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Shakespearean Tragedy
Shakespearean Tragedy

Chapter III · Chapter 3

Chapter 3 of Shakespearean Tragedy is here in full — 437 sentences across 88 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/87 · 5 lines
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If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.
They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.
But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.
And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.
Most of the defects in his writings must be due to indifference or want of care.
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LEARNER DICTIONARY
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/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

Shakespearean Tragedy

Chapter III · Chapter 3

Chapter 3 of Shakespearean Tragedy is here in full — 437 sentences across 88 reading sections, with audio for every sentence and word.

Reading 1/87 · 5 reading units · Lines 1–5

Line 1
If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.
/ɪf naʊ wiː æsk wens ˈdiːfekts laɪk ðiːz ərˈoʊz wiː ʃæl əbˈzɜːrv ðæt sʌm ʌv ðem ɑːr ʃerd baɪ ðə məˈdʒɔːrəti ʌv ˈʃeɪkspiːrz kənˈtempəreriz ənd əˈbaʊnd ɪn ðə ˈdrɑːməz ˌɪˈmiːdiːətli priˈsiːdɪŋ hɪz taɪm/
Line 2
They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.
/ðeɪ ɑːr ˌkerəktərˈɪstɪks ʌv æn ɑːrt stɪl ˌʌndɪˈveləpt ənd noʊ daʊt wɜːr nɑːt pərˈsiːvd tuː biː ˈdiːfekts/
Line 3
But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.
Line 4
And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.
Line 5
Most of the defects in his writings must be due to indifference or want of care.
/moʊst ʌv ðə ˈdiːfekts ɪn hɪz ˈraɪtɪŋz mʌst biː duː tuː ˌɪnˈdɪfərəns ɔːr wɑːnt ʌv ker/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

authorship noun US /ˈɔːθərʃɪp/

the act of creating written works

From this reading “But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.”

bombast noun US /ˈbɑːmbæst/

pompous or pretentious talk or writing

From this reading “And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.”

dramas noun US /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading “If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.”

erred verb US /erd/

past form of “err” — to make a mistake or be incorrect

From this reading “But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.”

gnomic adjective US /ˈnoʊmɪk/

relating to or containing gnomes

From this reading “But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.”

imperfection noun US /ˌɪmpərˈfekʃən/

the state or an instance of being imperfect

From this reading “But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.”

inconsistencies noun US /ˌɪŋˈkɑːnsɪstensiz/

plural of “inconsistency” — the relation between propositions that cannot both be true at the same time

From this reading “And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.”

undeveloped adjective US /ˌʌndɪˈveləpt/

not developed, mature, or fully formulated

From this reading “They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.”

All words in this reading · 94

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

aboundverbUS /əˈbaʊnd/

be abundant or plentiful; exist in large quantities

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

aroseverbUS /ərˈoʊz/

inflected form of “arise” — come into existence; take on form or shape

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

askverbUS /æsk/

make a request or demand for something to somebody

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

authorshipnounUS /ˈɔːθərʃɪp/

the act of creating written works

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

bombastnounUS /ˈbɑːmbæst/

pompous or pretentious talk or writing

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

byprepositionUS /baɪ/

showing who or what does the action

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

carenounUS /ker/

the work of providing treatment for or attending to someone or something

From this reading Most of the defects in his writings must be due to indifference or want of care.

careernounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

casesnounUS /ˈkeɪsəz/

plural of “case” — an occurrence of something

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

characteristicsnounUS /ˌkerəktərˈɪstɪks/

plural of “characteristic” — a prominent attribute or aspect of something

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

contemporariesnounUS /kənˈtempəreriz/

all the people living at the same time or of approximately the same age

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

defectsnounUS /ˈdiːfekts/

plural of “defect” — an imperfection in a bodily system

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

dramasnounUS /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

dueadjectiveUS /duː/

owed and payable immediately or on demand

From this reading Most of the defects in his writings must be due to indifference or want of care.

erredverbUS /erd/

past form of “err” — to make a mistake or be incorrect

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

gnomicadjectiveUS /ˈnoʊmɪk/

relating to or containing gnomes

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

ignorantlyadverb

in ignorance; in an ignorant manner

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

immediatelyadverbUS /ˌɪˈmiːdiːətli/

without delay or hesitation; with no time intervening

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

imperfectionnounUS /ˌɪmpərˈfekʃən/

the state or an instance of being imperfect

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

inconsistenciesnounUS /ˌɪŋˈkɑːnsɪstensiz/

plural of “inconsistency” — the relation between propositions that cannot both be true at the same time

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

indifferencenounUS /ˌɪnˈdɪfərəns/

unbiased impartial unconcern

From this reading Most of the defects in his writings must be due to indifference or want of care.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

kindsnounUS /kaɪndz/

plural of “kind” — a category of things distinguished by some common characteristic or quality

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

leaveverbUS /liːv/

go away from a place

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

likeverbUS /laɪk/

prefer or wish to do something

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

majoritynounUS /məˈdʒɔːrəti/

the property resulting from being or relating to the greater in number of two parts; the main part

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

mostadverbUS /moʊst/

used to form the superlative

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Most of the defects in his writings must be due to indifference or want of care.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

nodeterminerUS /noʊ/

not any; not one

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

obscurities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

observeverbUS /əbˈzɜːrv/

discover or determine the existence, presence, or fact of

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

passagesnounUS /ˈpæsədʒəz/

plural of “passage” — the act of passing from one state or place to the next

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

perceivedadjectiveUS /pərˈsiːvd/

detected by instinct or inference rather than by recognized perceptual cues

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

precedingadjectiveUS /priˈsiːdɪŋ/

existing or coming before

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

probableadjectiveUS /ˈprɑːbəbəl/

likely but not certain to be or become true or real

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

regardnounUS /rɪˈɡɑːrd/

(usually preceded by “in”) a detail or point

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

Shakespeare'snounUS /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

sharedadjectiveUS /ʃerd/

have in common; held or experienced in common

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

stilladjectiveUS /stɪl/

not in physical motion

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

superabundancenoun

a quantity that is more than what is appropriate

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

TheypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

thusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

undevelopedadjectiveUS /ˌʌndɪˈveləpt/

not developed, mature, or fully formulated

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

unlessconjunctionUS /ənˈles/

except if; if not

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

unlikelyadjectiveUS /ənˈlaɪkli/

not likely to be true or to occur or to have occurred

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading Most of the defects in his writings must be due to indifference or want of care.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading They are characteristics of an art still undeveloped, and, no doubt, were not perceived to be defects.

whenceadverbUS /wens/

an old word meaning “from where”

From this reading If now we ask whence defects like these arose, we shall observe that some of them are shared by the majority of Shakespeare's contemporaries, and abound in the dramas immediately preceding his time.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading And certainly he never can have thought it artistic to leave inconsistencies, obscurities, or passages of bombast in his work.

writingsnounUS /ˈraɪtɪŋz/

the third of three divisions of the Hebrew Scriptures

From this reading Most of the defects in his writings must be due to indifference or want of care.

yearsnounUS /jɪrz/

a late time of life

From this reading But though it is quite probable that in regard to one or two kinds of imperfection (such as the superabundance of 'gnomic' passages) Shakespeare himself erred thus ignorantly, it is very unlikely that in most cases he did so, unless in the first years of his career of authorship.

Chapter 3 of Shakespearean Tragedy by A. C. (Andrew Cecil) Bradley holds 437 sentences, grouped into 88 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of Shakespearean Tragedy contain?

Chapter 3 holds 437 sentences of Shakespearean Tragedy, unabridged, divided into 88 reading sections.

This page carries chapter 3 of Shakespearean Tragedy by A. C. (Andrew Cecil) Bradley exactly as it stands in the source edition, without abridgement. It runs to 437 sentences, grouped into 88 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of Shakespearean Tragedy?

Work through the 88 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 88 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Shakespearean Tragedy

Common questions about reading Shakespearean Tragedy by A. C. (Andrew Cecil) Bradley on this page, its source edition and its audio.

Is this the complete text of Shakespearean Tragedy?

Yes. All 7305 sentences of Project Gutenberg eBook #16966 are kept, with a record of which sentences cover which part.

Which edition of Shakespearean Tragedy is used?

Project Gutenberg eBook #16966, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Shakespearean Tragedy take to read?

About 600 minutes of reading across 1461 sections of 5 sentences each, at an unhurried pace.

How to read Shakespearean Tragedy section by section

How to work through Shakespearean Tragedy section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of Shakespearean Tragedy to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Shakespearean Tragedy

Words and structures a reader meets early in Shakespearean Tragedy, each tappable for pronunciation and meaning.

Macmillan
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.
Canada
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.
Glasgow
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.
Printed
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.