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Shadow in the House
Shadow in the House

Chapter II

Chapter 2 of Shadow in the House is here in full — 275 sentences across 55 reading sections, with audio for every sentence and word.

Cover illustration for Shadow in the House
Context Illustration Reading 1/55 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.
He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.
The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.
Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.
Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Shadow in the House

Chapter II

Chapter 2 of Shadow in the House is here in full — 275 sentences across 55 reading sections, with audio for every sentence and word.

Reading 1/55 · 5 reading units · Lines 1–5

Line 1
THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.
Line 2
He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.
/hiː leɪ flæt ɑːn hɪz bæk lɪmp ənd ˈmoʊʃənləs ˈkʊʃənd ɪn ðə paɪl ʌv hɪz oʊn rɪtʃ ˈkɑːrpət/
Line 3
The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.
Line 4
Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.
/deθ hæd rɑːbd ˈherɪsənz feɪs ʌv ɪts daɪˈnæmɪk vaɪˈtæləti wɪˈθaʊt ˈlendɪŋ ɪt ðə ˈdɪɡnəti ʌv piːs/
Line 5
Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blunted adjective US /ˈblʌntəd/

made dull or blunt

From this reading “THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.”

bulbs noun US /bʌlbz/

plural of “bulb” — a modified bud consisting of a thickened globular underground stem serving as a reproductive structure

From this reading “The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.”

chandelier noun US /ʃændəˈlɪr/

branched lighting fixture; often ornate; hangs from the ceiling

From this reading “The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.”

dominance noun US /ˈdɑːmənəns/

superior development of one side of the body

From this reading “THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.”

dynamic adjective US /daɪˈnæmɪk/

characterized by action or forcefulness or force of personality

From this reading “Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.”

Graham's noun US /ˈɡreɪəmz/

possessive form of “graham” — United States evangelical preacher famous as a mass evangelist (born in 1918)

Harrison's noun US /ˈherɪsənz/

possessive form of “harrison” — English actor on stage and in films (1908-1990)

rococo noun US /rəˈkoʊkoʊ/

fanciful but graceful asymmetric ornamentation in art and architecture that originated in France in the 18th century

From this reading “THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

distorted features adjective + noun counted as “distorted feature”

In this reading “The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.”

lay flat verb + adjective

In this reading “He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.”

without mercy preposition + noun

In this reading “The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.”

dead man adjective + noun

In this reading “Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.”

All words in this reading · 79

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

admissionnounUS /ædˈmɪʃən/

the act of admitting someone to enter

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

arrestingadjectiveUS /ərˈestɪŋ/

commanding attention

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

ARROWnounUS /ˈæroʊ/

a mark to indicate a direction or relation

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

backadverbUS /bæk/

in or to or toward a former location

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

BernardnounUS /bərˈnɑːrd/

French physiologist noted for research on secretions of the alimentary canal and the glycogenic function of the liver (1813-1878)

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

betrayedverbUS /bɪˈtreɪd/

past form of “betray” — reveal unintentionally

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

BLUNTEDadjectiveUS /ˈblʌntəd/

made dull or blunt

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

bownounUS /baʊ/

a knot with two loops and loose ends; used to tie shoelaces

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

broughtverbUS /brɔːt/

inflected form of “bring” — take something or somebody with oneself somewhere

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

bulbsnounUS /bʌlbz/

plural of “bulb” — a modified bud consisting of a thickened globular underground stem serving as a reproductive structure

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

carpetnounUS /ˈkɑːrpət/

floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

centernounUS /ˈsɛn.tər/

The middle point or core of an area.

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

chandeliernounUS /ʃændəˈlɪr/

branched lighting fixture; often ornate; hangs from the ceiling

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

cushionedadjectiveUS /ˈkʊʃənd/

softened by the addition of cushions or padding

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

DeathnounUS /deθ/

the event of dying or departure from life

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

dignitynounUS /ˈdɪɡnəti/

the quality of being worthy of esteem or respect

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

distortedadjectiveUS /dɪˈstɔːrtəd/

so badly formed or out of shape as to be ugly

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

dominancenounUS /ˈdɑːmənəns/

superior development of one side of the body

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

dynamicadjectiveUS /daɪˈnæmɪk/

characterized by action or forcefulness or force of personality

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

everyonepronounUS /ˈevriwʌn/

every person

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

eyesnounUS /aɪz/

opinion or judgment

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

featuresnounUS /ˈfiːtʃərz/

plural of “feature” — a prominent attribute or aspect of something

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

flatadjectiveUS /flæt/

having a surface without slope, tilt in which no part is higher or lower than another

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

giltadjectiveUS /ɡɪlt/

having the deep slightly brownish color of gold

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

glarenounUS /ɡler/

a light within the field of vision that is brighter than the brightness to which the eyes are adapted

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

Graham'snounUS /ˈɡreɪəmz/

possessive form of “graham” — United States evangelical preacher famous as a mass evangelist (born in 1918)

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

Harrison'snounUS /ˈherɪsənz/

possessive form of “harrison” — English actor on stage and in films (1908-1990)

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

heavyadjectiveUS /ˈhevi/

of comparatively great physical weight or density

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

heldadjectiveUS /held/

occupied or in the control of; often used in combination

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

householdnounUS /ˈhaʊshoʊld/

a social unit living together

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

Landis

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

lendingnounUS /ˈlendɪŋ/

disposing of money or property with the expectation that the same thing (or an equivalent) will be returned

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

limpverbUS /lɪmp/

walk impeded by some physical limitation or injury

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

mercynounUS /ˈmɜːrsi/

leniency and compassion shown toward offenders by a person or agency charged with administering justice

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

motionlessadjectiveUS /ˈmoʊʃənləs/

not in physical motion

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

ownverbUS /oʊn/

have ownership or possession of

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

ownernounUS /ˈoʊnər/

(law) someone who owns (is legal possessor of) a business

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

peacenounUS /piːs/

the state prevailing during the absence of war

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

personalitynounUS /ˌpɜːrsəˈnælɪti/

the complex of all the attributes--behavioral, temperamental, emotional and mental--that characterize a unique individual

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

pilenounUS /paɪl/

a collection of objects laid on top of each other

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

ratheradverbUS /ˈræðər/

on the contrary

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

recentadjectiveUS /ˈriːsənt/

new

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

reception-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

richadjectiveUS /rɪtʃ/

possessing material wealth

From this reading He lay flat on his back, limp and motionless, cushioned in the pile of his own rich carpet.

robbedverbUS /rɑːbd/

inflected form of “rob” — take something away by force or without the consent of the owner

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

rococonounUS /rəˈkoʊkoʊ/

fanciful but graceful asymmetric ornamentation in art and architecture that originated in France in the 18th century

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

self-indulgentadjective

indulgent of your own appetites and desires

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

shootverbUS /ʃuːt/

hit with a missile from a weapon

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

slightlyadverbUS /ˈslaɪtli/

to a small degree or extent

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

stilladjectiveUS /stɪl/

not in physical motion

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading THE BLUNTED ARROW In the rococo reception-room its recent owner still held the center of the stage, that dominance now one of arresting tragedy rather than of personality.

vitalitynounUS /vaɪˈtæləti/

an energetic style

From this reading Death had robbed Harrison’s face of its dynamic vitality without lending it the dignity of peace.

withprepositionUS /wɪð/

in the company of; together with

From this reading Graham’s admission that everyone in the household could shoot with a bow and arrow had brought the eyes of Bernard and Landis from the dead man to the living.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading The glare of many bulbs from a gilt chandelier betrayed without mercy the heavy, self-indulgent, slightly distorted features.

Chapter 2 of Shadow in the House by Sinclair Gluck holds 275 sentences, grouped into 55 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Shadow in the House contain?

Chapter 2 holds 275 sentences of Shadow in the House, unabridged, divided into 55 reading sections.

This page carries chapter 2 of Shadow in the House by Sinclair Gluck exactly as it stands in the source edition, without abridgement. It runs to 275 sentences, grouped into 55 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Shadow in the House?

Work through the 55 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 55 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Shadow in the House

Common questions about reading Shadow in the House by Sinclair Gluck on this page, its source edition and its audio.

Is this the complete text of Shadow in the House?

Yes. All 6961 sentences of Project Gutenberg eBook #66859 are kept, with a record of which sentences cover which part.

Which edition of Shadow in the House is used?

Project Gutenberg eBook #66859, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Shadow in the House take to read?

About 580 minutes of reading across 1393 sections of 5 sentences each, at an unhurried pace.

How to read Shadow in the House section by section

How to work through Shadow in the House section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 27 chapters of Shadow in the House to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Shadow in the House

Words and structures a reader meets early in Shadow in the House, each tappable for pronunciation and meaning.

Deeper
A word that appears in the opening chapter of Shadow in the House; the reader can tap it to hear it and see its dictionary entry.
Winds
A word that appears in the opening chapter of Shadow in the House; the reader can tap it to hear it and see its dictionary entry.
Green
A word that appears in the opening chapter of Shadow in the House; the reader can tap it to hear it and see its dictionary entry.
House
A word that appears in the opening chapter of Shadow in the House; the reader can tap it to hear it and see its dictionary entry.