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Rope
Rope

Chapter XVII · Chapter 17

Chapter 17 of Rope is here in full — 42 sentences across 9 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/8 · 5 lines
English subtitles · tap any word to listen 1 / 5
In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.
As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.
"Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.
The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.
She sat back for a moment, and stared out at the unfashionable street.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Rope

Chapter XVII · Chapter 17

Chapter 17 of Rope is here in full — 42 sentences across 9 reading sections, with audio for every sentence and word.

Reading 1/8 · 5 reading units · Lines 1–5

Line 1
In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.
Line 2
As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.
Line 3
"Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.
/meɪl sed ˈmɪstər mɪks ənd ɑːn ðə wɪŋ hiː drɑːpt ɪt ɑːn hɪz waɪfs desk ənd went ɑːn aʊt ʌv ðə ruːm/
Line 4
The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.
/ðə meɪl kənˈsɪstəd ʌv wʌn ˈletər ɪt kənˈteɪnd ðə tʃek wɪtʃ ˈhenri sent hɜːr ˈreɡjələrli ɑːn ðə fɜːrst ʌv iːtʃ mʌnθ/
Line 5
She sat back for a moment, and stared out at the unfashionable street.
/ʃiː sæt bæk fɔːr ə ˈmoʊmənt ənd sterd aʊt æt ðə ənˈfæʃənəbəl striːt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

chronic adjective US /ˈkrɑːnɪk/

being long-lasting and recurrent or characterized by long suffering

From this reading “As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.”

composing noun US /kəmˈpoʊzɪŋ/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading “In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.”

disapproval noun US /dɪsəˈpruːvəl/

a feeling of disliking something or what someone is doing

From this reading “As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.”

simultaneous adjective US /ˌsaɪməlˈteɪniəs/

occurring or operating at the same time

From this reading “As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.”

specific adjective US /spəˈsɪfɪk/

(sometimes followed by “to”) applying to or characterized by or distinguishing something particular or special or unique

From this reading “As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.”

unfashionable adjective US /ənˈfæʃənəbəl/

not in accord with or not following current fashion

From this reading “In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.”

unsympathetic adjective US /ənˌsɪmpəˈθetɪk/

not sympathetic or disposed toward

From this reading “In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.”

vitriolic adjective US /ˌvɪtriˈɑːlɪk/

harsh or corrosive in tone

From this reading “In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.”

All words in this reading · 85

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

atprepositionUS /æt/

in or near a particular place or position

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

backadverbUS /bæk/

in or to or toward a former location

From this reading She sat back for a moment, and stared out at the unfashionable street.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

checkverbUS /tʃek/

examine so as to determine accuracy, quality, or condition

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

chronicadjectiveUS /ˈkrɑːnɪk/

being long-lasting and recurrent or characterized by long suffering

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

composingnounUS /kəmˈpoʊzɪŋ/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

consistedverbUS /kənˈsɪstəd/

past form of “consist” — originate

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

containedadjectiveUS /kənˈteɪnd/

gotten under control

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

desknounUS /desk/

a piece of furniture with a writing surface and usually drawers or other compartments

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

disapprovalnounUS /dɪsəˈpruːvəl/

a feeling of disliking something or what someone is doing

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

droppedverbUS /drɑːpt/

inflected form of “drop” — let fall to the ground

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

entrancenounUS /ˈentrəns/

something that provides access (to get in or get out)

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

get-away

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

givingnounUS /ˈɡɪvɪŋ/

the act of giving

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

glancedverbUS /ɡlænst/

past form of “glance” — throw a glance at; take a brief look at

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

HenrynounUS /ˈhenri/

a unit of inductance in which an induced electromotive force of one volt is produced when the current is varied at the rate of one ampere per second

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

husbandnounUS /ˈhʌzbənd/

a married man; a woman's partner in marriage

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

importancenounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

learnedadjectiveUS /lɜːrnd/

having or showing profound knowledge

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

letternounUS /ˈletər/

a written message addressed to a person or organization

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

living-roomnoun

a room in a private house or establishment where people can sit and talk and relax

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

MailnounUS /meɪl/

the bags of letters and packages that are transported by the postal service

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

messagenounUS /ˈmesədʒ/

a communication (usually brief) that is written or spoken or signaled

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

MixverbUS /mɪks/

mix together different elements

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading She sat back for a moment, and stared out at the unfashionable street.

monthnounUS /mʌnθ/

one of the twelve divisions of the calendar year

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

principlesnounUS /ˈprɪnsəpəlz/

plural of “principle” — a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

regularlyadverbUS /ˈreɡjələrli/

in a regular manner

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

sentnounUS /sent/

100 senti equal 1 kroon in Estonia

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

simultaneousadjectiveUS /ˌsaɪməlˈteɪniəs/

occurring or operating at the same time

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

specificadjectiveUS /spəˈsɪfɪk/

(sometimes followed by “to”) applying to or characterized by or distinguishing something particular or special or unique

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

staredverbUS /sterd/

past form of “stare” — look at with fixed eyes

From this reading She sat back for a moment, and stared out at the unfashionable street.

statelyadjectiveUS /ˈsteɪtli/

impressive in appearance

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

streetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

Theodore

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

unfashionableadjectiveUS /ənˈfæʃənəbəl/

not in accord with or not following current fashion

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

unsympatheticadjectiveUS /ənˌsɪmpəˈθetɪk/

not sympathetic or disposed toward

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

vitriolicadjectiveUS /ˌvɪtriˈɑːlɪk/

harsh or corrosive in tone

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The mail consisted of one letter; it contained the check which Henry sent her regularly, on the first of each month.

wife'snounUS /waɪfs/

possessive form of “wife” — a married woman; a man's partner in marriage

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

wingnounUS /wɪŋ/

a movable organ for flying (one of a pair)

From this reading "Mail!" said Mr. Mix, and on the wing, he dropped it on his wife's desk, and went on out of the room.

withprepositionUS /wɪð/

in the company of; together with

From this reading As her husband entered, she glanced up at him with chronic disapproval; she was on the point of giving voice to it, not for any specific reason but on general principles, but Mr. Mix had learned something from experience, so his get-away was almost simultaneous with his entrance.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading In the living-room of an unfashionable house on an unfashionable street, Mrs. Theodore Mix sat in stately importance at her desk, composing a vitriolic message to the unsympathetic world.

Chapter 17 of Rope by Holworthy Hall holds 42 sentences, grouped into 9 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of Rope contain?

Chapter 17 holds 42 sentences of Rope, unabridged, divided into 9 reading sections.

This page carries chapter 17 of Rope by Holworthy Hall exactly as it stands in the source edition, without abridgement. It runs to 42 sentences, grouped into 9 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of Rope?

Work through the 9 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 9 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Rope

Common questions about reading Rope by Holworthy Hall on this page, its source edition and its audio.

Is this the complete text of Rope?

Yes. All 3792 sentences of Project Gutenberg eBook #29570 are kept, with a record of which sentences cover which part.

Which edition of Rope is used?

Project Gutenberg eBook #29570, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Rope take to read?

About 316 minutes of reading across 759 sections of 5 sentences each, at an unhurried pace.

How to read Rope section by section

How to work through Rope section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of Rope to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Rope

Words and structures a reader meets early in Rope, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of Rope; the reader can tap it to hear it and see its dictionary entry.
Nobody
A word that appears in the opening chapter of Rope; the reader can tap it to hear it and see its dictionary entry.
Henry
A word that appears in the opening chapter of Rope; the reader can tap it to hear it and see its dictionary entry.
Blithely
A word that appears in the opening chapter of Rope; the reader can tap it to hear it and see its dictionary entry.