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Sacrifice
Sacrifice

Chapter XXIV · Chapter 24

Chapter 24 of Sacrifice is here in full — 108 sentences across 22 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/21 · 5 lines
English subtitles · tap any word to listen 1 / 5
Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:
"No, you must really go about more, or you will begin to hate me."
The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.
He heard: "While you are holding your own, and working so well, I am happy."
Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sacrifice

Chapter XXIV · Chapter 24

Chapter 24 of Sacrifice is here in full — 108 sentences across 22 reading sections, with audio for every sentence and word.

Reading 1/21 · 5 reading units · Lines 1–5

Line 1
Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:
Line 2
"No, you must really go about more, or you will begin to hate me."
/noʊ juː mʌst ˈrɪli ɡoʊ əˈbaʊt mɔːr ɔːr juː wɪl bɪˈɡɪn tuː heɪt miː/
Line 3
The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.
Line 4
He heard: "While you are holding your own, and working so well, I am happy."
/hiː hɜːrd waɪl juː ɑːr ˈhoʊldɪŋ jɔːr oʊn ənd ˈwɜːrkɪŋ soʊ wel aɪ æm ˈhæpi/
Line 5
Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

edged adjective US /edʒd/

having a specified kind of border or edge

From this reading “Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:”

embroidery noun US /emˈbrɔɪdəri/

elaboration of an interpretation by the use of decorative (sometimes fictitious) detail

From this reading “Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:”

goblet noun US /ˈɡɑːblət/

a drinking glass with a base and stem

From this reading “Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:”

occupy verb US /ˈɑːkjəpaɪ/

keep busy with

From this reading “Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.”

silvery adjective US /ˈsɪlvəri/

resembling or reminiscent of silver

From this reading “Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.”

Venetian noun US /vəˈniːʃən/

a resident of Venice

From this reading “Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:”

Verne noun US /vɜːrn/

French writer who is considered the father of science fiction (1828-1905)

From this reading “Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:”

vibrations noun US /vaɪˈbreɪʃənz/

plural of “vibration” — the act of vibrating

From this reading “Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.”

All words in this reading · 82

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading "No, you must really go about more, or you will begin to hate me."

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading He heard: "While you are holding your own, and working so well, I am happy."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

ArabnounUS /ˈærəb/

a member of a Semitic people originally from the Arabian peninsula and surrounding territories who speaks Arabic and who inhabits much of the Middle East and northern Africa

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading He heard: "While you are holding your own, and working so well, I am happy."

beginverbUS /bɪˈɡɪn/

take the first step or steps in carrying out an action

From this reading "No, you must really go about more, or you will begin to hate me."

beyondprepositionUS /bɪˈɑːnd/

on the far side of; further than

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

blueadjectiveUS /bluː/

of the color intermediate between green and violet; having a color similar to that of a clear unclouded sky

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

carryingverbUS /ˈkæriɪŋ/

-ing form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

consciousnessnounUS /ˈkɑːnʃəsnəs/

an alert cognitive state in which you are aware of yourself and your situation

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

DavidnounUS /ˈdeɪvɪd/

patron saint of Wales (circa 520-600)

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

edgedadjectiveUS /edʒd/

having a specified kind of border or edge

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

embroiderynounUS /emˈbrɔɪdəri/

elaboration of an interpretation by the use of decorative (sometimes fictitious) detail

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

eyesnounUS /aɪz/

opinion or judgment

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading "No, you must really go about more, or you will begin to hate me."

gobletnounUS /ˈɡɑːblət/

a drinking glass with a base and stem

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

goldnounUS /ɡoʊld/

coins made of gold

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

half-way

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

Hamoud

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

handsomeadjectiveUS /ˈhænsəm/

pleasing in appearance especially by reason of conformity to ideals of form and proportion

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading He heard: "While you are holding your own, and working so well, I am happy."

hatenounUS /heɪt/

the emotion of intense dislike; a feeling of dislike so strong that it demands action

From this reading "No, you must really go about more, or you will begin to hate me."

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He heard: "While you are holding your own, and working so well, I am happy."

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading He heard: "While you are holding your own, and working so well, I am happy."

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

holdingnounUS /ˈhoʊldɪŋ/

the act of retaining something

From this reading He heard: "While you are holding your own, and working so well, I am happy."

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading He heard: "While you are holding your own, and working so well, I am happy."

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

inclinedadjectiveUS /ˌɪnˈklaɪnd/

(often followed by “to”) having a preference, disposition, or tendency

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

living-roomnoun

a room in a private house or establishment where people can sit and talk and relax

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading "No, you must really go about more, or you will begin to hate me."

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading "No, you must really go about more, or you will begin to hate me."

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading "No, you must really go about more, or you will begin to hate me."

NodeterminerUS /noʊ/

not any; not one

From this reading "No, you must really go about more, or you will begin to hate me."

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

occupyverbUS /ˈɑːkjəpaɪ/

keep busy with

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading "No, you must really go about more, or you will begin to hate me."

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

ownverbUS /oʊn/

have ownership or possession of

From this reading He heard: "While you are holding your own, and working so well, I am happy."

pausedverbUS /pɔːzd/

past form of “pause” — interrupt temporarily an activity before continuing

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading "No, you must really go about more, or you will begin to hate me."

responsenounUS /rɪˈspɑːns/

a result

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

resumedverbUS /rɪˈzuːmd/

past form of “resume” — take up or begin anew

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

rightadverbUS /raɪt/

precisely, exactly

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

robenounUS /roʊb/

any loose flowing garment

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

silveryadjectiveUS /ˈsɪlvəri/

resembling or reminiscent of silver

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading He heard: "While you are holding your own, and working so well, I am happy."

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading "No, you must really go about more, or you will begin to hate me."

tonenounUS /toʊn/

the quality of a person's voice

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

VenetiannounUS /vəˈniːʃən/

a resident of Venice

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

VernenounUS /vɜːrn/

French writer who is considered the father of science fiction (1828-1905)

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

vibrationsnounUS /vaɪˈbreɪʃənz/

plural of “vibration” — the act of vibrating

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

waitingnounUS /ˈweɪtɪŋ/

the act of waiting (remaining inactive in one place while expecting something)

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

wearingnounUS /ˈwerɪŋ/

(geology) the mechanical process of wearing or grinding something down (as by particles washing over it)

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading He heard: "While you are holding your own, and working so well, I am happy."

whenconjunctionUS /wen/

at the time that

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

WhileconjunctionUS /waɪl/

during the time that

From this reading He heard: "While you are holding your own, and working so well, I am happy."

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading Hamoud closed his eyes, in order to let those silvery vibrations occupy his whole consciousness.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading "No, you must really go about more, or you will begin to hate me."

withprepositionUS /wɪð/

in the company of; together with

From this reading Hamoud, wearing the blue robe edged with gold embroidery, and carrying in his right hand the Venetian goblet, was half-way out of the living-room when David Verne resumed:

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

workingadjectiveUS /ˈwɜːrkɪŋ/

actively engaged in paid work

From this reading He heard: "While you are holding your own, and working so well, I am happy."

youpronounUS /juː/

the person or people being spoken to

From this reading "No, you must really go about more, or you will begin to hate me."

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The young Arab paused beyond the living-room door, his handsome head inclined to one side, waiting for the response--not for the words, but for the mere tone of her voice.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading He heard: "While you are holding your own, and working so well, I am happy."

Chapter 24 of Sacrifice by Stephen French Whitman holds 108 sentences, grouped into 22 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 24 of Sacrifice contain?

Chapter 24 holds 108 sentences of Sacrifice, unabridged, divided into 22 reading sections.

This page carries chapter 24 of Sacrifice by Stephen French Whitman exactly as it stands in the source edition, without abridgement. It runs to 108 sentences, grouped into 22 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 24 of Sacrifice?

Work through the 22 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 22 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 24 be read aloud to me?

Yes — every sentence and every individual word in chapter 24 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sacrifice

Common questions about reading Sacrifice by Stephen French Whitman on this page, its source edition and its audio.

Is this the complete text of Sacrifice?

Yes. All 3767 sentences of Project Gutenberg eBook #22928 are kept, with a record of which sentences cover which part.

Which edition of Sacrifice is used?

Project Gutenberg eBook #22928, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Sacrifice take to read?

About 313 minutes of reading across 754 sections of 5 sentences each, at an unhurried pace.

How to read Sacrifice section by section

How to work through Sacrifice section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of Sacrifice to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Sacrifice

Words and structures a reader meets early in Sacrifice, each tappable for pronunciation and meaning.

Balbian's
A word that appears in the opening chapter of Sacrifice; the reader can tap it to hear it and see its dictionary entry.
House
A word that appears in the opening chapter of Sacrifice; the reader can tap it to hear it and see its dictionary entry.
Provided
A word that appears in the opening chapter of Sacrifice; the reader can tap it to hear it and see its dictionary entry.
Appropriate
A word that appears in the opening chapter of Sacrifice; the reader can tap it to hear it and see its dictionary entry.