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Robert Greene: [Six Plays]
Robert Greene: [Six Plays]

Chapter II

Chapter 2 of Robert Greene: [Six Plays] is here in full — 349 sentences across 70 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/69 · 5 lines
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"As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"
Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?
Give me an armour of eternal steel!
I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.
In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Robert Greene: [Six Plays]

Chapter II

Chapter 2 of Robert Greene: [Six Plays] is here in full — 349 sentences across 70 reading sections, with audio for every sentence and word.

Reading 1/69 · 5 reading units · Lines 1–5

Line 1
"As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"
Line 2
Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?
Line 3
Give me an armour of eternal steel!
/ɡɪv miː æn ˈɑːrmər ʌv ɪˈtɜːrnəl stiːl/
Line 4
I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.
Line 5
In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cloying adjective US /ˈklɔɪɪŋ/

overly sweet

From this reading “In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.”

Edward's noun US /ˈedwərdz/

possessive form of “edward” — King of England and Ireland in 1936; his marriage to Wallis Warfield Simpson created a constitutional crisis leading to his abdication (1894-1972)

From this reading “Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?”

Greene's noun US /ɡriːnz/

possessive form of “greene” — English novelist and Catholic (1904-1991)

From this reading “I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.”

overthrown verb US /ˌoʊvərˈθroʊn/

inflected form of “overthrow” — cause the downfall of; of rulers

From this reading “Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?”

Salisbury noun US /ˈsælzbəri/

the capital and largest city of Zimbabwe

From this reading “I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.”

Shakespeare's noun US /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading “I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.”

Subdue verb US /səbˈduː/

put down by force or intimidation

From this reading “I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.”

transcend verb US /trænˈsend/

be greater in scope or size than some standard

From this reading “In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

in spite preposition + noun

In this reading “In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.”

All words in this reading · 124

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

15

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Give me an armour of eternal steel!

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

armournounUS /ˈɑːrmər/

a military unit consisting of armored fighting vehicles

From this reading Give me an armour of eternal steel!

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

asksverbUS /æsks/

third-person singular of “ask” — make a request or demand for something to somebody

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

Ateukin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

Beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

Britanny

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

ByprepositionUS /baɪ/

showing who or what does the action

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

CertainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

chasteadjectiveUS /tʃeɪst/

morally pure (especially not having experienced sexual intercourse)

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

cloyingadjectiveUS /ˈklɔɪɪŋ/

overly sweet

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

conquerverbUS /ˈkɑːŋkər/

bring under control by force or authority

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

CountessnounUS /ˈkaʊntəs/

female equivalent of a count or earl

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

Cymbeline

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

EdwardnounUS /ˈedwərd/

King of England and Ireland in 1936; his marriage to Wallis Warfield Simpson created a constitutional crisis leading to his abdication (1894-1972)

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

Edward'snounUS /ˈedwərdz/

possessive form of “edward” — King of England and Ireland in 1936; his marriage to Wallis Warfield Simpson created a constitutional crisis leading to his abdication (1894-1972)

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

eternaladjectiveUS /ɪˈtɜːrnəl/

continuing forever or indefinitely

From this reading Give me an armour of eternal steel!

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

foundverbUS /faʊnd/

set up or found

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

GiveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading Give me an armour of eternal steel!

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

Greene'snounUS /ɡriːnz/

possessive form of “greene” — English novelist and Catholic (1904-1991)

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

guidenounUS /ɡaɪd/

someone employed to conduct others

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

hathauxiliary verbUS /hæθ/

an old form of “has”

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

hellnounUS /hel/

any place of pain and turmoil

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

IdanounUS /ˈaɪdə/

an agency of the United Nations affiliated with the World Bank

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

Ida's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

IIInoun

the cardinal number that is the sum of one and one and one

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

Imogen

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

incorruptibleadjective

incapable of being morally corrupted

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

intellectualadjectiveUS /ˌɪntəˈlektʃuːəl/

of or associated with or requiring the use of the mind

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

IVnoun

the cardinal number that is the sum of three and one

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

JamesnounUS /dʒeɪmz/

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

keepverbUS /kiːp/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

kingnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

kingsnounUS /kɪŋz/

plural of “king” — a male sovereign; ruler of a kingdom

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

lendverbUS /lend/

bestow a quality on

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

lentnounUS /lent/

a period of 40 weekdays from Ash Wednesday to Holy Saturday

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

likeverbUS /laɪk/

prefer or wish to do something

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

limitnounUS /ˈlɪmət/

the greatest possible degree of something

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

liveverbUS /laɪv/

be an inhabitant of or reside in

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

mansionnounUS /ˈmænʃən/

(astrology) one of 12 equal areas into which the zodiac is divided

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

MasternounUS /ˈmæstər/

an artist of consummate skill

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

mennounUS /men/

the force of workers available

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

nodeterminerUS /noʊ/

not any; not one

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

outsideadjectiveUS /ˈaʊtˈsaɪd/

relating to or being on or near the outer side or limit

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

overthrownverbUS /ˌoʊvərˈθroʊn/

inflected form of “overthrow” — cause the downfall of; of rulers

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

ownverbUS /oʊn/

have ownership or possession of

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

palacenounUS /ˈpæləs/

a large and stately mansion

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

passagesnounUS /ˈpæsədʒəz/

plural of “passage” — the act of passing from one state or place to the next

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

pelfnoun

informal terms for money

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

pre-Shakespearean

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

principlenounUS /ˈprɪnsəpəl/

a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

puritynounUS /ˈpjʊrəti/

being undiluted or unmixed with extraneous material

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

respectnounUS /rɪˈspekt/

(usually preceded by “in”) a detail or point

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

retainverbUS /rɪˈteɪn/

hold back within

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

rulenounUS /ruːl/

a principle or condition that customarily governs behavior

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

SalisburynounUS /ˈsælzbəri/

the capital and largest city of Zimbabwe

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

scornnounUS /skɔːrn/

lack of respect accompanied by a feeling of intense dislike

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

Shakespeare'snounUS /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

Shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

soulnounUS /soʊl/

the immaterial part of a person; the actuating cause of an individual life

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

spitenounUS /spaɪt/

feeling a need to see others suffer

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

steelnounUS /stiːl/

an alloy of iron with small amounts of carbon; widely used in construction; mechanical properties can be varied over a wide range

From this reading Give me an armour of eternal steel!

SubdueverbUS /səbˈduː/

put down by force or intimidation

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

sustainedadjectiveUS /səˈsteɪnd/

maintained at length without interruption or weakening

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

sweetnessnounUS /ˈswiːtnəs/

the taste experience when sugar dissolves in the mouth

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

sympathynounUS /ˈsɪmpəθi/

an inclination to support or be loyal to or to agree with an opinion

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

transcendverbUS /trænˈsend/

be greater in scope or size than some standard

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

trionounUS /ˈtriːoʊ/

the cardinal number that is the sum of one and one and one

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

warrantnounUS /ˈwɔːrənt/

a writ from a court commanding police to perform specified acts

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

whenconjunctionUS /wen/

at the time that

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

whopronounUS /huː/

which person or people

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

withprepositionUS /wɪð/

in the company of; together with

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

womanhoodnounUS /ˈwʊmənhʊd/

the state of being an adult woman

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

womanlyadjective

befitting or characteristic of a woman especially a mature woman

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading I go to conquer kings; and shall I not then Subdue myself?"[15] In no pre-Shakespearean drama outside of Greene's own work is the simple beauty of chaste womanhood presented with the passion and sympathy that are to be found in _Edward III._ Certainly Ida of _James IV._, the Countess of Salisbury of _Edward III._, and Imogen of Shakespeare's _Cymbeline_ are a trio of womanly beauty and purity.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading In respect of poetry, the Countess of Salisbury scenes of _Edward III._, in spite of their somewhat cloying sweetness, transcend any sustained passages in Greene's works.

worldlyadjectiveUS /ˈwɜːrldli/

characteristic of or devoted to the temporal world as opposed to the spiritual world

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Ida's scorn of the man who would "be a king of men and worldly pelf Yet hath no power to rule and guide himself," is like King Edward's-- "Shall the large limit of fair Britanny By me be overthrown, and shall I not Master this little mansion of myself?

yetconjunctionUS /jet/

but in spite of that

From this reading "As easy may my intellectual soul Be lent away, and yet my body live, As lend my body, palace to my soul, Away from her, and yet retain my soul," have something of Ida's incorruptible purity of principle when she asks Ateukin "can his warrant keep my soul from hell?"

Chapter 2 of Robert Greene: [Six Plays] by Robert Greene holds 349 sentences, grouped into 70 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Robert Greene: [Six Plays] contain?

Chapter 2 holds 349 sentences of Robert Greene: [Six Plays], unabridged, divided into 70 reading sections.

This page carries chapter 2 of Robert Greene: [Six Plays] by Robert Greene exactly as it stands in the source edition, without abridgement. It runs to 349 sentences, grouped into 70 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Robert Greene: [Six Plays]?

Work through the 70 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 70 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Project Gutenberg eBook #55769, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 481 minutes of reading across 1156 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Robert Greene: [Six Plays]

Words and structures a reader meets early in Robert Greene: [Six Plays], each tappable for pronunciation and meaning.

Answer
A word that appears in the opening chapter of Robert Greene: [Six Plays]; the reader can tap it to hear it and see its dictionary entry.
Infirmities
A word that appears in the opening chapter of Robert Greene: [Six Plays]; the reader can tap it to hear it and see its dictionary entry.
Manners
A word that appears in the opening chapter of Robert Greene: [Six Plays]; the reader can tap it to hear it and see its dictionary entry.
Thomas
A word that appears in the opening chapter of Robert Greene: [Six Plays]; the reader can tap it to hear it and see its dictionary entry.