Chapter I · Chapter 1

used before a singular noun to mean one of a group, when it is not a particular one

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

a state of lawlessness and disorder (usually resulting from a failure of government)

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

used to join words or parts of a sentence that go together

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

any thing at all

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

from a particular thing or place or position (“forth” is obsolete)

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

for the reason that

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

at or toward the back of something

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

used to introduce something that contrasts with what came before

From this reading But where Mackaye vitalized the old style was in the vigour of his treatment.

showing who or what does the action

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

(usually followed by “of”) having capacity or ability

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

move while supporting, either in a vehicle or in one's hands or on one's body

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

an assertion of a right (as to money or property)

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

pompous or pretentious talk or writing

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

past form of “compare” — examine and note the similarities or differences of

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

the past of “can”; used for possibility or polite requests

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

approval

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

patron saint of Wales (circa 520-600)

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

a dramatic work intended for performance by actors on a stage

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

having escaped, especially from confinement

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

the state of being emotionally aroused and worked up

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

with resolute determination

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

being in accord with established forms and conventions and requirements (as e.g. of formal dress)

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

past form of “free” — grant freedom to; free from confinement

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

showing where something starts, or who sent it

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

all the people living at the same time or of approximately the same age

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

come into the possession of something concrete or abstract

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

showing or causing joy and pleasure; especially made happy

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

the property possessed by something or someone of outstanding importance or eminence

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

the act of grasping

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

the past form of “have”, used to form the past perfect

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

occupied or in the control of; often used in combination

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

used when the man or boy doing the action is also its object

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

belonging to a man, boy, or male animal already mentioned

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

English actor of stage and screen (1893-1943)

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

inside something, or within a place, period, or state

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

not producing desired results; wasteful

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

repetitive and persistent

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

arousing or holding the attention

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

the form of “be” used with he, she, it, or a singular noun

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

a thing, animal, or idea already mentioned

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

belonging to the thing or animal already mentioned

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

a room or building equipped with one or more toilets

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

the quality of being just or fair

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

having words so spaced that lines have straight even margins

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

apprehended with certainty

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

a polite name for any woman

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

the quality of being loyal

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

a city in east-central France on the Rhone River; a principal producer of silk and rayon

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But where Mackaye vitalized the old style was in the vigour of his treatment.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

plural of “make” — a recognizable kind

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

an extravagant comedy in which action is more salient than characterization

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

used to make a word, phrase, or sentence negative

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

a brief written record

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

-ing form of “obscure” — make less visible or unclear

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

belonging to, or connected with, somebody or something

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

used to mean any person in general, including the speaker

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

used to join alternatives or possibilities

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

plural of “orphan” — a child who has lost both parents

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

plural of “patch” — a small contrasting part of something

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

United States feminist (1885-1977)

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

an amount of time

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

people in general considered as a whole

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

an anticipated outcome that is intended or that guides your planned actions

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

the attribute of accepting the facts of life and favoring practicality and literal truth

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

aware or expressing awareness of things as they really are

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

third-person singular of “realize” — be fully aware or cognizant of

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

bringing again into activity and prominence

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

having few parts; not complex or complicated or involved

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

of or relating to or determined by sociology

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

English writer (1672-1729)

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

lack of agreement or harmony

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

how something is done or how it happens

From this reading But where Mackaye vitalized the old style was in the vigour of his treatment.

used to introduce the second part of a comparison

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

used to introduce what somebody said, thought, or felt

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

belonging to the people or things already mentioned

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

for that reason; as a result

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

the people, animals, or things already mentioned, as the subject

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

used before the base form of a verb to make the infinitive

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

care provided to improve a situation (especially medical procedures or applications that are intended to relieve illness or injury)

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

consistent with fact or reality; not false

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

a formal word for “on”

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

forceful exertion

From this reading But where Mackaye vitalized the old style was in the vigour of his treatment.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But where Mackaye vitalized the old style was in the vigour of his treatment.

the past form of “be” used with I, he, she, it, or a singular noun

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

clean by virtue of having been washed in water

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

the past form of “be” used with you, we, they, or a plural noun

From this reading Daly, Boucicault, and their generation were held firmly in its grip; they could not get away from it, and they were justified in their loyalty to it by the insistent claim "The Two Orphans" and "The Lady of Lyons" had upon the public.

at the time that

From this reading When one realizes the sociological purpose behind Steele Mackaye's "Paul Kauvar; or, Anarchy," it is interesting to note how inefficient the old form of drama was to carry anything more than the formal romantic fervour.

in or at the place that

From this reading But where Mackaye vitalized the old style was in the vigour of his treatment.

in the company of; together with

From this reading Compared with John Galsworthy's treatment in "Strife" and "Justice," it makes one glad that realism came and washed away all the obscuring claptrap of that period.

used for something imagined, polite, or habitual in the past

From this reading All the more credit, therefore, that Bronson Howard, David Belasco, and James A. Herne escaped it; had the latter completely freed himself of melodrama, his plays would be better known to-day, better capable of revival, because of the true greatness of their simple realistic patches.