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Self-Doomed: A Novel
Self-Doomed: A Novel

Chapter IV

Chapter 4 of Self-Doomed: A Novel is here in full — 64 sentences across 13 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/12 · 5 lines
English subtitles · tap any word to listen 1 / 5
MASTER FINK HAS A SINGULAR DREAM.
But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.
Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.
It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.
On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Self-Doomed: A Novel

Chapter IV

Chapter 4 of Self-Doomed: A Novel is here in full — 64 sentences across 13 reading sections, with audio for every sentence and word.

Reading 1/12 · 5 reading units · Lines 1–5

Line 1
MASTER FINK HAS A SINGULAR DREAM.
/ˈmæstər fɪŋk hæz ə ˈsɪŋɡjələr driːm/
Line 2
But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.
/bʌt ˌɔːlˈðoʊ ɪn ˈaʊər ˈweɪ.kɪŋ ˈaʊərz wiː ɑːr ˈdʒenərəli səkˈsesfəl ɪn ˈkiːpɪŋ ðə ˈwɜːrkɪŋz ʌv ˈaʊər maɪnd ɪn tʃek ɪt ɪz ˈdɪfərənt wen wiː ɑːr əˈsliːp/
Line 3
Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.
/ðen wiː ɑːr ðə sleɪvz ənd ˌɪmædʒəˈneɪʃən ɪz ðə ˈmæstər ðə məˈdʒɪʃ.ən wɪtʃ pleɪz ʌs ðə moʊst ekˈstrævəɡənt præŋks/
Line 4
It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.
/ɪt ɪz laɪk ˈsɪtɪŋ ɪn ə ˈθiːətər ˈwɪtnəsɪŋ ðə ˌreprəzenˈteɪʃən ʌv ə pleɪ wɪtʃ sweɪz ʌs ðɪs weɪ ənd ðæt wɪtʃ meɪks ʌs læf wɪtʃ meɪks ʌs wiːp wɪtʃ meɪks ʌs ˌenˈdʒɔɪ wɪtʃ meɪks ʌs ˈsʌfər/
Line 5
On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

extravagant adjective US /ekˈstrævəɡənt/

unrestrained, especially with regard to feelings

From this reading “Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.”

fink verb US /fɪŋk/

take the place of work of someone on strike

From this reading “MASTER FINK HAS A SINGULAR DREAM.”

magician noun US /məˈdʒɪʃ.ən/

A practitioner of magic and ancient arcane arts, often wielding deception and powerful spells.

From this reading “Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.”

pranks noun US /præŋks/

plural of “prank” — acting like a clown or buffoon

From this reading “Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.”

representation noun US /ˌreprəzenˈteɪʃən/

a presentation to the mind in the form of an idea or image

From this reading “It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.”

sways noun US /sweɪz/

plural of “sway” — controlling influence

From this reading “It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.”

witnessing verb US /ˈwɪtnəsɪŋ/

-ing form of “witness” — be a witness to

From this reading “It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.”

workings noun US /ˈwɜːrkɪŋz/

the internal mechanism of a device

From this reading “But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

waking hours adjective + noun

In this reading “But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.”

most extravagant adverb + adjective

In this reading “Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.”

old days adjective + noun

In this reading “On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.”

in keeping preposition + noun

In this reading “But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading MASTER FINK HAS A SINGULAR DREAM.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

asleepadjectiveUS /əˈsliːp/

in a state of sleep

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

checkverbUS /tʃek/

examine so as to determine accuracy, quality, or condition

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

departurenounUS /dɪˈpɑːrtʃər/

the act of departing

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

DREAMnounUS /driːm/

A series of thoughts, images, or emotions during sleep.

From this reading MASTER FINK HAS A SINGULAR DREAM.

dreamedadjectiveUS /driːmd/

conceived of or imagined or hoped for

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

enjoyverbUS /ˌenˈdʒɔɪ/

derive or receive pleasure from; get enjoyment from; take pleasure in

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

extravagantadjectiveUS /ekˈstrævəɡənt/

unrestrained, especially with regard to feelings

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

FINKverbUS /fɪŋk/

take the place of work of someone on strike

From this reading MASTER FINK HAS A SINGULAR DREAM.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

HASauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading MASTER FINK HAS A SINGULAR DREAM.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

keepingnounUS /ˈkiːpɪŋ/

conformity or harmony

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

laughnounUS /læf/

the sound of laughing

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

likeverbUS /laɪk/

prefer or wish to do something

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

Louisa

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

Louisa's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

magiciannounUS /məˈdʒɪʃ.ən/

A practitioner of magic and ancient arcane arts, often wielding deception and powerful spells.

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

makesnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

MASTERnounUS /ˈmæstər/

an artist of consummate skill

From this reading MASTER FINK HAS A SINGULAR DREAM.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

mostadverbUS /moʊst/

used to form the superlative

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

OnprepositionUS /ɑːn/

touching and supported by a surface

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

playverbUS /pleɪ/

participate in games or sport

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

pranksnounUS /præŋks/

plural of “prank” — acting like a clown or buffoon

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

pridenounUS /praɪd/

a feeling of self-respect and personal worth

From this reading On the night following Louisa's departure I dreamed of the old days and of Louisa in the pride of her beauty.

representationnounUS /ˌreprəzenˈteɪʃən/

a presentation to the mind in the form of an idea or image

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

SINGULARadjectiveUS /ˈsɪŋɡjələr/

unusual or striking

From this reading MASTER FINK HAS A SINGULAR DREAM.

sittingnounUS /ˈsɪtɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

slavesnounUS /sleɪvz/

plural of “slave” — a person who is owned by someone

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

successfuladjectiveUS /səkˈsesfəl/

having succeeded or being marked by a favorable outcome

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

sufferverbUS /ˈsʌfər/

undergo or be subjected to

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

swaysnounUS /sweɪz/

plural of “sway” — controlling influence

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

wakingadjectiveUS /ˈweɪ.kɪŋ/

Risen from sleep; conscious.

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

waynounUS /weɪ/

how something is done or how it happens

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

weepverbUS /wiːp/

shed tears because of sadness, rage, or pain

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

whenconjunctionUS /wen/

at the time that

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Then we are the slaves, and imagination is the master, the magician which plays us the most extravagant pranks.

witnessingverbUS /ˈwɪtnəsɪŋ/

-ing form of “witness” — be a witness to

From this reading It is like sitting in a theatre, witnessing the representation of a play which sways us this way and that, which makes us laugh, which makes us weep, which makes us enjoy, which makes us suffer.

workingsnounUS /ˈwɜːrkɪŋz/

the internal mechanism of a device

From this reading But although in our waking hours we are generally successful in keeping the workings of our mind in check, it is different when we are asleep.

Chapter 4 of Self-Doomed: A Novel by B. L. (Benjamin Leopold) Farjeon holds 64 sentences, grouped into 13 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Self-Doomed: A Novel contain?

Chapter 4 holds 64 sentences of Self-Doomed: A Novel, unabridged, divided into 13 reading sections.

This page carries chapter 4 of Self-Doomed: A Novel by B. L. (Benjamin Leopold) Farjeon exactly as it stands in the source edition, without abridgement. It runs to 64 sentences, grouped into 13 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Self-Doomed: A Novel?

Work through the 13 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 13 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Self-Doomed: A Novel

Common questions about reading Self-Doomed: A Novel by B. L. (Benjamin Leopold) Farjeon on this page, its source edition and its audio.

Is this the complete text of Self-Doomed: A Novel?

Yes. All 1994 sentences of Project Gutenberg eBook #53096 are kept, with a record of which sentences cover which part.

Which edition of Self-Doomed: A Novel is used?

Project Gutenberg eBook #53096, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Self-Doomed: A Novel take to read?

About 166 minutes of reading across 399 sections of 5 sentences each, at an unhurried pace.

How to read Self-Doomed: A Novel section by section

How to work through Self-Doomed: A Novel section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 13 chapters of Self-Doomed: A Novel to begin.

  2. Read one section

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Self-Doomed: A Novel

Words and structures a reader meets early in Self-Doomed: A Novel, each tappable for pronunciation and meaning.

Entered
A word that appears in the opening chapter of Self-Doomed: A Novel; the reader can tap it to hear it and see its dictionary entry.
Post-office
A word that appears in the opening chapter of Self-Doomed: A Novel; the reader can tap it to hear it and see its dictionary entry.
Second-class
A word that appears in the opening chapter of Self-Doomed: A Novel; the reader can tap it to hear it and see its dictionary entry.
Matter
A word that appears in the opening chapter of Self-Doomed: A Novel; the reader can tap it to hear it and see its dictionary entry.