Chapter II
Chapter 2
Chapter 2 of Romeo and Juliet is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.
Rom. Good heart, at what? Ben. At thy good hearts oppression Rom. Why such is loues transgression.
Chapter 2 of Romeo and Juliet is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.
Chapter II
Chapter 2 of Romeo and Juliet is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.
Rom. Good heart, at what? Ben. At thy good hearts oppression Rom. Why such is loues transgression.
Chapter 2 of Romeo and Juliet is here in full — 174 sentences across 35 reading sections, with audio for every sentence and word.
Reading 1/34 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
a mountain or tall hill
From this reading “Ben.”
having desirable or positive qualities especially those suitable for a thing specified
From this reading “Good heart, at what?”
the locus of feelings and intuitions
From this reading “Good heart, at what?”
a form of whist in which players avoid winning tricks containing hearts or the queen of spades
From this reading “At thy good hearts oppression Rom.”
the act of subjugating by cruelty
From this reading “At thy good hearts oppression Rom.”
(computer science) memory whose contents can be accessed and read but cannot be changed
From this reading “Rom.”
an old word for “your”, speaking to one person
From this reading “At thy good hearts oppression Rom.”
the act of transgressing; the violation of a law or a duty or moral principle
From this reading “Why such is loues transgression.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
in or near a particular place or position
From this reading Good heart, at what?
a mountain or tall hill
From this reading Ben.
having desirable or positive qualities especially those suitable for a thing specified
From this reading Good heart, at what?
the locus of feelings and intuitions
From this reading Good heart, at what?
a form of whist in which players avoid winning tricks containing hearts or the queen of spades
From this reading At thy good hearts oppression Rom.
the form of “be” used with he, she, it, or a singular noun
From this reading Why such is loues transgression.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Why such is loues transgression.
the act of subjugating by cruelty
From this reading At thy good hearts oppression Rom.
(computer science) memory whose contents can be accessed and read but cannot be changed
From this reading Rom.
of the kind already mentioned
From this reading Why such is loues transgression.
an old word for “your”, speaking to one person
From this reading At thy good hearts oppression Rom.
the act of transgressing; the violation of a law or a duty or moral principle
From this reading Why such is loues transgression.
used to ask for information about something
From this reading Good heart, at what?
the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”
From this reading Why such is loues transgression.
Chapter 2 of Romeo and Juliet by William Shakespeare holds 174 sentences, grouped into 35 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 2 holds 174 sentences of Romeo and Juliet, unabridged, divided into 35 reading sections.
This page carries chapter 2 of Romeo and Juliet by William Shakespeare exactly as it stands in the public-domain source edition, without abridgement. It runs to 174 sentences, grouped into 35 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 35 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 35 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading Romeo and Juliet by William Shakespeare on this page, its source edition and its audio.
Yes. All 1765 sentences of Project Gutenberg eBook #1112 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #1112, a public-domain edition. The Project Gutenberg header, footer and licence are removed.
About 147 minutes of reading across 353 sections of 5 sentences each, at an unhurried pace.
How to work through Romeo and Juliet section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 10 chapters of Romeo and Juliet to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in Romeo and Juliet, each tappable for pronunciation and meaning.