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Shakespeare — Volume I
Shakespeare — Volume I

Chapter VIII · Chapter 8

Chapter 8 of Shakespeare — Volume I is here in full — 379 sentences across 76 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/75 · 5 lines
English subtitles · tap any word to listen 1 / 5
But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.
With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.
For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.
And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.
Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Shakespeare — Volume I

Chapter VIII · Chapter 8

Chapter 8 of Shakespeare — Volume I is here in full — 379 sentences across 76 reading sections, with audio for every sentence and word.

Reading 1/75 · 5 reading units · Lines 1–5

Line 1
But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.
/bʌt ˈʃeɪkspiːrz meɪn pɪˌkjuːliˈerəti æz ə ˈtiːtʃər ʌv ˈɡʊdnəs laɪz ɪn ðɪs ðæt hiː kiːps ˈaʊər ˈmɔːrəl ˈsɪmpəθiz ɪn ðə raɪt pleɪs wɪˈθaʊt dɪˈskʌvərɪŋ hɪz oʊn/
Line 2
With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.
Line 3
For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.
Line 4
And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.
/ənd æz hiː dʌz nɑːt meɪk nɔːr ˈiːvɪn let ʌs siː wɪtʃ saɪd hiː ɪz ɑːn soʊ ʌv kɔːrs wiː ɑːr led tuː teɪk ðə raɪt saɪd nɑːt bɪˈkɔːz hiː dʌz bʌt ˈsɪmpli bɪˈkɔːz ɪt ɪz ðə raɪt saɪd/
Line 5
Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.
/ðʌs hɪz ˈmɔːrəl ˈlesənz ənd ˌɪnspərˈeɪʃənz əˈfekt ʌs æz ˈkʌmɪŋ nɑːt frʌm hɪm bʌt frʌm ˈneɪtʃər hərˈself ənd soʊ ðə əˈθɔːrəti ðeɪ ˈkæri ɪz nɑːt hɪz ɡʊd æz ðæt meɪ biː bʌt hərz wɪtʃ ɪz ˈɪnfənətli ˈbetər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

affect verb US /əˈfekt/

have an effect upon

From this reading “Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.”

delineation noun US /dɪˌlɪniˈeɪʃən/

a graphic or vivid verbal description

From this reading “With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.”

discovering verb US /dɪˈskʌvərɪŋ/

-ing form of “discover” — discover or determine the existence, presence, or fact of

From this reading “But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.”

inspirations noun US /ˌɪnspərˈeɪʃənz/

plural of “inspiration” — arousal of the mind to special unusual activity or creativity

From this reading “Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.”

peculiarity noun US /pɪˌkjuːliˈerəti/

an odd or unusual characteristic

From this reading “But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.”

relatively adverb US /ˈrelətɪvli/

in a relative manner; by comparison to something else

From this reading “For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.”

Shakespeare's noun US /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading “But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.”

sympathies noun US /ˈsɪmpəθiz/

plural of “sympathy” — an inclination to support or be loyal to or to agree with an opinion

From this reading “But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.”

All words in this reading · 111

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

affectverbUS /əˈfekt/

have an effect upon

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

alongprepositionUS /əˈlɔːŋ/

following the length of something from one end toward the other

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

atprepositionUS /æt/

in or near a particular place or position

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

authoritynounUS /əˈθɔːrəti/

the power or right to give orders or make decisions

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

bestnounUS /best/

the supreme effort one can make

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

carryverbUS /ˈkæri/

move while supporting, either in a vehicle or in one's hands or on one's body

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

comingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

delineationnounUS /dɪˌlɪniˈeɪʃən/

a graphic or vivid verbal description

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

discoveringverbUS /dɪˈskʌvərɪŋ/

-ing form of “discover” — discover or determine the existence, presence, or fact of

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

exceptionnounUS /ɪkˈsepʃən/

a deliberate act of omission

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

failverbUS /feɪl/

fail to do something; leave something undone

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

feelingsnounUS /ˈfiːlɪŋz/

emotional or moral sensitivity (especially in relation to personal principles or dignity)

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

FifthnounUS /fɪfθ/

a quantity of liquor equal to one fifth of a United States gallon

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

ForprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

goodnessnounUS /ˈɡʊdnəs/

that which is pleasing or valuable or useful

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

helpverbUS /help/

give help or assistance; be of service

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

HenrynounUS /ˈhenri/

a unit of inductance in which an induced electromotive force of one volt is produced when the current is varied at the rate of one ampere per second

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

herspronounUS /hərz/

the one or ones belonging to her

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

infinitelyadverbUS /ˈɪnfənətli/

without bounds

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

inspirationsnounUS /ˌɪnspərˈeɪʃənz/

plural of “inspiration” — arousal of the mind to special unusual activity or creativity

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

instancenounUS /ˈɪnstəns/

an occurrence of something

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

keepsnounUS /kiːps/

plural of “keep” — the financial means whereby one lives

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

lednounUS /led/

diode such that light emitted at a p-n junction is proportional to the bias current; color depends on the material used

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

lessonsnounUS /ˈlesənz/

plural of “lesson” — a unit of instruction

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

liesnounUS /laɪz/

plural of “lie” — a statement that deviates from or perverts the truth

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

mainadjectiveUS /meɪn/

most important element

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

makeverbUS /meɪk/

engage in

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

moraladjectiveUS /ˈmɔːrəl/

concerned with principles of right and wrong or conforming to standards of behavior and character based on those principles

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

natural-hearted

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

NaturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

neverthelessadverbUS /ˌnevərðəˈles/

in spite of what has just been said

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

nodeterminerUS /noʊ/

not any; not one

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

ownverbUS /oʊn/

have ownership or possession of

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

peculiaritynounUS /pɪˌkjuːliˈerəti/

an odd or unusual characteristic

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

perceiveverbUS /pərˈsiːv/

to become aware of through the senses

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

putsnounUS /pʊts/

plural of “put” — the option to sell a given stock (or stock index or commodity future) at a given price before a given date

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

relativelyadverbUS /ˈrelətɪvli/

in a relative manner; by comparison to something else

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

rightadverbUS /raɪt/

precisely, exactly

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

risknounUS /rɪsk/

a source of danger; a possibility of incurring loss or misfortune

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

runverbUS /rʌn/

move fast by using one's feet, with one foot off the ground at any given time

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

sayingnounUS /ˈseɪɪŋ/

a word or phrase that particular people use in particular situations

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

Shakespeare'snounUS /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

singleadjectiveUS /ˈsɪŋɡəl/

being or characteristic of a single thing or person

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

somehowadverbUS /ˈsʌmhaʊ/

in some unspecified way or manner; or by some unspecified means

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

sympathiesnounUS /ˈsɪmpəθiz/

plural of “sympathy” — an inclination to support or be loyal to or to agree with an opinion

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

takeverbUS /teɪk/

carry out

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

takesnounUS /teɪks/

plural of “take” — the income or profit arising from such transactions as the sale of land or other property

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

teachernounUS /ˈtiːtʃər/

a person whose occupation is teaching

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

thereadverbUS /ðer/

in or at that place or location

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

ThusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading Thus his moral lessons and inspirations affect us as coming, not from him, but from Nature herself; and so the authority they carry is not his, good as that may be, but hers, which is infinitely better.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

whereconjunctionUS /wer/

in or at the place that

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading And as he does not make nor even let us see which side he is on, so of course we are led to take the right side, not because he does, but simply because it is the right side.

whopronounUS /huː/

which person or people

From this reading For I run no risk in saying there is not a single instance in his plays where the feelings of any natural-hearted reader fail to go along with those who are, at least relatively, the best.

WithprepositionUS /wɪð/

in the company of; together with

From this reading With the one exception of Henry the Fifth, we cannot perceive, from the delineation itself, whether he takes part with the good character or the bad; nevertheless he somehow so puts the matter that we cannot help taking part with the good.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading But Shakespeare's main peculiarity as a teacher of goodness lies in this, that he keeps our moral sympathies in the right place without discovering his own.

Chapter 8 of Shakespeare — Volume I by Henry Norman Hudson holds 379 sentences, grouped into 76 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of Shakespeare — Volume I contain?

Chapter 8 holds 379 sentences of Shakespeare — Volume I, unabridged, divided into 76 reading sections.

This page carries chapter 8 of Shakespeare — Volume I by Henry Norman Hudson exactly as it stands in the source edition, without abridgement. It runs to 379 sentences, grouped into 76 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of Shakespeare — Volume I?

Work through the 76 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 76 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Shakespeare — Volume I

Common questions about reading Shakespeare — Volume I by Henry Norman Hudson on this page, its source edition and its audio.

Is this the complete text of Shakespeare — Volume I?

Yes. All 5029 sentences of Project Gutenberg eBook #13387 are kept, with a record of which sentences cover which part.

Which edition of Shakespeare — Volume I is used?

Project Gutenberg eBook #13387, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Shakespeare — Volume I take to read?

About 419 minutes of reading across 1006 sections of 5 sentences each, at an unhurried pace.

How to read Shakespeare — Volume I section by section

How to work through Shakespeare — Volume I section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 13 chapters of Shakespeare — Volume I to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Shakespeare — Volume I

Words and structures a reader meets early in Shakespeare — Volume I, each tappable for pronunciation and meaning.

Characters
A word that appears in the opening chapter of Shakespeare — Volume I; the reader can tap it to hear it and see its dictionary entry.
Historical
A word that appears in the opening chapter of Shakespeare — Volume I; the reader can tap it to hear it and see its dictionary entry.
Sketch
A word that appears in the opening chapter of Shakespeare — Volume I; the reader can tap it to hear it and see its dictionary entry.
Origin
A word that appears in the opening chapter of Shakespeare — Volume I; the reader can tap it to hear it and see its dictionary entry.