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Shakespeare's Roman plays and their background
Shakespeare's Roman plays and their background

Chapter II

Chapter 2 of Shakespeare's Roman plays and their background is here in full — 219 sentences across 44 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/43 · 5 lines
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SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.
In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.
But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.
In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.
Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Shakespeare's Roman plays and their background

Chapter II

Chapter 2 of Shakespeare's Roman plays and their background is here in full — 219 sentences across 44 reading sections, with audio for every sentence and word.

Reading 1/43 · 5 reading units · Lines 1–5

Line 1
SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.
Line 2
In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.
/ɪn ðə fɜːrst hæf hiː hæd ˈrɪtən ˈmeni ˈkɑːmədiz ənd ə fjuː ˈtrædʒədiz ɪn ðə ˈsekənd hiː wɑːz tuː raɪt ˈmeni ˈtrædʒədiz wɪð ə fjuː pleɪz wɪtʃ ɑːn əˈkaʊnt ʌv ðə ˈhæpi ˈendɪŋ ənd ˈʌðər treɪts meɪ biː əˈsaɪnd tuː ðə ˈɑːpəzət klæs/
Line 3
But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.
Line 4
In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.
/ɪn ðɪs kaɪnd ˌɪnˈdiːd hiː hæd bɪn ˈhɑːrdli les əˈbʌndənt ðæn ɪn ˈkɑːmədi ðə prəˈpɔːrʃənz ˈbiːɪŋ naɪn ʌv ðə wʌn tuː ɪˈlevən ʌv ðə ˈʌðər/
Line 5
Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

annals noun US /ˈænəlz/

reports of the work of a society or learned body etc

From this reading “But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.”

comedies noun US /ˈkɑːmədiz/

plural of “comedy” — light and humorous drama with a happy ending

From this reading “In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.”

Elizabethan noun US /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading “But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.”

handiwork noun US /ˈhændiwɜːrk/

a work produced by hand labor

From this reading “Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.”

shakespeare's noun US /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

subdivisions noun US /ˈsʌbdɪvɪʒənz/

plural of “subdivision” — an area composed of subdivided lots

From this reading “But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.”

tragedies noun US /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading “In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.”

traits noun US /treɪts/

plural of “trait” — a distinguishing feature of your personal nature

From this reading “In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

happy ending adjective + noun

In this reading “In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.”

on account preposition + noun

In this reading “In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.”

All words in this reading · 95

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1600

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

abundantadjectiveUS /əˈbʌndənt/

present in great quantity

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

accountnounUS /əˈkaʊnt/

a record or narrative description of past events

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

AgenounUS /eɪdʒ/

how long something has existed

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

annalsnounUS /ˈænəlz/

reports of the work of a society or learned body etc

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

asideadverbUS /əˈsaɪd/

on or to one side

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

assignedadjectiveUS /əˈsaɪnd/

appointed to a post or duty

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

atprepositionUS /æt/

in or near a particular place or position

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

beyondprepositionUS /bɪˈɑːnd/

on the far side of; further than

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

bisects

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

busiedverbUS /ˈbɪzid/

inflected form of “busy” — keep busy with

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

careernounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

centuriesnounUS /ˈsentʃəriz/

plural of “century” — a period of 100 years

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

characteristicnounUS /ˌkerəktərˈɪstɪk/

a prominent attribute or aspect of something

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

classnounUS /klæs/

a collection of things sharing a common attribute

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

comediesnounUS /ˈkɑːmədiz/

plural of “comedy” — light and humorous drama with a happy ending

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

comedynounUS /ˈkɑːmədi/

light and humorous drama with a happy ending

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

dealingnounUS /ˈdiːlɪŋ/

method or manner of conduct in relation to others

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

DramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

elevenadjectiveUS /ɪˈlevən/

being one more than ten

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

ElizabethannounUS /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

endingnounUS /ˈendɪŋ/

the end of a word (a suffix or inflectional ending or final morpheme)

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

handiworknounUS /ˈhændiwɜːrk/

a work produced by hand labor

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

hardlyadverbUS /ˈhɑːrdli/

only a very short time before

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

HenrynounUS /ˈhenri/

a unit of inductance in which an induced electromotive force of one volt is produced when the current is varied at the rate of one ampere per second

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

HistoricaladjectiveUS /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

HISTORYnounUS /ˈhɪstəri/

the aggregate of past events

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

leavesnounUS /liːvz/

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

legitimateadjectiveUS /ləˈdʒɪtəmət/

of marriages and offspring; recognized as lawful

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

moreoveradverbUS /mɔːˈroʊvər/

in addition to what has just been said

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

nationaladjectiveUS /ˈnæʃənəl/

of or relating to or belonging to a nation or country

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

ninenounUS /naɪn/

the cardinal number that is the sum of eight and one

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

oppositeadjectiveUS /ˈɑːpəzət/

being directly across from each other; facing

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

partiallyadverbUS /ˈpɑːrʃəli/

to some extent; in some degree; not wholly

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

PlayverbUS /pleɪ/

participate in games or sport

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

productnounUS /ˈprɑːdəkt/

commodities offered for sale

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

proportionsnounUS /prəˈpɔːrʃənz/

plural of “proportion” — the quotient obtained when the magnitude of a part is divided by the magnitude of the whole

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

recognisedadjectiveUS /ˈrekəɡnaɪzd/

provided with a secure reputation

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

returnsnounUS /rɪˈtɜːrnz/

plural of “return” — document giving the tax collector information about the taxpayer's tax liability

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

RomanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

roughlyadverbUS /ˈrʌfli/

(of quantities) imprecise but fairly close to correct

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

SHAKESPEARE'SnounUS /ˈʃeɪkspiːrz/

possessive form of “shakespeare” — English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

subdivisionsnounUS /ˈsʌbdɪvɪʒənz/

plural of “subdivision” — an area composed of subdivided lots

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

suddenlyadverbUS /ˈsʌdənli/

happening unexpectedly

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading But beyond these recognised and legitimate subdivisions of the Romantic Drama, he had also before 1600 busied himself with that characteristic product of the Elizabethan Age, the Historical Play dealing with the national annals.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In this kind, indeed, he had been hardly less abundant than in comedy, the proportions being nine of the one to eleven of the other.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

tragediesnounUS /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

traitsnounUS /treɪts/

plural of “trait” — a distinguishing feature of your personal nature

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

TREATMENTnounUS /ˈtriːtmənt/

care provided to improve a situation (especially medical procedures or applications that are intended to relieve illness or injury)

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading SHAKESPEARE’S TREATMENT OF HISTORY The turn of the centuries roughly bisects the dramatic career of Shakespeare.

VIIInoun

the cardinal number that is the sum of seven and one

From this reading Then suddenly he leaves it aside, and returns to it only at the close in _Henry VIII._, which moreover is but partially his handiwork.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

withprepositionUS /wɪð/

in the company of; together with

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

writeverbUS /raɪt/

produce a literary work

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading In the first half he had written many comedies and a few tragedies; in the second he was to write many tragedies with a few plays which, on account of the happy ending and other traits, may be assigned to the opposite class.

Chapter 2 of Shakespeare's Roman plays and their background by Mungo William, Sir MacCallum holds 219 sentences, grouped into 44 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Shakespeare's Roman plays and their background contain?

Chapter 2 holds 219 sentences of Shakespeare's Roman plays and their background, unabridged, divided into 44 reading sections.

This page carries chapter 2 of Shakespeare's Roman plays and their background by Mungo William, Sir MacCallum exactly as it stands in the source edition, without abridgement. It runs to 219 sentences, grouped into 44 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Shakespeare's Roman plays and their background?

Work through the 44 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 44 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading Shakespeare's Roman plays and their background by Mungo William, Sir MacCallum on this page, its source edition and its audio.

Is this the complete text of Shakespeare's Roman plays and their background?

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Which edition of Shakespeare's Roman plays and their background is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

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Vocabulary met early in Shakespeare's Roman plays and their background

Words and structures a reader meets early in Shakespeare's Roman plays and their background, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Shakespeare's Roman plays and their background, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of Shakespeare's Roman plays and their background, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of Shakespeare's Roman plays and their background, divided into 5-sentence reading sections.