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Shakespeare in the Theatre
Shakespeare in the Theatre

Chapter II

Chapter 2 of Shakespeare in the Theatre is here in full — 423 sentences across 85 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/84 · 5 lines
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With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.
Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.
Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.
If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.
Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."
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LEARNER DICTIONARY
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/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

Shakespeare in the Theatre

Chapter II

Chapter 2 of Shakespeare in the Theatre is here in full — 423 sentences across 85 reading sections, with audio for every sentence and word.

Reading 1/84 · 5 reading units · Lines 1–5

Line 1
With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.
Line 2
Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.
Line 3
Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.
/ðer pɔɪnt ʌv vjuː ɪz ˈrerli ðə seɪm æz ðæt ʌv ðə ˈɔːθər ənd ɪf ɪt ɪz ˈnesəseri tuː ˈʃɔːrtən ə pleɪ ðeɪ kæn ˈhɑːrdli biː ɪkˈspektəd tuː ˈʌndərteɪk ðə wɜːrk ɪnˈtaɪərli tuː ðə ˌsætəˈsfækʃən ʌv ðə ˈɔːθər nɔːr jet ɪn ðə ˈɪntrəsts ʌv ðə ˈpʌblɪk sɪns ðə ˈvæljuː ʌv ðə ˈfeɪbəl meɪ ɔːr meɪ nɑːt biː ə ˈmætər ʌv ˈmoʊmənt tuː æn ˈæktər/
Line 4
If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.
/ɪf ðen ˈʃeɪkspiːrz pleɪz ɑːr ə ˈvæljəbəl ˈæset tuː ðə ɑːrˈtɪstɪk welθ ʌv ðə ˈneɪʃən ðə əˈmaʊnt ʌv ˈpruːnɪŋ ðeɪ ˌriːˈkwaɪər fɔːr ðə steɪdʒ ʃʊd biː dɪˈtɜːrmənd baɪ ˈkɑːmpətɪnt ˈekspərts/
Line 5
Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."
/ənˈfɔːrtʃənətli ˈæktərz bɪˈliːv ðæt ə ˈskɒl.ər ɪz nɑːt ˈkwɑːləfaɪd tuː ædˈvaɪz ɑːn ðə ˈmætər ˈoʊɪŋ tuː hɪz læk ʌv wʌt ðeɪ kɔːl ə sens ʌv ðə ˈθiːətər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

asset noun US /ˈæset/

a useful or valuable quality

From this reading “If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.”

contended verb US /kənˈtendɪd/

past form of “contend” — maintain or assert

From this reading “With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.”

dramas noun US /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading “Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.”

enhance verb US /enˈhæns/

increase

From this reading “With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.”

experts noun US /ˈekspərts/

plural of “expert” — a person with special knowledge or ability who performs skillfully

From this reading “If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.”

pruning noun US /ˈpruːnɪŋ/

something that has been pruned off of a plant

From this reading “If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.”

questionable adjective US /ˈkwestʃənəbəl/

subject to question

From this reading “Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.”

shorten verb US /ˈʃɔːrtən/

make shorter than originally intended; reduce or retrench in length or duration

From this reading “Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

With regard preposition + noun

In this reading “With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.”

All words in this reading · 112

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

absencenounUS /ˈæbsəns/

the state of being absent

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

actingnounUS /ˈæktɪŋ/

the performance of a part or role in a drama

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

acting-versions

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

actornounUS /ˈæktər/

a theatrical performer

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

adviseverbUS /ædˈvaɪz/

give advice to

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

amountnounUS /əˈmaʊnt/

a quantity of money

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

assetnounUS /ˈæset/

a useful or valuable quality

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

bestnounUS /best/

the supreme effort one can make

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

byprepositionUS /baɪ/

showing who or what does the action

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

competentadjectiveUS /ˈkɑːmpətɪnt/

properly or sufficiently qualified or capable or efficient

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

considersverbUS /kənˈsɪdərz/

third-person singular of “consider” — deem to be

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

contendedverbUS /kənˈtendɪd/

past form of “contend” — maintain or assert

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

determinedadjectiveUS /dɪˈtɜːrmənd/

characterized by great determination

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

dramasnounUS /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

enhanceverbUS /enˈhæns/

increase

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

entirelyadverbUS /ɪnˈtaɪərli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

expectedadjectiveUS /ɪkˈspektəd/

considered likely or probable to happen or arrive

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

expertsnounUS /ˈekspərts/

plural of “expert” — a person with special knowledge or ability who performs skillfully

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

fablenounUS /ˈfeɪbəl/

a deliberately false or improbable account

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

failsverbUS /feɪlz/

third-person singular of “fail” — fail to do something; leave something undone

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

hardlyadverbUS /ˈhɑːrdli/

only a very short time before

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

interestsnounUS /ˈɪntrəsts/

plural of “interest” — a sense of concern with and curiosity about someone or something

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

lacknounUS /læk/

the state of needing something that is absent or unavailable

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

latteradjectiveUS /ˈlætər/

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

makeverbUS /meɪk/

engage in

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

meritsnounUS /ˈmerəts/

plural of “merit” — any admirable quality or attribute

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

nationnounUS /ˈneɪʃən/

a politically organized body of people under a single government

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

opposedadjectiveUS /əˈpoʊzd/

being in opposition or having an opponent

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

owingadjectiveUS /ˈoʊɪŋ/

owed as a debt

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

particularadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

personsnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

playverbUS /pleɪ/

participate in games or sport

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

pruningnounUS /ˈpruːnɪŋ/

something that has been pruned off of a plant

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

qualifiedadjectiveUS /ˈkwɑːləfaɪd/

meeting the proper standards and requirements and training for an office or position or task

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

questionableadjectiveUS /ˈkwestʃənəbəl/

subject to question

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

rarelyadverbUS /ˈrerli/

not often

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

regardnounUS /rɪˈɡɑːrd/

(usually preceded by “in”) a detail or point

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

requireverbUS /ˌriːˈkwaɪər/

require as useful, just, or proper

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

satisfactionnounUS /ˌsætəˈsfækʃən/

the contentment one feels when one has fulfilled a desire, need, or expectation

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

scholarnounUS /ˈskɒl.ər/

A specialist in a particular branch of study; a distinguished student.

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

sensenounUS /sens/

a general conscious awareness

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

Shakespeare'snounUS /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

shortenverbUS /ˈʃɔːrtən/

make shorter than originally intended; reduce or retrench in length or duration

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

stage-versions

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

tediousadjectiveUS /ˈtiːdiəs/

so lacking in interest as to cause mental weariness

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

TheirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

ThusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

undertakeverbUS /ˈʌndərteɪk/

enter upon an activity or enterprise

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

UnfortunatelyadverbUS /ənˈfɔːrtʃənətli/

by bad luck

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

valuableadjectiveUS /ˈvæljəbəl/

having great material or monetary value especially for use or exchange

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

valuenounUS /ˈvæljuː/

a numerical quantity measured or assigned or computed

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

wealthnounUS /welθ/

the state of being rich and affluent; having a plentiful supply of material goods and money

From this reading If, then, Shakespeare's plays are a valuable asset to the artistic wealth of the nation, the amount of "pruning" they require for the stage should be determined by competent experts.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Unfortunately, actors believe that a scholar is not qualified to advise on the matter, owing to his lack of what they call "a sense of the theatre."

wheneverconjunctionUS /weˈnevər/

at any time that; every time that

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading Thus it is questionable whether, in the absence of the author, the actors are the persons best qualified to make stage-versions of his dramas.

WithprepositionUS /wɪð/

in the company of; together with

From this reading With regard to acting-versions, therefore, it may be contended that the interests of the author are more often than not opposed to those of the modern actor in so far as the latter considers the author's drama to be tedious whenever it fails to enhance the acting merits of some particular character or characters in the play.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

yetconjunctionUS /jet/

but in spite of that

From this reading Their point of view is rarely the same as that of the author, and if it is necessary to shorten a play they can hardly be expected to undertake the work entirely to the satisfaction of the author, nor yet in the interests of the public, since the value of the fable may or may not be a matter of moment to an actor.

Chapter 2 of Shakespeare in the Theatre by William Poel holds 423 sentences, grouped into 85 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Shakespeare in the Theatre contain?

Chapter 2 holds 423 sentences of Shakespeare in the Theatre, unabridged, divided into 85 reading sections.

This page carries chapter 2 of Shakespeare in the Theatre by William Poel exactly as it stands in the source edition, without abridgement. It runs to 423 sentences, grouped into 85 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Shakespeare in the Theatre?

Work through the 85 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 85 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Shakespeare in the Theatre

Common questions about reading Shakespeare in the Theatre by William Poel on this page, its source edition and its audio.

Is this the complete text of Shakespeare in the Theatre?

Yes. All 2420 sentences of Project Gutenberg eBook #35109 are kept, with a record of which sentences cover which part.

Which edition of Shakespeare in the Theatre is used?

Project Gutenberg eBook #35109, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Shakespeare in the Theatre take to read?

About 201 minutes of reading across 484 sections of 5 sentences each, at an unhurried pace.

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    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Shakespeare in the Theatre

Words and structures a reader meets early in Shakespeare in the Theatre, each tappable for pronunciation and meaning.

London
A word that appears in the opening chapter of Shakespeare in the Theatre; the reader can tap it to hear it and see its dictionary entry.
Toronto
A word that appears in the opening chapter of Shakespeare in the Theatre; the reader can tap it to hear it and see its dictionary entry.
Sidgwick
A word that appears in the opening chapter of Shakespeare in the Theatre; the reader can tap it to hear it and see its dictionary entry.
Jackson
A word that appears in the opening chapter of Shakespeare in the Theatre; the reader can tap it to hear it and see its dictionary entry.