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Shakespearean Tragedy
Shakespearean Tragedy

Chapter II · Chapter 2

Chapter 2 of Shakespearean Tragedy is here in full — 418 sentences across 84 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.
The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.
Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.
That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?
Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.
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Shakespearean Tragedy

Chapter II · Chapter 2

Chapter 2 of Shakespearean Tragedy is here in full — 418 sentences across 84 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.
/ðʌs wiː ɑːr left æt læst wɪð æn aɪˈdiːə ˈʃoʊɪŋ tuː saɪdz ɔːr ˈæspekts wɪtʃ wiː kæn ˈniːðər ˈsepəreɪt nɔːr ˈrekənsaɪl/
Line 2
The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.
Line 3
Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.
Line 4
That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?
/ðæt ðɪs aɪˈdiːə ðoʊ ˈveri ˈdɪfərənt frʌm ðə aɪˈdiːə ʌv ə blæŋk feɪt ɪz noʊ səˈluːʃən ʌv ðə ˈrɪdəl ʌv laɪf ɪz ˈɑːbviəs bʌt waɪ ʃʊd wiː ɪkˈspekt ɪt tuː biː sʌtʃ ə səˈluːʃən/
Line 5
Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.
/ˈʃeɪkspiːr wɑːz nɑːt əˈtemptɪŋ tuː ˈdʒʌstəfaɪ ðə weɪz ʌv ɡɑːd tuː men ɔːr tuː ʃoʊ ðə ˈjuːnəvɜːrs æz ə dɪˈvaɪn ˈkɑːmədi/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aspects noun US /ˈæspekts/

plural of “aspect” — a distinct feature or element in a problem

From this reading “Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.”

engender verb US /enˈdʒendər/

call forth

From this reading “Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.”

expel verb US /ɪkˈspel/

force to leave or move out

From this reading “Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.”

mutilate verb US /ˈmjuːtəleɪt/

destroy or injure severely

From this reading “Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.”

powerless adjective US /ˈpaʊərləs/

lacking power

From this reading “The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.”

priceless adjective US /ˈpraɪsləs/

having incalculable monetary, intellectual, or spiritual worth

From this reading “Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.”

reconcile verb US /ˈrekənsaɪl/

make (one thing) compatible with

From this reading “Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.”

riddle verb US /ˈrɪdəl/

pierce with many holes

From this reading “That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?”

All words in this reading · 98

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

agonisedadjective

expressing pain or agony

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

animatedadjectiveUS /ˈænəmeɪtɪd/

having life or vigor or spirit

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

aspectsnounUS /ˈæspekts/

plural of “aspect” — a distinct feature or element in a problem

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

atprepositionUS /æt/

in or near a particular place or position

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

attemptingverbUS /əˈtemptɪŋ/

-ing form of “attempt” — make an effort or attempt

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

behaviournounUS /bɪˈheɪvjər/

the action or reaction of something (as a machine or substance) under specified circumstances

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

blankadjectiveUS /blæŋk/

(of a surface) not written or printed on

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

ComedynounUS /ˈkɑːmədi/

light and humorous drama with a happy ending

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

DivineadjectiveUS /dɪˈvaɪn/

emanating from God

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

drivenadjectiveUS /ˈdrɪvən/

compelled forcibly by an outside agency

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

effortnounUS /ˈefərt/

earnest and conscientious activity intended to do or accomplish something

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

engenderverbUS /enˈdʒendər/

call forth

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

evilnounUS /ˈiːvəl/

morally objectionable behavior

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

expectverbUS /ɪkˈspekt/

regard something as probable or likely

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

expelverbUS /ɪkˈspel/

force to leave or move out

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

explainverbUS /ɪkˈspleɪn/

make plain and comprehensible

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

fatenounUS /feɪt/

an event (or a course of events) that will inevitably happen in the future

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

GodnounUS /ɡɑːd/

the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

justifyverbUS /ˈdʒʌstəfaɪ/

show to be right by providing justification or proof

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

lastadjectiveUS /læst/

immediately past

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

loseverbUS /luːz/

fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

mennounUS /men/

the force of workers available

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

mutilateverbUS /ˈmjuːtəleɪt/

destroy or injure severely

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

nodeterminerUS /noʊ/

not any; not one

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

obviousadjectiveUS /ˈɑːbviəs/

easily perceived by the senses or grasped by the mind

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

otherwiseadverbUS /ˈʌðərwaɪz/

in other respects or ways

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

overcomeverbUS /ˈoʊvərkʌm/

win a victory over

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

ownverbUS /oʊn/

have ownership or possession of

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

painnounUS /peɪn/

a symptom of some physical hurt or disorder

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

perfectionnounUS /pərˈfekʃən/

the state of being without a flaw or defect

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

powerlessadjectiveUS /ˈpaʊərləs/

lacking power

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

pricelessadjectiveUS /ˈpraɪsləs/

having incalculable monetary, intellectual, or spiritual worth

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

reconcileverbUS /ˈrekənsaɪl/

make (one thing) compatible with

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

riddleverbUS /ˈrɪdəl/

pierce with many holes

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

separateverbUS /ˈsepəreɪt/

act as a barrier between; stand between

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

showverbUS /ʃoʊ/

give an exhibition of to an interested audience

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

showingnounUS /ˈʃoʊɪŋ/

the display of a motion picture

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

showsnounUS /ʃoʊz/

plural of “show” — the act of publicly exhibiting or entertaining

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

sidesnounUS /saɪdz/

plural of “side” — a place within a region identified relative to a center or reference location

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

solutionnounUS /səˈluːʃən/

a homogeneous mixture of two or more substances; frequently (but not necessarily) a liquid solution

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

substancenounUS /ˈsʌbstəns/

the real physical matter of which a person or thing consists

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

ThatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

ThusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

universenounUS /ˈjuːnəvɜːrs/

everything that exists anywhere

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

waysnounUS /weɪz/

structure consisting of a sloping way down to the water from the place where ships are built or repaired

From this reading Shakespeare was not attempting to justify the ways of God to men, or to show the universe as a Divine Comedy.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection: we cannot otherwise explain its behaviour towards evil.

whynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading That this idea, though very different from the idea of a blank fate, is no solution of the riddle of life is obvious; but why should we expect it to be such a solution?

withprepositionUS /wɪð/

in the company of; together with

From this reading Thus we are left at last with an idea showing two sides or aspects which we can neither separate nor reconcile.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

YetconjunctionUS /jet/

but in spite of that

From this reading Yet it appears to engender this evil within itself, and in its effort to overcome and expel it it is agonised with pain, and driven to mutilate its own substance and to lose not only evil but priceless good.

Chapter 2 of Shakespearean Tragedy by A. C. (Andrew Cecil) Bradley holds 418 sentences, grouped into 84 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Shakespearean Tragedy contain?

Chapter 2 holds 418 sentences of Shakespearean Tragedy, unabridged, divided into 84 reading sections.

This page carries chapter 2 of Shakespearean Tragedy by A. C. (Andrew Cecil) Bradley exactly as it stands in the source edition, without abridgement. It runs to 418 sentences, grouped into 84 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Shakespearean Tragedy?

Work through the 84 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 84 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Shakespearean Tragedy

Common questions about reading Shakespearean Tragedy by A. C. (Andrew Cecil) Bradley on this page, its source edition and its audio.

Is this the complete text of Shakespearean Tragedy?

Yes. All 7305 sentences of Project Gutenberg eBook #16966 are kept, with a record of which sentences cover which part.

Which edition of Shakespearean Tragedy is used?

Project Gutenberg eBook #16966, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Shakespearean Tragedy take to read?

About 600 minutes of reading across 1461 sections of 5 sentences each, at an unhurried pace.

How to read Shakespearean Tragedy section by section

How to work through Shakespearean Tragedy section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of Shakespearean Tragedy to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Shakespearean Tragedy

Words and structures a reader meets early in Shakespearean Tragedy, each tappable for pronunciation and meaning.

Macmillan
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.
Canada
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.
Glasgow
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.
Printed
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.