463
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From this reading MISCELLANEOUS EMBLEMS, RECAPITULATION, AND CONCLUSION 463–496 APPENDICES.
496
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From this reading MISCELLANEOUS EMBLEMS, RECAPITULATION, AND CONCLUSION 463–496 APPENDICES.
497
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From this reading I. COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY 497–514 II.
514
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From this reading I. COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY 497–514 II.
515
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From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
530
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From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
531
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From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
542
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From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
543
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From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
571
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From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
used to join words or parts of a sentence that go together
From this reading MISCELLANEOUS EMBLEMS, RECAPITULATION, AND CONCLUSION 463–496 APPENDICES.
APPENDICESnounUS /əˈpendɪsiːz/
plural of “appendix” — supplementary material that is collected and appended at the back of a book
From this reading MISCELLANEOUS EMBLEMS, RECAPITULATION, AND CONCLUSION 463–496 APPENDICES.
in the space, time, or range separating two things
From this reading I. COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY 497–514 II.
COINCIDENCESnounUS /koʊˈɪnsədənsɪz/
plural of “coincidence” — an event that might have been arranged although it was really accidental
From this reading I. COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY 497–514 II.
a position or opinion or judgment reached after consideration
From this reading MISCELLANEOUS EMBLEMS, RECAPITULATION, AND CONCLUSION 463–496 APPENDICES.
CORRESPONDINGadjectiveUS /ˌkɔːrəˈspɑːndɪŋ/
accompanying
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
DEVICESnounUS /dɪˈvaɪsəz/
an inclination or desire; used in the plural in the phrase “left to your own devices”
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
EMBLEMnounUS /ˈembləm/
special design or visual object representing a quality, type, group, etc.
From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
EMBLEMSnounUS /ˈembləmz/
plural of “emblem” — special design or visual object representing a quality, type, group, etc.
From this reading MISCELLANEOUS EMBLEMS, RECAPITULATION, AND CONCLUSION 463–496 APPENDICES.
showing where something starts, or who sent it
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
applying to all or most members of a category or group
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
the person speaking or writing, as the subject of the verb
From this reading I. COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY 497–514 II.
IInoun
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading I. COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY 497–514 II.
IIInoun
the cardinal number that is the sum of one and one and one
From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
IMPRESE
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From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
INDEXnounUS /ˈɪndeks/
a numerical scale used to compare variables with one another or with some reference number
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
MISCELLANEOUSadjectiveUS /ˌmɪsəˈleɪniəs/
consisting of a haphazard assortment of different kinds
From this reading MISCELLANEOUS EMBLEMS, RECAPITULATION, AND CONCLUSION 463–496 APPENDICES.
MOTTOES
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
belonging to, or connected with, somebody or something
From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
PASSAGESnounUS /ˈpæsədʒəz/
plural of “passage” — the act of passing from one state or place to the next
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
PHOTO-LITH
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
(baseball) base consisting of a rubber slab where the batter stands; it must be touched by a base runner in order to score
From this reading PLATE.
PLATESnounUS /pleɪts/
plural of “plate” — (baseball) base consisting of a rubber slab where the batter stands; it must be touched by a base runner in order to score
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
RECAPITULATIONnoun
emergence during embryonic development of various characters or structures that appeared during the evolutionary history of the strain or species
From this reading MISCELLANEOUS EMBLEMS, RECAPITULATION, AND CONCLUSION 463–496 APPENDICES.
REFERENCESnounUS /ˈrefərənsɪz/
plural of “reference” — a remark that calls attention to something or someone
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
SHAKESPEAREnounUS /ˈʃeɪkspiːr/
English poet and dramatist considered one of the greatest English writers (1564-1616)
From this reading I. COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY 497–514 II.
SOURCESnounUS /ˈsɔːrsəz/
plural of “source” — the place where something begins, where it springs into being
From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
plural of “subject” — the subject matter of a conversation or discussion
From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading SUBJECTS, MOTTOES, AND SOURCES OF THE EMBLEM IMPRESE 515–530 III.
used before the base form of a verb to make the infinitive
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
subjected to a physical (or chemical) treatment or action or agent
From this reading REFERENCES TO PASSAGES FROM SHAKESPEARE, AND TO THE 531–542 CORRESPONDING DEVICES OF THE EMBLEMS TREATED OF GENERAL INDEX 543–571 PHOTO-LITH PLATES.
WHITNEYnounUS /ˈwɪtni/
United States inventor of the mechanical cotton gin (1765-1825)
From this reading I. COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY 497–514 II.
