1. From the Beginnings to Shakespeare
Context Illustration Reading 1/77 · 5 lines
English subtitles · tap any word to listen 1 / 5
=Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.
The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.
It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.
The romantic theme, its characters and incidents, and the enveloping action are of Greene's devising.
What slight resemblance the last bears to history need not here be recapitulated.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Representative English Comedies, V. 1. From the Beginnings to Shakespeare

Chapter XXV

Chapter 25 of Representative English Comedies, V. 1. From the Beginnings to Shakespeare is here in full — 385 sentences across 77 reading sections, with audio for every sentence and word.

Reading 1/77 · 5 reading units · Lines 1–5

Line 1
=Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.
Line 2
The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.
Line 3
It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.
Line 4
The romantic theme, its characters and incidents, and the enveloping action are of Greene's devising.
/ðə roʊˈmæntɪk θiːm ɪts ˈkærəktərz ənd ˈɪnsədənts ənd ðə ɪnˈveləpɪŋ ˈækʃən ɑːr ʌv ɡriːnz dɪˈvaɪzɪŋ/
Line 5
What slight resemblance the last bears to history need not here be recapitulated.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

catastrophes noun US /kəˈtæstrəfiz/

plural of “catastrophe” — an event resulting in great loss and misfortune

From this reading “It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.”

devising noun US /dɪˈvaɪzɪŋ/

the act that results in something coming to be

From this reading “The romantic theme, its characters and incidents, and the enveloping action are of Greene's devising.”

enveloping adjective US /ɪnˈveləpɪŋ/

surrounding and closing in on or hemming in

From this reading “The romantic theme, its characters and incidents, and the enveloping action are of Greene's devising.”

frequency noun US /ˈfriːkwənsi/

the number of occurrences within a given time period

From this reading “The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.”

Frier noun US /ˈfraɪər/

flesh of a medium-sized young chicken suitable for frying

From this reading “It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.”

Greene's noun US /ɡriːnz/

possessive form of “greene” — English novelist and Catholic (1904-1991)

From this reading “=Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.”

legendary adjective US /ˈledʒənderi/

so celebrated as to having taken on the nature of a legend

From this reading “It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.”

primarily adverb US /praɪˈmerəli/

for the most part

From this reading “It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

sixteenth century adjective + noun

In this reading “It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.”

slight resemblance noun + noun

In this reading “What slight resemblance the last bears to history need not here be recapitulated.”

under discussion preposition + noun

In this reading “The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.”

same source adjective + noun

In this reading “It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.”

toward the end preposition + article + noun counted as “toward … end”

In this reading “It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.”

at court preposition + noun

In this reading “It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.”

All words in this reading · 122

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1258

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

1259

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

1591

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

1594

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

1602

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

accretions

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

actedverbUS /ˈæktɪd/

past form of “act” — perform an action, or work out or perform (an action)

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading The romantic theme, its characters and incidents, and the enveloping action are of Greene's devising.

affordedverbUS /əˈfɔːrdəd/

past form of “afford” — be able to spare or give up

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

articlenounUS /ˈɑːrtəkəl/

nonfictional prose forming an independent part of a publication

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

atprepositionUS /æt/

in or near a particular place or position

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

attendancenounUS /əˈtendəns/

the act of being present (at a meeting or event etc.)

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

BaconnounUS /ˈbeɪkən/

back and sides of a hog salted and dried or smoked; usually sliced thin and fried

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading What slight resemblance the last bears to history need not here be recapitulated.

bearsnounUS /berz/

plural of “bear” — massive plantigrade carnivorous or omnivorous mammals with long shaggy coats and strong claws

From this reading What slight resemblance the last bears to history need not here be recapitulated.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

Bungay

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

Burden's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

catastrophesnounUS /kəˈtæstrəfiz/

plural of “catastrophe” — an event resulting in great loss and misfortune

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

CharlesnounUS /tʃɑːrlz/

King of France from 1560 to 1574 whose reign was dominated by his mother Catherine de Medicis (1550-1574)

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

comedynounUS /ˈkɑːmədi/

light and humorous drama with a happy ending

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

concernedadjectiveUS /kənˈsɜːrnd/

feeling or showing worry or solicitude

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

connectedadjectiveUS /kəˈnektɪd/

being joined in close association

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

courtnounUS /kɔːrt/

an assembly (including one or more judges) to conduct judicial business

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

derivedadjectiveUS /dərˈaɪvd/

formed or developed from something else; not original

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

devisingnounUS /dɪˈvaɪzɪŋ/

the act that results in something coming to be

From this reading The romantic theme, its characters and incidents, and the enveloping action are of Greene's devising.

discussionnounUS /dɪˈskʌʃən/

an extended communication (often interactive) dealing with some particular topic

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

enounUS /iː/

a fat-soluble vitamin that is essential for normal reproduction; an important antioxidant that neutralizes free radicals in the body

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

endnounUS /end/

either extremity of something that has length

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

envelopingadjectiveUS /ɪnˈveləpɪŋ/

surrounding and closing in on or hemming in

From this reading The romantic theme, its characters and incidents, and the enveloping action are of Greene's devising.

exposurenounUS /ɪkˈspoʊʒər/

vulnerability to the elements; to the action of heat or cold or wind or rain

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

FamousadjectiveUS /ˈfeɪməs/

widely known and esteemed

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

foundedverbUS /ˈfaʊndɪd/

past form of “found” — set up or found

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

frequencynounUS /ˈfriːkwənsi/

the number of occurrences within a given time period

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

FriarnounUS /ˈfraɪər/

a male member of a religious order that originally relied solely on alms

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

FriernounUS /ˈfraɪər/

flesh of a medium-sized young chicken suitable for frying

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

glasse

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

Greene'snounUS /ɡriːnz/

possessive form of “greene” — English novelist and Catholic (1904-1991)

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

Historie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

HistorynounUS /ˈhɪstəri/

the aggregate of past events

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

iinoun

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

importantadjectiveUS /ˌɪmˈpɔːrtənt/

of great significance or value

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

incidentsnounUS /ˈɪnsədənts/

plural of “incident” — a single distinct event

From this reading The romantic theme, its characters and incidents, and the enveloping action are of Greene's devising.

indicatedverbUS /ˈɪndəkeɪtəd/

past form of “indicate” — be a signal for or a symptom of

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

instrumentsnounUS /ˈɪnstrəmənts/

plural of “instrument” — a device that requires skill for proper use

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

interruptedadjectiveUS /ˌɪntərˈʌptɪd/

discontinued temporarily

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

intriguenounUS /ˌɪnˈtriːɡ/

a crafty and involved plot to achieve your (usually sinister) ends

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

ixnoun

the cardinal number that is the sum of eight and one

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

JamesnounUS /dʒeɪmz/

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

lastadjectiveUS /læst/

immediately past

From this reading What slight resemblance the last bears to history need not here be recapitulated.

lateadjectiveUS /leɪt/

being or occurring at an advanced period of time or after a usual or expected time

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

legendaryadjectiveUS /ˈledʒənderi/

so celebrated as to having taken on the nature of a legend

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

MaterialsnounUS /məˈtɪriəlz/

plural of “material” — the tangible substance that goes into the makeup of a physical object

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

mentionedverbUS /ˈmenʃənd/

past form of “mention” — make reference to

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

MilesnounUS /maɪlz/

plural of “mile” — a unit of length equal to 1,760 yards or 5,280 feet; exactly 1609.344 meters

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

necromanticadjective

relating to or associated with necromancy

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

neednounUS /niːd/

a condition requiring relief

From this reading What slight resemblance the last bears to history need not here be recapitulated.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading What slight resemblance the last bears to history need not here be recapitulated.

occasionallyadverbUS /əˈkeɪʒənəli/

sporadically and infrequently

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

performedverbUS /pərˈfɔːrmd/

past form of “perform” — carry out or perform an action

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

playverbUS /pleɪ/

participate in games or sport

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

popularadjectiveUS /ˈpɑːpjələr/

regarded with great favor, approval, or affection especially by the general public

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

positionnounUS /pəˈzɪʃən/

the particular portion of space occupied by something

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

primarilyadverbUS /praɪˈmerəli/

for the most part

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

ProfessornounUS /prəˈfesər/

someone who is a member of the faculty at a college or university

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

profitsnounUS /ˈprɑːfɪts/

the excess of revenues over outlays in a given period of time (including depreciation and other non-cash expenses)

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

recapitulated

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading What slight resemblance the last bears to history need not here be recapitulated.

resemblancenounUS /rɪˈzembləns/

similarity in appearance or external or superficial details

From this reading What slight resemblance the last bears to history need not here be recapitulated.

revivedadjectiveUS /rɪˈvaɪvd/

restored to consciousness or life or vigor

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

Roger

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading The romantic theme, its characters and incidents, and the enveloping action are of Greene's devising.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

ScenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

seasonsnounUS /ˈsiːzənz/

plural of “season” — a period of the year marked by special events or activities in some field

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

sixteenthadjectiveUS /sɪkˈstiːnθ/

coming next after the fifteenth in position

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

slightnounUS /slaɪt/

a deliberate discourteous act (usually as an expression of anger or disapproval)

From this reading What slight resemblance the last bears to history need not here be recapitulated.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

sourcenounUS /sɔːrs/

the place where something begins, where it springs into being

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

StagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

story-book

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

suggestionnounUS /səˈdʒestʃən/

an idea that is suggested

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

themenounUS /θiːm/

the subject matter of a conversation or discussion

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading What slight resemblance the last bears to history need not here be recapitulated.

towardprepositionUS /təˈwɔːrd/

in the direction of

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

Vandermast

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

vinounUS /vaɪ/

the cardinal number that is the sum of five and one

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

weddingnounUS /ˈwedɪŋ/

the social event at which the ceremony of marriage is performed

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What slight resemblance the last bears to history need not here be recapitulated.

withprepositionUS /wɪð/

in the company of; together with

From this reading The play here under discussion was acted with some frequency between 1591 and 1594, sometimes at important seasons, always with fair attendance, and occasionally with large profits.

wonderfull

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

Woodberry's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading =Friar Bacon: Stage History and Materials=.--The position of Greene's plays in the history of English comedy is indicated in Professor Woodberry's article.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

xinounUS /ʃiː/

the cardinal number that is the sum of ten and one

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

xiiinoun

the cardinal number that is the sum of twelve and one

From this reading It was performed at court as late as 1602, and was occasionally revived under James I. and Charles I.[1258] The necromantic theme with its instruments, the characters primarily concerned (Bacon, Bungay, Vandermast, Miles), and the catastrophes connected with the 'wonderfull glasse,' _i.e._ the materials for Scenes ix., xi., xiii., are derived from _The Famous Historie of Frier Bacon_, already mentioned--"a popular story-book probably written toward the end of the sixteenth century, and founded upon accretions of the legendary history of Roger Bacon."[1259] The same source afforded also the suggestion of Scenes ii. and vi.--the exposure of Burden's intrigue and the interrupted wedding.

Chapter 25 of Representative English Comedies, V. 1. From the Beginnings to Shakespeare by Charles Mills [Editor] Gayley holds 385 sentences, grouped into 77 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 25 of Representative English Comedies, V. 1. From the Beginnings to contain?

Chapter 25 holds 385 sentences of Representative English Comedies, V. 1. From the Beginnings to Shakespeare, unabridged, divided into 77 reading sections.

This page carries chapter 25 of Representative English Comedies, V. 1. From the Beginnings to Shakespeare by Charles Mills [Editor] Gayley exactly as it stands in the source edition, without abridgement. It runs to 385 sentences, grouped into 77 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 25 of Representative English Comedies, V. 1. From the Beginnings to?

Work through the 77 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 77 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 25 be read aloud to me?

Yes — every sentence and every individual word in chapter 25 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Representative English Comedies, V. 1. From the Beginnings to Shakespeare

Common questions about reading Representative English Comedies, V. 1. From the Beginnings to Shakespeare by Charles Mills [Editor] Gayley on this page, its source edition and its audio.

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Yes. All 15004 sentences of Project Gutenberg eBook #49710 are kept, with a record of which sentences cover which part.

Which edition of Representative English Comedies, V. 1. From the Beginnings to Shakespeare is used?

Project Gutenberg eBook #49710, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Representative English Comedies, V. 1. From the Beginnings to Shakespeare take to read?

About 600 minutes of reading across 3001 sections of 5 sentences each, at an unhurried pace.

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How to work through Representative English Comedies, V. 1. From the Beginnings to Shakespeare section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in Representative English Comedies, V. 1. From the Beginnings to Shakespeare

Words and structures a reader meets early in Representative English Comedies, V. 1. From the Beginnings to Shakespeare, each tappable for pronunciation and meaning.

Changes
A word that appears in the opening chapter of Representative English Comedies, V. 1. From the Beginnings to Shakespeare; the reader can tap it to hear it and see its dictionary entry.
Found
A word that appears in the opening chapter of Representative English Comedies, V. 1. From the Beginnings to Shakespeare; the reader can tap it to hear it and see its dictionary entry.
Charles
A word that appears in the opening chapter of Representative English Comedies, V. 1. From the Beginnings to Shakespeare; the reader can tap it to hear it and see its dictionary entry.
Mills
A word that appears in the opening chapter of Representative English Comedies, V. 1. From the Beginnings to Shakespeare; the reader can tap it to hear it and see its dictionary entry.