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Representative Plays by American Dramatists — Love in '76
Representative Plays by American Dramatists — Love in '76

Chapter I · Chapter 1

Chapter 1 of Representative Plays by American Dramatists — Love in '76 is here in full — 489 sentences across 98 reading sections, with audio for every sentence and word.

Cover illustration for Representative Plays by American Dramatists — Love in '76
Context Illustration Reading 6/97 · 5 lines
English subtitles · tap any word to listen 1 / 5
Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.
Here, for instance, is an impression of the old Park Theatre, New York, in 1846.
"That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.
The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.
The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Representative Plays by American Dramatists — Love in '76

Chapter I · Chapter 1

Chapter 1 of Representative Plays by American Dramatists — Love in '76 is here in full — 489 sentences across 98 reading sections, with audio for every sentence and word.

Reading 6/97 · 5 reading units · Lines 26–30

Line 1
Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.
Line 2
Here, for instance, is an impression of the old Park Theatre, New York, in 1846.
Line 3
"That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.
Line 4
The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.
Line 5
The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

assemble verb US /əˈsembəl/

create by putting components or members together

From this reading “"That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.”

Bunce noun US /bʌns/

a sudden happening that brings good fortune (as a sudden opportunity to make money)

From this reading “Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.”

Editor's noun US /ˈedɪtərz/

possessive form of “editor” — a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading “"That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.”

gainsay verb US /ˈɡeɪnseɪ/

take exception to

From this reading “The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.”

magnates noun US /ˈmæɡneɪts/

plural of “magnate” — a very wealthy or powerful businessman

From this reading “The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.”

performers noun US /pərˈfɔːrmərz/

plural of “performer” — an entertainer who performs a dramatic or musical work for an audience

From this reading “"That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.”

subterranean adjective US /ˌsʌb.təˈreɪ.ni.ən/

Existing, occurring, or done under the earth's surface.

From this reading “The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.”

verdicts noun US /ˈvɜːrdɪkts/

plural of “verdict” — (law) the findings of a jury on issues of fact submitted to it for decision; can be used in formulating a judgment

From this reading “The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.”

All words in this reading · 90

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1846

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

1880

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

afraidadjectiveUS /əˈfreɪd/

filled with fear or apprehension

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

Appleton's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

assembleverbUS /əˈsembəl/

create by putting components or members together

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

atprepositionUS /æt/

in or near a particular place or position

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

benchnounUS /bentʃ/

a long seat for more than one person

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

better-knownadjective

more familiar or renowned than the other of two

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

BuncenounUS /bʌns/

a sudden happening that brings good fortune (as a sudden opportunity to make money)

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.

cellarnounUS /ˈselər/

the lowermost portion of a structure partly or wholly below ground level; often used for storage

From this reading The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.

criticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

daredverbUS /derd/

past form of “dare” — take upon oneself; act presumptuously, without permission

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

deliveredverbUS /dɪˈlɪvərd/

past form of “deliver” — deliver (a speech, oration, or idea)

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

Editor'snounUS /ˈedɪtərz/

possessive form of “editor” — a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

fourthnounUS /fɔːrθ/

following the third position; number four in a countable series

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

gainsayverbUS /ˈɡeɪnseɪ/

take exception to

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

half-lighted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

HereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

JournalnounUS /ˈdʒɜːrnəl/

a daily written record of (usually personal) experiences and observations

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

magnatesnounUS /ˈmæɡneɪts/

plural of “magnate” — a very wealthy or powerful businessman

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

mattersnounUS /ˈmætərz/

plural of “matter” — a vaguely specified concern

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

Nestors

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

nodeterminerUS /noʊ/

not any; not one

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

OctobernounUS /ɑːkˈtoʊbər/

the month following September and preceding November

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

oracularadjective

of or relating to an oracle

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

orchestranounUS /ˈɔːrkəstrə/

a musical organization consisting of a group of instrumentalists including string players

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

ParknounUS /pɑːrk/

a large area of land preserved in its natural state as public property

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

passagenounUS /ˈpæsədʒ/

the act of passing from one state or place to the next

From this reading The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.

pennounUS /pen/

a writing implement with a point from which ink flows

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

performersnounUS /pərˈfɔːrmərz/

plural of “performer” — an entertainer who performs a dramatic or musical work for an audience

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

pitnounUS /pɪt/

A large hole in the ground, or an abyss of darkness and peril.

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

stepsnounUS /steps/

a flight of stairs or a flight of steps

From this reading The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.

subterraneanadjectiveUS /ˌsʌb.təˈreɪ.ni.ən/

Existing, occurring, or done under the earth's surface.

From this reading The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.

TablenounUS /ˈteɪbəl/

a set of data arranged in rows and columns

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

termsnounUS /tɜːrmz/

status with respect to the relations between people or groups

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

TheatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

theatricaladjectiveUS /θiˈætrɪkəl/

of or relating to the theater

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading The Pit was entered by cellar steps, and through a half-lighted, subterranean passage.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

utterverbUS /ˈʌtər/

articulate; either verbally or with a cry, shout, or noise

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

verdictsnounUS /ˈvɜːrdɪkts/

plural of “verdict” — (law) the findings of a jury on issues of fact submitted to it for decision; can be used in formulating a judgment

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

vividadjectiveUS /ˈvɪvəd/

evoking lifelike images within the mind

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

watchfuladjectiveUS /ˈwɑːtʃfəl/

engaged in or accustomed to close observation

From this reading The actors were in those days afraid of the Pit, especially at the Park, of the fourth bench from the orchestra, where the magnates of the pen sat watchful, and where old Nestors of the drama delivered their verdicts in terms that no one dared to gainsay.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

whenconjunctionUS /wen/

at the time that

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

whereconjunctionUS /wer/

in or at the place that

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

wiseacres

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

wontnounUS /woʊnt/

an established custom

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

writesverbUS /raɪts/

third-person singular of “write” — produce a literary work

From this reading "That was the time," he writes in "The Editor's Table" of _Appleton's Journal_ for October, 1880, "when the theatre had a pit, where critics and wiseacres were wont to assemble and utter oracular things about the plays and the performers.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading Bunce wrote well on theatrical matters; he is much more vivid and human than many a better-known critic.

YorknounUS /jɔːrk/

the English royal house (a branch of the Plantagenet line) that reigned from 1461 to 1485; its emblem was a white rose

From this reading Here, for instance, is an impression of the old Park Theatre, New York, in 1846.

Chapter 1 of Representative Plays by American Dramatists — Love in '76 by Oliver Bell Bunce holds 489 sentences, grouped into 98 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Representative Plays by American Dramatists — Love in '76 contain?

Chapter 1 holds 489 sentences of Representative Plays by American Dramatists — Love in '76, unabridged, divided into 98 reading sections.

This page carries chapter 1 of Representative Plays by American Dramatists — Love in '76 by Oliver Bell Bunce exactly as it stands in the source edition, without abridgement. It runs to 489 sentences, grouped into 98 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Representative Plays by American Dramatists — Love in '76?

Work through the 98 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 98 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Is this the complete text of Representative Plays by American Dramatists — Love in '76?

Yes. All 994 sentences of Project Gutenberg eBook #15519 are kept, with a record of which sentences cover which part.

Which edition of Representative Plays by American Dramatists — Love in '76 is used?

Project Gutenberg eBook #15519, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Representative Plays by American Dramatists — Love in '76 take to read?

About 82 minutes of reading across 199 sections of 5 sentences each, at an unhurried pace.

How to read Representative Plays by American Dramatists — Love in '76 section by section

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Vocabulary met early in Representative Plays by American Dramatists — Love in '76

Words and structures a reader meets early in Representative Plays by American Dramatists — Love in '76, each tappable for pronunciation and meaning.

Oliver
A word that appears in the opening chapter of Representative Plays by American Dramatists — Love in '76; the reader can tap it to hear it and see its dictionary entry.
Bunce
A word that appears in the opening chapter of Representative Plays by American Dramatists — Love in '76; the reader can tap it to hear it and see its dictionary entry.
Prominently
A word that appears in the opening chapter of Representative Plays by American Dramatists — Love in '76; the reader can tap it to hear it and see its dictionary entry.
Connected
A word that appears in the opening chapter of Representative Plays by American Dramatists — Love in '76; the reader can tap it to hear it and see its dictionary entry.