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Shakespearean Tragedy
Shakespearean Tragedy

Chapter VII · Chapter 7

Chapter 7 of Shakespearean Tragedy is here in full — 432 sentences across 87 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/86 · 5 lines
English subtitles · tap any word to listen 1 / 5
[Footnote 87: See p.
9.]
[Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.
Of such references there are very few in _Othello_.
But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Shakespearean Tragedy

Chapter VII · Chapter 7

Chapter 7 of Shakespearean Tragedy is here in full — 432 sentences across 87 reading sections, with audio for every sentence and word.

Reading 1/86 · 5 reading units · Lines 1–5

Line 1
[Footnote 87: See p.
Line 2
9.]
Line 3
[Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.
Line 4
Of such references there are very few in _Othello_.
/ʌv sʌtʃ ˈrefərənsɪz ðer ɑːr ˈveri fjuː ɪn əˈθeloʊ/
Line 5
But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.
/bʌt fɔːr ˈsʌmˈwʌt ˈfriːkwənt əˈluːʒənz tuː hel ənd ðə ˈdevəl ðə vjuː ʌv ðə ˈkærəktərz ɪz ˈɔːlmoʊst ˈstrɪktli ˈsekjələr/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

allusions noun US /əˈluːʒənz/

plural of “allusion” — passing reference or indirect mention

From this reading “But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.”

Hamlet noun US /ˈhæmlət/

a community of people smaller than a village

Lear noun US /lɪr/

British artist and writer of nonsense verse (1812-1888)

Macbeth noun US /məkˈbeθ/

king of Scotland (died in 1057)

Othello noun US /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

references noun US /ˈrefərənsɪz/

plural of “reference” — a remark that calls attention to something or someone

From this reading “Of such references there are very few in _Othello_.”

repeatedly adverb US /rɪˈpiːtɪdli/

several time

From this reading “[Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.”

secular adjective US /ˈsekjələr/

of or relating to the doctrine that rejects religion and religious considerations

From this reading “But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.”

All words in this reading · 53

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

87

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [Footnote 87: See p.

88

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

9

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 9.]

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

allusionsnounUS /əˈluːʒənz/

plural of “allusion” — passing reference or indirect mention

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Of such references there are very few in _Othello_.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

byprepositionUS /baɪ/

showing who or what does the action

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

devilnounUS /ˈdevəl/

(Judeo-Christian and Islamic religions) chief spirit of evil and adversary of God; tempter of mankind; master of Hell

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

EvenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

expressedadjectiveUS /ɪkˈsprest/

communicated in words

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading Of such references there are very few in _Othello_.

FootnotenounUS /ˈfʊtnoʊt/

a printed note placed below the text on a printed page

From this reading [Footnote 87: See p.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

frequentverbUS /ˈfriːkwənt/

do one's shopping at; do business with; be a customer or client of

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

HamletnounUS /ˈhæmlət/

a community of people smaller than a village

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

hellnounUS /hel/

any place of pain and turmoil

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

KingnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

LearnounUS /lɪr/

British artist and writer of nonsense verse (1812-1888)

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

MacbethnounUS /məkˈbeθ/

king of Scotland (died in 1057)

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

OthellonounUS /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

From this reading Of such references there are very few in _Othello_.

pnounUS /piː/

a multivalent nonmetallic element of the nitrogen family that occurs commonly in inorganic phosphate rocks and as organic phosphates in all living cells; is highly reactive and occurs in several allotropic forms

From this reading [Footnote 87: See p.

personsnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

referencesnounUS /ˈrefərənsɪz/

plural of “reference” — a remark that calls attention to something or someone

From this reading Of such references there are very few in _Othello_.

repeatedlyadverbUS /rɪˈpiːtɪdli/

several time

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

secularadjectiveUS /ˈsekjələr/

of or relating to the doctrine that rejects religion and religious considerations

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

SeeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading [Footnote 87: See p.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

strictlyadverbUS /ˈstrɪktli/

restricted to something

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

suggestedverbUS /səˈdʒestɪd/

past form of “suggest” — make a proposal, declare a plan for something

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

thereadverbUS /ðer/

in or at that place or location

From this reading [Footnote 88: Even here, however, there is a great difference; for although the idea of such a power is not suggested by _King Lear_ as it is by _Hamlet_ and _Macbeth_, it is repeatedly expressed by persons _in_ the drama.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Of such references there are very few in _Othello_.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading But for somewhat frequent allusions to hell and the devil the view of the characters is almost strictly secular.

Chapter 7 of Shakespearean Tragedy by A. C. (Andrew Cecil) Bradley holds 432 sentences, grouped into 87 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of Shakespearean Tragedy contain?

Chapter 7 holds 432 sentences of Shakespearean Tragedy, unabridged, divided into 87 reading sections.

This page carries chapter 7 of Shakespearean Tragedy by A. C. (Andrew Cecil) Bradley exactly as it stands in the source edition, without abridgement. It runs to 432 sentences, grouped into 87 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of Shakespearean Tragedy?

Work through the 87 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 87 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 7 be read aloud to me?

Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Shakespearean Tragedy

Common questions about reading Shakespearean Tragedy by A. C. (Andrew Cecil) Bradley on this page, its source edition and its audio.

Is this the complete text of Shakespearean Tragedy?

Yes. All 7305 sentences of Project Gutenberg eBook #16966 are kept, with a record of which sentences cover which part.

Which edition of Shakespearean Tragedy is used?

Project Gutenberg eBook #16966, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Shakespearean Tragedy take to read?

About 600 minutes of reading across 1461 sections of 5 sentences each, at an unhurried pace.

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How to work through Shakespearean Tragedy section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Shakespearean Tragedy

Words and structures a reader meets early in Shakespearean Tragedy, each tappable for pronunciation and meaning.

Macmillan
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.
Canada
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.
Glasgow
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.
Printed
A word that appears in the opening chapter of Shakespearean Tragedy; the reader can tap it to hear it and see its dictionary entry.