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Romantic Legends of Spain
Romantic Legends of Spain

Chapter III

Chapter 3 of Romantic Legends of Spain is here in full — 463 sentences across 93 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/92 · 5 lines
English subtitles · tap any word to listen 1 / 5
It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.
Several years had passed.
Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.
“You are young, you are comely,” she would say to him, “why do you languish in solitude?
Why do you not seek a woman whom you may love, and whose love may make you happy?”
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Romantic Legends of Spain

Chapter III

Chapter 3 of Romantic Legends of Spain is here in full — 463 sentences across 93 reading sections, with audio for every sentence and word.

Reading 1/92 · 5 reading units · Lines 1–5

Line 1
It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.
/ɪt wɑːz ə ˈmuːnbiːm ə ˈmuːnbiːm wɪtʃ pɪrst frʌm taɪm tuː taɪm ðə ɡriːn ˈvɔːltɪd ruːf ʌv triːz wen ðə waɪnd muːvd ðer baʊz/
Line 2
Several years had passed.
/ˈsevrəl jɪrz hæd pæst/
Line 3
Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.
Line 4
“You are young, you are comely,” she would say to him, “why do you languish in solitude?
/juː ɑːr jʌŋ juː ɑːr ˈkʌmli ʃiː wʊd seɪ tuː hɪm waɪ duː juː ˈlæŋɡwɪʃ ɪn ˈsɑːlətuːd/
Line 5
Why do you not seek a woman whom you may love, and whose love may make you happy?”
/waɪ duː juː nɑːt siːk ə ˈwʊmən huːm juː meɪ lʌv ənd huːz lʌv meɪ meɪk juː ˈhæpi/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

attentions noun US /əˈtenʃənz/

plural of “attention” — the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading “Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.”

comely adjective US /ˈkʌmli/

according with custom or propriety

From this reading ““You are young, you are comely,” she would say to him, “why do you languish in solitude?”

Gothic adjective US /ˈɡɑːθɪk/

characteristic of the style of type commonly used for printing German

From this reading “Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.”

idiot noun US /ˈɪdiːət/

a person of subnormal intelligence

From this reading “Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.”

languish verb US /ˈlæŋɡwɪʃ/

lose vigor, health, or flesh, as through grief

From this reading ““You are young, you are comely,” she would say to him, “why do you languish in solitude?”

moonbeam noun US /ˈmuːnbiːm/

a ray of moonlight

From this reading “It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.”

pierced adjective US /pɪrst/

having a hole cut through

From this reading “It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.”

vaulted adjective US /ˈvɔːltɪd/

having a hemispherical vault or dome

From this reading “It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

vaulted roof adjective + noun

In this reading “It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.”

Several years adjective + noun

In this reading “Several years had passed.”

take notice verb + noun

observe with special attention

In this reading “Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.”

almost motionless adverb + adjective

In this reading “Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.”

in solitude preposition + noun

In this reading ““You are young, you are comely,” she would say to him, “why do you languish in solitude?”

All words in this reading · 76

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

attentionsnounUS /əˈtenʃənz/

plural of “attention” — the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

boughsnounUS /baʊz/

plural of “bough” — any of the larger branches of a tree

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

castlenounUS /ˈkæsəl/

a large and stately mansion

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

chimneynounUS /ˈtʃɪmni/

a vertical flue that provides a path through which smoke from a fire is carried away through the wall or roof of a building

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

comelyadjectiveUS /ˈkʌmli/

according with custom or propriety

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

crouchedverbUS /kraʊtʃt/

past form of “crouch” — bend one's back forward from the waist on down

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

deepadjectiveUS /diːp/

relatively deep or strong; affecting one deeply

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

endearments

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

gazenounUS /ɡeɪz/

a long fixed look

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

GothicadjectiveUS /ˈɡɑːθɪk/

characteristic of the style of type commonly used for printing German

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

greennounUS /ɡriːn/

green color or pigment; resembling the color of growing grass

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Several years had passed.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading Why do you not seek a woman whom you may love, and whose love may make you happy?”

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

idiotnounUS /ˈɪdiːət/

a person of subnormal intelligence

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

languishverbUS /ˈlæŋɡwɪʃ/

lose vigor, health, or flesh, as through grief

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

likeverbUS /laɪk/

prefer or wish to do something

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading Why do you not seek a woman whom you may love, and whose love may make you happy?”

makeverbUS /meɪk/

engage in

From this reading Why do you not seek a woman whom you may love, and whose love may make you happy?”

Manrico

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Why do you not seek a woman whom you may love, and whose love may make you happy?”

moonbeamnounUS /ˈmuːnbiːm/

a ray of moonlight

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

motionlessadjectiveUS /ˈmoʊʃənləs/

not in physical motion

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

movedadjectiveUS /muːvd/

being excited or provoked to the expression of an emotion

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Why do you not seek a woman whom you may love, and whose love may make you happy?”

noticenounUS /ˈnoʊtəs/

an announcement containing information about an event

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

passedverbUS /pæst/

past form of “pass” — go across or through

From this reading Several years had passed.

piercedadjectiveUS /pɪrst/

having a hole cut through

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

roofnounUS /ruːf/

a protective covering that covers or forms the top of a building

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

sayverbUS /seɪ/

express in words

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

scarcelyadverbUS /ˈskersli/

only a very short time before

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

seekverbUS /siːk/

try to get or reach

From this reading Why do you not seek a woman whom you may love, and whose love may make you happy?”

servantsnounUS /ˈsɜːrvənts/

plural of “servant” — a person working in the service of another (especially in the household)

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

settleverbUS /ˈsetəl/

settle into a position, usually on a surface or ground

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

SeveraladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading Several years had passed.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

solitudenounUS /ˈsɑːlətuːd/

a state of social isolation

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

takeverbUS /teɪk/

carry out

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

treesnounUS /triːz/

plural of “tree” — a tall perennial woody plant having a main trunk and branches forming a distinct elevated crown; includes both gymnosperms and angiosperms

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

uneasyadjectiveUS /əˈniːzi/

lacking a sense of security or affording no ease or reassurance

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

vagueadjectiveUS /veɪɡ/

not clearly expressed or understood

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

vaultedadjectiveUS /ˈvɔːltɪd/

having a hemispherical vault or dome

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

whenconjunctionUS /wen/

at the time that

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading Why do you not seek a woman whom you may love, and whose love may make you happy?”

whosedeterminerUS /huːz/

belonging to which person

From this reading Why do you not seek a woman whom you may love, and whose love may make you happy?”

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

windnounUS /waɪnd/

air moving (sometimes with considerable force) from an area of high pressure to an area of low pressure

From this reading It was a moonbeam, a moonbeam which pierced from time to time the green vaulted roof of trees when the wind moved their boughs.

withprepositionUS /wɪð/

in the company of; together with

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading Why do you not seek a woman whom you may love, and whose love may make you happy?”

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Manrico, crouched on a settle by the deep Gothic chimney of his castle, almost motionless and with a vague, uneasy gaze like that of an idiot, would scarcely take notice either of the endearments of his mother or of the attentions of his servants.

yearsnounUS /jɪrz/

a late time of life

From this reading Several years had passed.

YoupronounUS /juː/

the person or people being spoken to

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading “You are young, you are comely,” she would say to him, “why do you languish in solitude?

Chapter 3 of Romantic Legends of Spain by Gustavo Adolfo Bécquer holds 463 sentences, grouped into 93 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Romantic Legends of Spain contain?

Chapter 3 holds 463 sentences of Romantic Legends of Spain, unabridged, divided into 93 reading sections.

This page carries chapter 3 of Romantic Legends of Spain by Gustavo Adolfo Bécquer exactly as it stands in the source edition, without abridgement. It runs to 463 sentences, grouped into 93 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Romantic Legends of Spain?

Work through the 93 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 93 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Romantic Legends of Spain

Common questions about reading Romantic Legends of Spain by Gustavo Adolfo Bécquer on this page, its source edition and its audio.

Is this the complete text of Romantic Legends of Spain?

Yes. All 3096 sentences of Project Gutenberg eBook #50044 are kept, with a record of which sentences cover which part.

Which edition of Romantic Legends of Spain is used?

Project Gutenberg eBook #50044, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Romantic Legends of Spain take to read?

About 258 minutes of reading across 620 sections of 5 sentences each, at an unhurried pace.

How to read Romantic Legends of Spain section by section

How to work through Romantic Legends of Spain section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of Romantic Legends of Spain to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Romantic Legends of Spain

Words and structures a reader meets early in Romantic Legends of Spain, each tappable for pronunciation and meaning.

Regarding
A word that appears in the opening chapter of Romantic Legends of Spain; the reader can tap it to hear it and see its dictionary entry.
Circumstances
A word that appears in the opening chapter of Romantic Legends of Spain; the reader can tap it to hear it and see its dictionary entry.
Under
A word that appears in the opening chapter of Romantic Legends of Spain; the reader can tap it to hear it and see its dictionary entry.
Translation
A word that appears in the opening chapter of Romantic Legends of Spain; the reader can tap it to hear it and see its dictionary entry.