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Sacrifice
Sacrifice

Chapter III · Chapter 3

Chapter 3 of Sacrifice is here in full — 57 sentences across 12 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/11 · 5 lines
English subtitles · tap any word to listen 1 / 5
The Brassfields' country house was copied from an historic French chateau.
In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.
Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.
Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.
Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.
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Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sacrifice

Chapter III · Chapter 3

Chapter 3 of Sacrifice is here in full — 57 sentences across 12 reading sections, with audio for every sentence and word.

Reading 1/11 · 5 reading units · Lines 1–5

Line 1
The Brassfields' country house was copied from an historic French chateau.
Line 2
In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.
Line 3
Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.
Line 4
Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.
Line 5
Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.
/ɪˈmɜːrdʒɪŋ frʌm ðə ˈdaɪnɪŋ ruːm ðə ˈleɪdiz krɔːst ðə lɑːrdʒ ˈæmbər rʌɡ laɪk ˈmuːvɪŋ ˈɪmədʒəz meɪd ʌv ˌmʌltiˈkʌlərd laɪt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

baroque adjective US /bərˈoʊk/

having elaborate symmetrical ornamentation

From this reading “Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.”

creamy adjective US /ˈkriːmi/

of the color of cream

From this reading “Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.”

frieze noun US /friːz/

an architectural ornament consisting of a horizontal sculptured band between the architrave and the cornice

From this reading “In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.”

ingots noun US /ˈɪŋɡəts/

plural of “ingot” — metal that is cast in the shape of a block for convenient handling

From this reading “Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.”

multicolored adjective US /ˌmʌltiˈkʌlərd/

having sections or patches colored differently and usually brightly

From this reading “Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.”

overlaid verb US /ˈoʊvərleɪd/

inflected form of “overlay” — put something on top of something else

From this reading “In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.”

paneled adjective US /ˈpænəld/

fitted or decorated with panels or wainscoting

From this reading “In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.”

sofas noun US /ˈsoʊfəz/

plural of “sofa” — an upholstered seat for more than one person

From this reading “Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.”

All words in this reading · 97

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

afterprepositionUS /ˈæftər/

later than; following

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

ambernounUS /ˈæmbər/

a deep yellow color

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

amber-hued

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The Brassfields' country house was copied from an historic French chateau.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

appearedverbUS /əˈpɪrd/

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

armsnounUS /ɑːrmz/

weapons considered collectively

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

baroqueadjectiveUS /bərˈoʊk/

having elaborate symmetrical ornamentation

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

basedadjectiveUS /beɪst/

having a base

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

Brassfields

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Brassfields' country house was copied from an historic French chateau.

cabinetnounUS /ˈkæbənət/

a piece of furniture resembling a cupboard with doors and shelves and drawers; for storage or display

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

ceilingnounUS /ˈsiːlɪŋ/

the overhead upper surface of a covered space

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

chairsnounUS /tʃerz/

plural of “chair” — a seat for one person, with a support for the back

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

chateaunounUS /ʃæˈtoʊ/

an impressive country house (or castle) in France

From this reading The Brassfields' country house was copied from an historic French chateau.

composedadjectiveUS /kəmˈpoʊzd/

serenely self-possessed and free from agitation especially in times of stress

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

copiedverbUS /ˈkɑːpid/

inflected form of “copy” — copy down as is

From this reading The Brassfields' country house was copied from an historic French chateau.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading The Brassfields' country house was copied from an historic French chateau.

creamyadjectiveUS /ˈkriːmi/

of the color of cream

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

crossedadjectiveUS /krɔːst/

placed crosswise

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

curvedadjectiveUS /kɜːrvd/

having or marked by a curve or smoothly rounded bend

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

diningnounUS /ˈdaɪnɪŋ/

the act of eating dinner

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

drawing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

elaborateadjectiveUS /ɪˈlæbrət/

marked by complexity and richness of detail

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

EmergingadjectiveUS /ɪˈmɜːrdʒɪŋ/

coming to maturity

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

endedadjectiveUS /ˈendəd/

having come or been brought to a conclusion

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

featuresnounUS /ˈfiːtʃərz/

plural of “feature” — a prominent attribute or aspect of something

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

filledadjectiveUS /fɪld/

(usually followed by “with” or used as a combining form) generously supplied with

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

FrenchnounUS /frentʃ/

the Romance language spoken in France and in countries colonized by France

From this reading The Brassfields' country house was copied from an historic French chateau.

friezenounUS /friːz/

an architectural ornament consisting of a horizontal sculptured band between the architrave and the cornice

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The Brassfields' country house was copied from an historic French chateau.

giltadjectiveUS /ɡɪlt/

having the deep slightly brownish color of gold

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

goddessesnounUS /ˈɡɑːdəsɪz/

plural of “goddess” — a female deity

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

goldenadjectiveUS /ˈɡoʊldən/

having the deep slightly brownish color of gold

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

half-melted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

HereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

historicadjectiveUS /hɪˈstɔːrɪk/

belonging to the past; of what is important or famous in the past

From this reading The Brassfields' country house was copied from an historic French chateau.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The Brassfields' country house was copied from an historic French chateau.

imagesnounUS /ˈɪmədʒəz/

plural of “image” — an iconic mental representation

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

incloseverb

surround completely

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

ingotsnounUS /ˈɪŋɡəts/

plural of “ingot” — metal that is cast in the shape of a block for convenient handling

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

inwardadjectiveUS /ˈɪnwərd/

relating to or existing in the mind or thoughts

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

ladiesnounUS /ˈleɪdiz/

plural of “lady” — a polite name for any woman

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

marblenounUS /ˈmɑːrbəl/

a hard crystalline metamorphic rock that takes a high polish; used for sculpture and as building material

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

movingadjectiveUS /ˈmuːvɪŋ/

in motion

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

multicoloredadjectiveUS /ˌmʌltiˈkʌlərd/

having sections or patches colored differently and usually brightly

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

objectsnounUS /ˈɑːbdʒekts/

plural of “object” — a tangible and visible entity; an entity that can cast a shadow

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

OrconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

overlaidverbUS /ˈoʊvərleɪd/

inflected form of “overlay” — put something on top of something else

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

paintedadjectiveUS /ˈpeɪntɪd/

coated with paint

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

paneledadjectiveUS /ˈpænəld/

fitted or decorated with panels or wainscoting

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

pastnounUS /pæst/

the time that has elapsed

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

pedestalnounUS /ˈpedəstəl/

a support or foundation

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

portraitsnounUS /ˈpɔːrtrəts/

plural of “portrait” — a word picture of a person's appearance and character

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

preciousadjectiveUS /ˈpreʃəs/

characterized by feeling or showing fond affection for

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

richnessnounUS /ˈrɪtʃnəs/

the property of being extremely abundant

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

roguishadjective

playful in an appealingly bold way

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

rugnounUS /rʌɡ/

floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)

From this reading Emerging from the dining room, the ladies crossed the large amber rug, like moving images made of multicolored light.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

sofasnounUS /ˈsoʊfəz/

plural of “sofa” — an upholstered seat for more than one person

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

sybaritenoun

a person addicted to luxury and pleasures of the senses

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The Brassfields' country house was copied from an historic French chateau.

thereadverbUS /ðer/

in or at that place or location

From this reading Here and there, between chairs and sofas the arms of which seemed composed of half-melted ingots, appeared a baroque cabinet filled with small, precious objects.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

traceries

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The Brassfields' country house was copied from an historic French chateau.

Watteaunoun

French painter (1684-1721)

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

well-knownadjectiveUS /ˈwelˈnoʊn/

widely or fully known

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

wideadjectiveUS /waɪd/

having great (or a certain) extent from one side to the other

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

withprepositionUS /wɪð/

in the company of; together with

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Or from a creamy pedestal the marble features of some ancient sybarite regarded without surprise this modern richness based upon the past.

woodnounUS /wʊd/

the hard fibrous lignified substance under the bark of trees

From this reading In the drawing-room, the high walls, from which well-known portraits stood forth, were paneled with amber-hued wood overlaid with elaborate gilt traceries; they ended in a wide golden frieze that curved inward to inclose a ceiling painted with roguish goddesses after the manner of Watteau.

Chapter 3 of Sacrifice by Stephen French Whitman holds 57 sentences, grouped into 12 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Sacrifice contain?

Chapter 3 holds 57 sentences of Sacrifice, unabridged, divided into 12 reading sections.

This page carries chapter 3 of Sacrifice by Stephen French Whitman exactly as it stands in the source edition, without abridgement. It runs to 57 sentences, grouped into 12 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Sacrifice?

Work through the 12 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 12 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sacrifice

Common questions about reading Sacrifice by Stephen French Whitman on this page, its source edition and its audio.

Is this the complete text of Sacrifice?

Yes. All 3767 sentences of Project Gutenberg eBook #22928 are kept, with a record of which sentences cover which part.

Which edition of Sacrifice is used?

Project Gutenberg eBook #22928, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Sacrifice take to read?

About 313 minutes of reading across 754 sections of 5 sentences each, at an unhurried pace.

How to read Sacrifice section by section

How to work through Sacrifice section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Sacrifice to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Sacrifice

Words and structures a reader meets early in Sacrifice, each tappable for pronunciation and meaning.

Balbian's
A word that appears in the opening chapter of Sacrifice; the reader can tap it to hear it and see its dictionary entry.
House
A word that appears in the opening chapter of Sacrifice; the reader can tap it to hear it and see its dictionary entry.
Provided
A word that appears in the opening chapter of Sacrifice; the reader can tap it to hear it and see its dictionary entry.
Appropriate
A word that appears in the opening chapter of Sacrifice; the reader can tap it to hear it and see its dictionary entry.