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Robert Fulton
Robert Fulton

Chapter V

Chapter 5 of Robert Fulton is here in full — 63 sentences across 13 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/12 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE GIFT OF A FARM Did you ever hold a camera film to the light?
All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.
So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.
To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.
The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Robert Fulton

Chapter V

Chapter 5 of Robert Fulton is here in full — 63 sentences across 13 reading sections, with audio for every sentence and word.

Reading 1/12 · 5 reading units · Lines 1–5

Line 1
THE GIFT OF A FARM Did you ever hold a camera film to the light?
/ðə ɡɪft ʌv ə fɑːrm dɪd juː ˈevər hoʊld ə ˈkæmərə fɪlm tuː ðə laɪt/
Line 2
All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.
/ɔːl θɪŋz ɑːr tɜːrnd əˈbaʊt ðə raɪt saɪd bɪˈkʌmz ðə left ənd ðə fɜːrst ˈɑːbdʒekt ɪn vjuː əˈpɪrz tuː biː ðə læst æt ðə ekˈstriːm end ʌv ðə ˈpɪktʃər/
Line 3
So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.
Line 4
To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.
Line 5
The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accurately adverb US /ˈækjərətli/

with few mistakes

From this reading “So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.”

balance verb US /ˈbæləns/

bring into balance or equilibrium

From this reading “So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.”

camera noun US /ˈkæmərə/

equipment for taking photographs (usually consisting of a lightproof box with a lens at one end and light-sensitive film at the other)

From this reading “THE GIFT OF A FARM Did you ever hold a camera film to the light?”

film noun US /fɪlm/

a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading “THE GIFT OF A FARM Did you ever hold a camera film to the light?”

Fulton noun US /ˈfʊltən/

American inventor who designed the first commercially successful steamboat and the first steam warship (1765-1815)

From this reading “To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.”

reversed adjective US /rɪˈvɜːrst/

turned inside out and resewn

From this reading “So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.”

review noun US /ˌriːˈvjuː/

a new appraisal or evaluation

From this reading “So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.”

security noun US /sɪˈkjʊrəti/

the state of being free from danger or injury

From this reading “The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

settle down verb + adjective

settle into a position, usually on a surface or ground

In this reading “The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.”

old age adjective + noun

a late time of life

In this reading “The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.”

extreme end adjective + noun

In this reading “All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.”

unknown land adjective + noun

In this reading “To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.”

leave behind verb + particle

depart and not take along

In this reading “To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.”

All things adjective + noun

In this reading “All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.”

first object adjective + noun

In this reading “All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.”

in view preposition + noun

In this reading “All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.”

All words in this reading · 103

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

accuratelyadverbUS /ˈækjərətli/

with few mistakes

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

agenounUS /eɪdʒ/

how long something has existed

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

aimverbUS /eɪm/

point or cause to go (blows, weapons, or objects such as photographic equipment) towards

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

atprepositionUS /æt/

in or near a particular place or position

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

balanceverbUS /ˈbæləns/

bring into balance or equilibrium

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

cameranounUS /ˈkæmərə/

equipment for taking photographs (usually consisting of a lightproof box with a lens at one end and light-sensitive film at the other)

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

carenounUS /ker/

the work of providing treatment for or attending to someone or something

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

contactnounUS /ˈkɑːntækt/

close interaction

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

convincedadjectiveUS /kənˈvɪnst/

persuaded of; very sure

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

couragenounUS /ˈkɜːrədʒ/

a quality of spirit that enables you to face danger or pain without showing fear

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

Didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

endnounUS /end/

either extremity of something that has length

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

enjoyverbUS /ˌenˈdʒɔɪ/

derive or receive pleasure from; get enjoyment from; take pleasure in

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

everadverbUS /ˈevər/

at any time

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

extremeadjectiveUS /ekˈstriːm/

of the greatest possible degree or extent or intensity

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

FARMverbUS /fɑːrm/

be a farmer; work as a farmer

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

farm-home

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

filmnounUS /fɪlm/

a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

FultonnounUS /ˈfʊltən/

American inventor who designed the first commercially successful steamboat and the first steam warship (1765-1815)

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

GIFTnounUS /ɡɪft/

something acquired without compensation

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

landnounUS /lænd/

the land on which real estate is located

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

lastadjectiveUS /læst/

immediately past

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

leaveverbUS /liːv/

go away from a place

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

lightsnounUS /laɪts/

plural of “light” — (physics) electromagnetic radiation that can produce a visual sensation

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

longeradverbUS /ˈlɔːŋɡər/

for more time

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

makeverbUS /meɪk/

engage in

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

mentaladjectiveUS /ˈmentəl/

involving the mind or an intellectual process

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

moneynounUS /ˈmʌni/

the most common medium of exchange; functions as legal tender

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

objectnounUS /ˈɑːbdʒekt/

a tangible and visible entity; an entity that can cast a shadow

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

pastnounUS /pæst/

the time that has elapsed

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

peacenounUS /piːs/

the state prevailing during the absence of war

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

reversedadjectiveUS /rɪˈvɜːrst/

turned inside out and resewn

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

reviewnounUS /ˌriːˈvjuː/

a new appraisal or evaluation

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

rightadverbUS /raɪt/

precisely, exactly

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

RobertnounUS /ˈrɑːbərt/

United States parliamentary authority and author (in 1876) of Robert's Rules of Order (1837-1923)

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

securitynounUS /sɪˈkjʊrəti/

the state of being free from danger or injury

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

settleverbUS /ˈsetəl/

settle into a position, usually on a surface or ground

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

shadowsnounUS /ˈʃædoʊz/

plural of “shadow” — shade within clear boundaries

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

stolenverbUS /ˈstoʊlən/

inflected form of “steal” — take without the owner's consent

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

sumnounUS /sʌm/

a quantity of money

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

takeverbUS /teɪk/

carry out

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

unknownadjectiveUS /ənˈnoʊn/

not known

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

venturenounUS /ˈventʃər/

any venturesome undertaking especially one with an uncertain outcome

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading All things are turned about; the right side becomes the left, and the first object in view appears to be the last, at the extreme end of the picture.

voyagenounUS /ˈvɔɪədʒ/

an act of traveling by water

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

whenconjunctionUS /wen/

at the time that

From this reading So it seems when we take a mental review of the past,—the point of contact is reversed and we can balance accurately the lights and shadows that appear.

whereconjunctionUS /wer/

in or at the place that

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading To the mind of Robert Fulton, about to make a venture which called for courage,—a voyage to an unknown land,—the chief aim of his life was the care of his mother, whom he must leave behind.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading The longer he thought, the more was he convinced that better than a sum of money, which might be lost or stolen, would be the gift of a farm-home where she could settle down to enjoy an old age of security and peace.

youpronounUS /juː/

the person or people being spoken to

From this reading THE GIFT OF A FARM Did you ever hold a camera film to the light?

Chapter 5 of Robert Fulton by Alice Crary Sutcliffe holds 63 sentences, grouped into 13 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Robert Fulton contain?

Chapter 5 holds 63 sentences of Robert Fulton, unabridged, divided into 13 reading sections.

This page carries chapter 5 of Robert Fulton by Alice Crary Sutcliffe exactly as it stands in the source edition, without abridgement. It runs to 63 sentences, grouped into 13 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Robert Fulton?

Work through the 13 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 13 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Robert Fulton

Common questions about reading Robert Fulton by Alice Crary Sutcliffe on this page, its source edition and its audio.

Is this the complete text of Robert Fulton?

Yes. All 1634 sentences of Project Gutenberg eBook #57742 are kept, with a record of which sentences cover which part.

Which edition of Robert Fulton is used?

Project Gutenberg eBook #57742, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Robert Fulton take to read?

About 136 minutes of reading across 327 sections of 5 sentences each, at an unhurried pace.

How to read Robert Fulton section by section

How to work through Robert Fulton section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of Robert Fulton to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Robert Fulton

Words and structures a reader meets early in Robert Fulton, each tappable for pronunciation and meaning.

Norwood
A word that appears in the opening chapter of Robert Fulton; the reader can tap it to hear it and see its dictionary entry.
Press
A word that appears in the opening chapter of Robert Fulton; the reader can tap it to hear it and see its dictionary entry.
Cushing
A word that appears in the opening chapter of Robert Fulton; the reader can tap it to hear it and see its dictionary entry.
Berwick
A word that appears in the opening chapter of Robert Fulton; the reader can tap it to hear it and see its dictionary entry.