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Shakespeare in the Theatre
Shakespeare in the Theatre

Chapter III

Chapter 3 of Shakespeare in the Theatre is here in full — 431 sentences across 87 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/86 · 5 lines
English subtitles · tap any word to listen 1 / 5
There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.
The stage-directions in it are unlike those of any other play published in the first folio.
In no other play are they so full, and so carefully detailed.
With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.
It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.
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LEARNER DICTIONARY
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Shakespeare in the Theatre

Chapter III

Chapter 3 of Shakespeare in the Theatre is here in full — 431 sentences across 87 reading sections, with audio for every sentence and word.

Reading 1/86 · 5 reading units · Lines 1–5

Line 1
There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.
/ðer ɪz jet əˈnʌðər pɪˌkjuːliˈerəti ðæt ɪz ˈspeʃəl tuː ðɪs pleɪ ənd ɪt ɪz wʌn wɪtʃ siːmz tuː hæv ɪˈskeɪpt ðə ˈnoʊtəs ʌv ðə ˈkrɪtɪks/
Line 2
The stage-directions in it are unlike those of any other play published in the first folio.
Line 3
In no other play are they so full, and so carefully detailed.
/ɪn noʊ ˈʌðər pleɪ ɑːr ðeɪ soʊ fʊl ənd soʊ ˈkerfəli dɪˈteɪld/
Line 4
With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.
Line 5
It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.
/ɪt ɪz ˈveri rer ðæt ˈeni ˈrefərəns ɪz meɪd tuː ˈmuːvmənt mɔːr ðæn tuː ˈɪndəkeɪt ðə ˈentrəns ɔːr ˈeɡzɪt ʌv ˈkærəktərz ɔːr tuː noʊt ðæt ðeɪ faɪt ɔːr ðæt ðeɪ daɪ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

abbreviated adjective US /əˈbriːvieɪtɪd/

(of clothing) very short

From this reading “With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.”

author's noun US /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.”

convenience noun US /kənˈviːnjəns/

the state of being suitable or opportune

From this reading “With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.”

critics noun US /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading “There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.”

detailed adjective US /dɪˈteɪld/

developed or executed with care and in minute detail

From this reading “In no other play are they so full, and so carefully detailed.”

folio noun US /ˈfoʊliːoʊ/

the system of numbering pages

From this reading “The stage-directions in it are unlike those of any other play published in the first folio.”

peculiarity noun US /pɪˌkjuːliˈerəti/

an odd or unusual characteristic

From this reading “There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.”

solely adverb US /ˈsoʊəli/

without any others being included or involved

From this reading “With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

With the exception preposition + article + noun counted as “with … exception”

In this reading “With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.”

any reference adjective + noun

In this reading “It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.”

All words in this reading · 66

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

abbreviatedadjectiveUS /əˈbriːvieɪtɪd/

(of clothing) very short

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

carefullyadverbUS /ˈkerfəli/

taking care or paying attention

From this reading In no other play are they so full, and so carefully detailed.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

conveniencenounUS /kənˈviːnjəns/

the state of being suitable or opportune

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

detailedadjectiveUS /dɪˈteɪld/

developed or executed with care and in minute detail

From this reading In no other play are they so full, and so carefully detailed.

dieverbUS /daɪ/

pass from physical life and lose all bodily attributes and functions necessary to sustain life

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

entrancenounUS /ˈentrəns/

something that provides access (to get in or get out)

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

escapedadjectiveUS /ɪˈskeɪpt/

having escaped, especially from confinement

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

exceptionnounUS /ɪkˈsepʃən/

a deliberate act of omission

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

exitnounUS /ˈeɡzɪt/

an opening that permits escape or release

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

fightverbUS /faɪt/

be engaged in a fight; carry on a fight

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

folionounUS /ˈfoʊliːoʊ/

the system of numbering pages

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading In no other play are they so full, and so carefully detailed.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

HenrynounUS /ˈhenri/

a unit of inductance in which an induced electromotive force of one volt is produced when the current is varied at the rate of one ampere per second

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

indicateverbUS /ˈɪndəkeɪt/

be a signal for or a symptom of

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

movementnounUS /ˈmuːvmənt/

a change of position that does not entail a change of location

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

nodeterminerUS /noʊ/

not any; not one

From this reading In no other play are they so full, and so carefully detailed.

notenounUS /noʊt/

a brief written record

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

noticenounUS /ˈnoʊtəs/

an announcement containing information about an event

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

numbernounUS /ˈnʌmbər/

the property possessed by a sum or total or indefinite quantity of units or individuals

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

peculiaritynounUS /pɪˌkjuːliˈerəti/

an odd or unusual characteristic

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

playverbUS /pleɪ/

participate in games or sport

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

rareadjectiveUS /rer/

not widely known; especially valued for its uncommonness

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

referencenounUS /ˈrefərəns/

a remark that calls attention to something or someone

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading In no other play are they so full, and so carefully detailed.

solelyadverbUS /ˈsoʊəli/

without any others being included or involved

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

specialadjectiveUS /ˈspeʃəl/

unique or specific to a person or thing or category

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

stage-directions

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading In no other play are they so full, and so carefully detailed.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

unlikeadjectiveUS /ənˈlaɪk/

marked by dissimilarity

From this reading The stage-directions in it are unlike those of any other play published in the first folio.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading It is very rare that any reference is made to movement, more than to indicate the entrance or exit of characters, or to note that they fight or that they die.

VIIInoun

the cardinal number that is the sum of seven and one

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

WithprepositionUS /wɪð/

in the company of; together with

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading With the exception of "Henry VIII.," the stage-directions in the folio are so few in number and so abbreviated that they appear to have been written solely for the author's convenience.

yetconjunctionUS /jet/

but in spite of that

From this reading There is yet another peculiarity that is special to this play, and it is one which seems to have escaped the notice of the critics.

Chapter 3 of Shakespeare in the Theatre by William Poel holds 431 sentences, grouped into 87 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Shakespeare in the Theatre contain?

Chapter 3 holds 431 sentences of Shakespeare in the Theatre, unabridged, divided into 87 reading sections.

This page carries chapter 3 of Shakespeare in the Theatre by William Poel exactly as it stands in the source edition, without abridgement. It runs to 431 sentences, grouped into 87 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Shakespeare in the Theatre?

Work through the 87 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 87 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Shakespeare in the Theatre

Common questions about reading Shakespeare in the Theatre by William Poel on this page, its source edition and its audio.

Is this the complete text of Shakespeare in the Theatre?

Yes. All 2420 sentences of Project Gutenberg eBook #35109 are kept, with a record of which sentences cover which part.

Which edition of Shakespeare in the Theatre is used?

Project Gutenberg eBook #35109, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Shakespeare in the Theatre take to read?

About 201 minutes of reading across 484 sections of 5 sentences each, at an unhurried pace.

How to read Shakespeare in the Theatre section by section

How to work through Shakespeare in the Theatre section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 6 chapters of Shakespeare in the Theatre to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Shakespeare in the Theatre

Words and structures a reader meets early in Shakespeare in the Theatre, each tappable for pronunciation and meaning.

London
A word that appears in the opening chapter of Shakespeare in the Theatre; the reader can tap it to hear it and see its dictionary entry.
Toronto
A word that appears in the opening chapter of Shakespeare in the Theatre; the reader can tap it to hear it and see its dictionary entry.
Sidgwick
A word that appears in the opening chapter of Shakespeare in the Theatre; the reader can tap it to hear it and see its dictionary entry.
Jackson
A word that appears in the opening chapter of Shakespeare in the Theatre; the reader can tap it to hear it and see its dictionary entry.