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Representative Plays by American Dramatists — Love in '76
Representative Plays by American Dramatists — Love in '76

Chapter I · Chapter 1

Chapter 1 of Representative Plays by American Dramatists — Love in '76 is here in full — 489 sentences across 98 reading sections, with audio for every sentence and word.

Cover illustration for Representative Plays by American Dramatists — Love in '76
Context Illustration Reading 9/97 · 5 lines
English subtitles · tap any word to listen 1 / 5
Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....
There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.
In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.
They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.
So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

Representative Plays by American Dramatists — Love in '76

Chapter I · Chapter 1

Chapter 1 of Representative Plays by American Dramatists — Love in '76 is here in full — 489 sentences across 98 reading sections, with audio for every sentence and word.

Reading 9/97 · 5 reading units · Lines 41–45

Line 1
Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....
Line 2
There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.
/ðer wɜːr ˈveri ˌɑːrtəˈfɪʃəl ˈmeθədz noʊ daʊt əˈmʌŋ ðə oʊld ˈæktərz bʌt ðer wɑːz ˈɔːlsoʊ ə ˈveri ˈkɑːnsəmət ˈnɑːlədʒ ʌv ðə ɑːrt ə ɡreɪt diːl ʌv bredθ fɔːrs ənd skɪl ənd ə ˈfɪnɪʃt ˈtreɪnɪŋ wɪtʃ ðə nuː skuːlz duː nɑːt ɪɡˈzɪbɪt/
Line 3
In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.
/ɪn ˈeɪmɪŋ tuː biː ˈnætʃərəl sʌm ʌv ˈaʊər ˈæktərz siːm tuː hæv kənˈkluːdəd ðæt ðer prəˈfeʃən ɪz nɑːt æn ɑːrt/
Line 4
They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.
Line 5
So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aiming verb US /ˈeɪmɪŋ/

-ing form of “aim” — point or cause to go (blows, weapons, or objects such as photographic equipment) towards

From this reading “In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.”

characterized verb US /ˈkerəktəraɪzd/

past form of “characterize” — describe or portray the character or the qualities or peculiarities of

From this reading “They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.”

ineffective adjective US /ˌɪnɪˈfektɪv/

not producing an intended effect

From this reading “So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.”

mannerisms noun US /ˈmænərɪzəmz/

plural of “mannerism” — a behavioral attribute that is distinctive and peculiar to an individual

From this reading “Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....”

obscuring verb US /əbsˈkjʊrɪŋ/

-ing form of “obscure” — make less visible or unclear

From this reading “They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.”

performers noun US /pərˈfɔːrmərz/

plural of “performer” — an entertainer who performs a dramatic or musical work for an audience

From this reading “They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.”

Realists noun US /ˈriːəlɪsts/

plural of “realist” — a philosopher who believes that universals are real and exist independently of anyone thinking of them

From this reading “So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.”

weakening noun US /ˈwiːkənɪŋ/

becoming weaker

From this reading “They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.”

All words in this reading · 107

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

abandonedadjectiveUS /əˈbændənd/

forsaken by owner or inhabitants

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

aimingverbUS /ˈeɪmɪŋ/

-ing form of “aim” — point or cause to go (blows, weapons, or objects such as photographic equipment) towards

From this reading In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

altogetheradverbUS /ˌɔːltəˈɡeðər/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

artificialadjectiveUS /ˌɑːrtəˈfɪʃəl/

contrived by art rather than nature

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

backadverbUS /bæk/

in or to or toward a former location

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

breadthnounUS /bredθ/

the capacity to understand a broad range of topics

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

bygonenounUS /ˈbaɪɡɔːn/

past events to be put aside

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

characterizedverbUS /ˈkerəktəraɪzd/

past form of “characterize” — describe or portray the character or the qualities or peculiarities of

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

colouringnounUS /ˈkʌlərrɪŋ/

a digestible substance used to give color to food

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

colourlessadjective

lacking in variety and interest

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

concludedadjectiveUS /kənˈkluːdəd/

having come or been brought to a conclusion

From this reading In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.

consummateverbUS /ˈkɑːnsəmət/

fulfill sexually

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

dealverbUS /diːl/

act on verbally or in some form of artistic expression

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

deliverynounUS /dɪˈlɪvəri/

the act of delivering or distributing something (as goods or mail)

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

doorsnounUS /dɔːrz/

plural of “door” — a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

doubtnounUS /daʊt/

the state of being unsure of something

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

exhibitverbUS /ɪɡˈzɪbɪt/

show an attribute, property, knowledge, or skill

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

fadeverbUS /feɪd/

become less clearly visible or distinguishable; disappear gradually or seemingly

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

finishedadjectiveUS /ˈfɪnɪʃt/

(of materials or goods) brought to the desired final state

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

forcenounUS /fɔːrs/

a powerful effect or influence

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

formaladjectiveUS /ˈfɔːrməl/

being in accord with established forms and conventions and requirements (as e.g. of formal dress)

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

growverbUS /ɡroʊ/

pass into a condition gradually, take on a specific property or attribute; become

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.

heedlessadjective

marked by or paying little heed or attention

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

ineffectiveadjectiveUS /ˌɪnɪˈfektɪv/

not producing an intended effect

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

inspirationnounUS /ˌɪnspərˈeɪʃən/

arousal of the mind to special unusual activity or creativity

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

knowledgenounUS /ˈnɑːlədʒ/

the psychological result of perception and learning and reasoning

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

likelyadjectiveUS /ˈlaɪkli/

has a good chance of being the case or of coming about

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

loseverbUS /luːz/

fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

mannerismsnounUS /ˈmænərɪzəmz/

plural of “mannerism” — a behavioral attribute that is distinctive and peculiar to an individual

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

markedadjectiveUS /mɑːrkt/

strongly marked; easily noticeable

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

meaningnounUS /ˈmiːnɪŋ/

the message that is intended or expressed or signified

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

mellowadjectiveUS /ˈmeloʊ/

unhurried and relaxed

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

methodsnounUS /ˈmeθədz/

plural of “method” — a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

missingadjectiveUS /ˈmɪsɪŋ/

not able to be found

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

nodeterminerUS /noʊ/

not any; not one

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

obscuringverbUS /əbsˈkjʊrɪŋ/

-ing form of “obscure” — make less visible or unclear

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

obtainingverbUS /əbˈteɪnɪŋ/

-ing form of “obtain” — come into possession of

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

performersnounUS /pərˈfɔːrmərz/

plural of “performer” — an entertainer who performs a dramatic or musical work for an audience

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

pre-Raphaelism

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

professionnounUS /prəˈfeʃən/

the body of people in a learned occupation

From this reading In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.

RealistsnounUS /ˈriːəlɪsts/

plural of “realist” — a philosopher who believes that universals are real and exist independently of anyone thinking of them

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

richadjectiveUS /rɪtʃ/

possessing material wealth

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

schoolsnounUS /skuːlz/

plural of “school” — an educational institution

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading In aiming to be natural, some of our actors seem to have concluded that their profession is not an art.

significancenounUS /səɡˈnɪfɪkəns/

the quality of being significant

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

skillnounUS /skɪl/

an ability that has been acquired by training

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

spiritnounUS /ˈspɪrət/

the vital principle or animating force within living things

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

ThereadverbUS /ðer/

in or at that place or location

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

TheypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading So marked is this, that some of the old dramatic characters are abandoned altogether, because in the hands of the Realists they fade away into ineffective and colourless forms.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

traditionsnounUS /trəˈdɪʃənz/

plural of “tradition” — an inherited pattern of thought or action

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

trainingnounUS /ˈtreɪnɪŋ/

activity leading to skilled behavior

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

truthnounUS /truːθ/

a fact that has been verified

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

VeryadjectiveUS /ˈveri/

precisely as stated

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

waynounUS /weɪ/

how something is done or how it happens

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

weakeningnounUS /ˈwiːkənɪŋ/

becoming weaker

From this reading They grow heedless in the delivery of language, weakening or obscuring its meaning, and missing its significance; and in some way lose that rich and mellow colouring that characterized the bygone performers.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading There were very artificial methods, no doubt, among the old actors, but there was also a very consummate knowledge of the art, a great deal of breadth, force and skill, and a finished training, which the new schools do not exhibit.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Very likely the spirit, which in painting we call pre-Raphaelism, is obtaining its influence on the stage, and that some of the actors are turning out of doors the traditions and formal mannerisms of the schools, and going back to nature and truth for their inspiration....

Chapter 1 of Representative Plays by American Dramatists — Love in '76 by Oliver Bell Bunce holds 489 sentences, grouped into 98 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

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