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Sarah's School Friend
Sarah's School Friend

Chapter II · Chapter 2

Chapter 2 of Sarah's School Friend is here in full — 104 sentences across 21 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/20 · 5 lines
English subtitles · tap any word to listen 1 / 5
A DREARY BANQUET.
After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.
It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.
She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.
'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sarah's School Friend

Chapter II · Chapter 2

Chapter 2 of Sarah's School Friend is here in full — 104 sentences across 21 reading sections, with audio for every sentence and word.

Reading 1/20 · 5 reading units · Lines 1–5

Line 1
A DREARY BANQUET.
/ə ˈdrɪri ˈbæŋkwət/
Line 2
After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.
Line 3
It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.
Line 4
She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.
Line 5
'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blackened adjective US /ˈblækənd/

darkened by smoke

From this reading “After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.”

factories noun US /ˈfæktəriz/

plural of “factory” — a plant consisting of one or more buildings with facilities for manufacturing

From this reading “It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.”

manufacturing noun US /ˌmænjəˈfæktʃərɪŋ/

the act of making something (a product) from raw materials

From this reading “After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.”

perverted adjective US /pərˈvɜːrtɪd/

(used of sexual behavior) showing or appealing to bizarre or deviant tastes

From this reading “It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.”

polluted adjective US /pəˈluːtɪd/

rendered unwholesome by contaminants and pollution

From this reading “It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.”

smoky adjective US /ˈsmoʊki/

marked by or emitting or filled with smoke

From this reading “After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.”

vale noun US /veɪl/

a long depression in the surface of the land that usually contains a river

From this reading “It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.”

vales noun US /veɪlz/

plural of “vale” — a long depression in the surface of the land that usually contains a river

From this reading “It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.”

All words in this reading · 145

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A DREARY BANQUET.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

atprepositionUS /æt/

in or near a particular place or position

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

backadverbUS /bæk/

in or to or toward a former location

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

BANQUETnounUS /ˈbæŋkwət/

a ceremonial dinner party for many people

From this reading A DREARY BANQUET.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

bestnounUS /best/

the supreme effort one can make

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

bigadjectiveUS /bɪɡ/

above average in size or number or quantity or magnitude or extent

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

BlackadjectiveUS /blæk/

being of the achromatic color of maximum darkness; having little or no hue owing to absorption of almost all incident light

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

blackenedadjectiveUS /ˈblækənd/

darkened by smoke

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

bottomnounUS /ˈbɑːtəm/

the lower side of anything

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

broadadjectiveUS /brɔːd/

having great (or a certain) extent from one side to the other

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

buildingsnounUS /ˈbɪldɪŋz/

plural of “building” — a structure that has a roof and walls and stands more or less permanently in one place

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

byprepositionUS /baɪ/

showing who or what does the action

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

chimneysnounUS /ˈtʃɪmniz/

plural of “chimney” — a vertical flue that provides a path through which smoke from a fire is carried away through the wall or roof of a building

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

ClaynounUS /kleɪ/

a very fine-grained soil that is plastic when moist but hard when fired

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

ComeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

CountrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

daughternounUS /ˈdɔːtər/

a female human offspring

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

deliberatelyadverbUS /dɪˈlɪbərətli/

with intention; in an intentional manner

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

dinnernounUS /ˈdɪnər/

the main meal of the day served in the evening or at midday

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

DREARYadjectiveUS /ˈdrɪri/

lacking in liveliness or charm or surprise

From this reading A DREARY BANQUET.

earthnounUS /ɜːrθ/

the 3rd planet from the sun; the planet we live on

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

exceptprepositionUS /ɪkˈsept/

apart from; not including

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

ExcuseverbUS /ɪksˈkjuːs/

accept an excuse for

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

factoriesnounUS /ˈfæktəriz/

plural of “factory” — a plant consisting of one or more buildings with facilities for manufacturing

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

fascinationnounUS /ˌfæsəˈneɪʃən/

the state of being intensely interested (as by awe or terror)

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

fineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

frownverbUS /fraʊn/

look angry or sullen, wrinkle one's forehead, as if to signal disapproval

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

gazingverbUS /ˈɡeɪzɪŋ/

-ing form of “gaze” — look at with fixed eyes

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

gettingnounUS /ˈɡetɪŋ/

the act of acquiring something

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

girlnounUS /ɡɜːrl/

a young female

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

headnounUS /hed/

the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

hideousadjectiveUS /ˈhɪdiəs/

grossly offensive to decency or morality; causing horror

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

hillnounUS /hɪl/

a local and well-defined elevation of the land

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

hurrynounUS /ˈhɜːri/

a condition of urgency making it necessary to hurry

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

it's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

knockverbUS /nɑːk/

deliver a sharp blow or push

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

lateadjectiveUS /leɪt/

being or occurring at an advanced period of time or after a usual or expected time

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

layverbUS /leɪ/

put into a certain place or abstract location

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

maidnounUS /meɪd/

a female domestic

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

manufacturingnounUS /ˌmænjəˈfæktʃərɪŋ/

the act of making something (a product) from raw materials

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

millsnounUS /mɪlz/

United States architect who was the presidentially appointed architect of Washington D.C. (1781-1855)

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

missverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

mistressnounUS /ˈmɪstrəs/

an adulterous woman; a woman who has an ongoing extramarital sexual relationship with a man

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

new-comer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

nodeterminerUS /noʊ/

not any; not one

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

Ousebank

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

ownverbUS /oʊn/

have ownership or possession of

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

parknounUS /pɑːrk/

a large area of land preserved in its natural state as public property

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

pasturenounUS /ˈpæstʃər/

a field covered with grass or herbage and suitable for grazing by livestock

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

pervertedadjectiveUS /pərˈvɜːrtɪd/

(used of sexual behavior) showing or appealing to bizarre or deviant tastes

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

pollutedadjectiveUS /pəˈluːtɪd/

rendered unwholesome by contaminants and pollution

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

positionnounUS /pəˈzɪʃən/

the particular portion of space occupied by something

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

prettyadjectiveUS /ˈprɪti/

pleasing by delicacy or grace; not imposing

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

readyadjectiveUS /ˈredi/

completely prepared or in condition for immediate action or use or progress

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

SarahnounUS /ˈserə/

(Old Testament) the wife of Abraham and mother of Isaac

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

sentnounUS /sent/

100 senti equal 1 kroon in Estonia

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

sitverbUS /sɪt/

be seated

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

skynounUS /skaɪ/

the atmosphere and outer space as viewed from the earth

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

smilingnounUS /ˈsmaɪlɪŋ/

a facial expression characterized by turning up the corners of the mouth; usually shows pleasure or amusement

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

smokyadjectiveUS /ˈsmoʊki/

marked by or emitting or filled with smoke

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

staringadjectiveUS /ˈsterɪŋ/

(used of eyes) open and fixed as if in fear or wonder

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

stilladjectiveUS /stɪl/

not in physical motion

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

talladjectiveUS /tɔːl/

great in vertical dimension; high in stature

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

thereadverbUS /ðer/

in or at that place or location

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

townnounUS /taʊn/

an urban area with a fixed boundary that is smaller than a city

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

valenounUS /veɪl/

a long depression in the surface of the land that usually contains a river

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

valesnounUS /veɪlz/

plural of “vale” — a long depression in the surface of the land that usually contains a river

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

villagesnounUS /ˈvɪlədʒəz/

plural of “village” — a community of people smaller than a town

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

waternounUS /ˈwɔːtər/

binary compound that occurs at room temperature as a clear colorless odorless tasteless liquid; freezes into ice below 0 degrees centigrade and boils above 100 degrees centigrade; widely used as a solvent

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

weirdadjectiveUS /wɪrd/

suggesting the operation of supernatural influences

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

whatpronounUS /wʌt/

used to ask for information about something

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

whenconjunctionUS /wen/

at the time that

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

whopronounUS /huː/

which person or people

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

wideadjectiveUS /waɪd/

having great (or a certain) extent from one side to the other

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

windownounUS /ˈwɪndoʊ/

a framework of wood or metal that contains a glass windowpane and is built into a wall or roof to admit light or air

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

window-seat

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

withprepositionUS /wɪð/

in the company of; together with

From this reading After the mother had left the room, her daughter seemed in no hurry to get ready for dinner; she turned back to the window, and, taking up her old position on the wide window-seat, sat gazing down at the hideous view of the big manufacturing town, with blackened buildings and tall, smoky chimneys, which lay at the bottom of the hill, and seemed to have a weird fascination for her.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading She was still staring out with a frown on her face when a knock came to the door, and she called out, 'Come in,' without turning her head to see who the new-comer was.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading It must certainly have been from choice that Sarah Clay looked at them, for she had only to sit at the other side of the broad window-seat, turn her back on Ousebank, and, looking out on the other side of the hill, she would have had a beautiful view over the hill of pretty vales and villages and smiling pasture, and their own fine park; but the girl deliberately turned her back upon nature, and looked not upon art--for art there was not in Ousebank except what was produced in the mills--but upon nature perverted by man, who had turned the beautiful vale into a Black Country with its big factories, which polluted earth and sky, air and water.

you'll

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 'Excuse me, miss,' said the voice of the maid, 'but the mistress sent me with this, and you'll best be getting ready for dinner, for it's late.'

Chapter 2 of Sarah's School Friend by May Baldwin holds 104 sentences, grouped into 21 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Sarah's School Friend contain?

Chapter 2 holds 104 sentences of Sarah's School Friend, unabridged, divided into 21 reading sections.

This page carries chapter 2 of Sarah's School Friend by May Baldwin exactly as it stands in the source edition, without abridgement. It runs to 104 sentences, grouped into 21 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Sarah's School Friend?

Work through the 21 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 21 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sarah's School Friend

Common questions about reading Sarah's School Friend by May Baldwin on this page, its source edition and its audio.

Is this the complete text of Sarah's School Friend?

Yes. All 4312 sentences of Project Gutenberg eBook #20068 are kept, with a record of which sentences cover which part.

Which edition of Sarah's School Friend is used?

Project Gutenberg eBook #20068, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Sarah's School Friend take to read?

About 359 minutes of reading across 863 sections of 5 sentences each, at an unhurried pace.

How to read Sarah's School Friend section by section

How to work through Sarah's School Friend section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 30 chapters of Sarah's School Friend to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Sarah's School Friend

Words and structures a reader meets early in Sarah's School Friend, each tappable for pronunciation and meaning.

Mill-hand's
A word that appears in the opening chapter of Sarah's School Friend; the reader can tap it to hear it and see its dictionary entry.
Mansion
A word that appears in the opening chapter of Sarah's School Friend; the reader can tap it to hear it and see its dictionary entry.
Dreadful
A word that appears in the opening chapter of Sarah's School Friend; the reader can tap it to hear it and see its dictionary entry.
Thing
A word that appears in the opening chapter of Sarah's School Friend; the reader can tap it to hear it and see its dictionary entry.